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Operating by learning a corpus of massive data—sounds, images, texts—the current algorithms for artificial intelligence provide unparalleled power for the production of artefacts with a credibility so troubling that their operation is misunderstood. What are their limits and do they put the status of author as it is today in peril? Does their control imply new heuristics for artistic creation?
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Du lundi au vendredi de 9h30 à 19h
Fermé le samedi et le dimanche
Hôtel de Ville, Rambuteau, Châtelet, Les Halles
Institut de Recherche et de Coordination Acoustique/Musique
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