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‘Diálogos franciscano(n)s’, for flute and electronics, is linked to new technologies—like voice and sonic modelling (provided by Ircam Trax v3), audio spatialization, spectral morphing—, musical ekphrasis, numinosity, intertextuality and extended performance techniques. The piece is an artistic transmedialization of a stained glass made by Frère Éric for the Eglise romane de Taizé (France) depicting St. Francis of Assisi surrounded by six birds. The listener seems to hear how 6 different sound sources (representing birds) appear at 4 equidistant spots (representing trees) and start emitting signals from the periphery to the center, where the flutist (representing St. Francis) is located, while rotating counterclockwise at constant speed and transforming themselves into children’s voices (representing angels), just before the birds seem to take off rapidly. The flutist rotates almost constantly over his/her vertical axis to follow the apparition of the mentioned sound sources and answer to each of the emitted bird songs with his/her flute by playing in a somehow canonical way (hence the title) their corresponding transcriptions, which are connected by passages characterized by the use of extended performance techniques.
Une présentation de la fantaisiste librairie Antescofo transformant des fonctions mathématiques paramétriques en courbes contrôlant les trajectoires des sources Spat. Les résultats de ces processus sont X, Y et Z ou Azimut, Élévation et Di
March 9, 2018 25 min
Dans le domaine de la musique électroacoustique, les compositions fondées sur le paysage sonore ou « soundscape compositions » se caractérisent par la présence d’éléments sonores de l’environnement dans l’ensemble de leur répertoire. À la d
March 9, 2018 26 min
Where do beats begin and where does tonality end? You can find the answer in a forest of steel trees composed of resonant bark during a spectral thunderstorm“. The aim of my research project is the merger of melodic and percussion elements
March 9, 2018 34 min
We will present the the latest news of Cycling ’74 regarding Max and Max for Live.
March 9, 2018 28 min
J’ai développé un programme qui simule un quintette virtuel (batterie, basse, piano, autre instrument à choix) de jazz et soliste(s). Cet ensemble groove et permet une grande liberté de contrôle des paramètres rythmiques du groove. On peut
March 9, 2018 29 min
Le projet présenté par Andrea Agostini est un langage de programmation textuelle simple ayant pour objectif de faciliter la manipulation des structures de données de Bach (une extension de Max pour les représentations musicales et la compos
March 9, 2018 30 min
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