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Form, Function, and Aesthetics - English version - Bruno Lévy

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Imprimer et composer l’espace sonore - Espaces naturels, espaces chimériques - version française - Olivier Warusfel, Markus Noisternig

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Venice Time Machine - English version - Frédéric Kaplan

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Printing and Composing sound chambers- Natural spaces, chimeric spaces - English version - Olivier Warusfel, Markus Noisternig

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The Connection Between Emotion and Immersion in Immersive Experiences - English version - Gaël Seydoux

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Spatialité, vers une écriture tridimensionnelle - version française - Thierry Coduys, Gaël Martinet

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Du lien entre émotion et immersion dans les expériences immersives - version française - Gaël Seydoux

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Spatialization, Towards 3D Writing - English version - Thierry Coduys, Gaël Martinet

16 mars 2017 29 min

Read, Write, Execute: What are the Machines that Determine Thinking?

0:00/0:00

What are the machines that determine thinking? We may approach the question in a number of ways. The typical approach is to consider (or perhaps even craft) a philosophy of media. This comes under the name of media studies or media theory, where media artifacts are taken as the objects of thinking. Yet there is also an alternate approach, the media of philosophy, where the a priori conditions of philosophy themselves take center stage, engulfing thought as a kind of object. For if "media determine our situation," as Friedrich Kittler once notoriously put it, is it not also true that philosophies shift according to the changing conditions of media technology? In this lecture we will explore a series of philosopher's devices drawn from the domain of machines and computers--Heidegger's Grundig, Nietzsche's Schreibkugel, Derrida's Macintosh Plus, Malabou's neural net--as a backdrop for a different kind of inquiry, not simply that our writing instruments contribute to our thoughts, but also that our thoughts themselves are instruments.

intervenants

informations

évènements
Forum Vertigo
Type
Ensemble de conférences, symposium, congrès
Lieu de représentation
Ircam, Salle Igor-Stravinsky (Paris)
durée
31 min
date
10 mars 2022

IRCAM

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