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Gestural-Based Sound Spatialization & Synthesis Strategies in 3D Virtual Environment in Interactive Audiovisual Composition

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Ada's Song: Making machine-learning processes visible and tangible

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Media Specific Performance: the screen mediated production during the Pandemic

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AI, networked performance and aesthetic judgment

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The World of Freedom

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ISMM team (IRCAM) - Presentation of the latest projects for Max: Mubu, CataRT, SkataRT, Gesture&Sound Toolkit.

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Max/MSP Spat library, sensors, and Unreal Engine: a workflow for a real-time generative VR project

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Point sur MacIntel et les logiciels du Forum - Carlos Amado Agon, Riccardo Borghesi, Karim Haddad, Nicholas Ellis

November 29, 2006 20 min

Nouveautés AudioSculpt 2.7 et SuperVP 2.91 - Xavier Rodet, Alain Lithaud, Niels Bogaards, Axel Roebel

November 29, 2006 01 h 07 min

Nouveautes OpenMusic - Gérard Assayag, Jean Bresson, Carlos Amado Agon, Karim Haddad

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Point sur le Spatialisateur - Olivier Warusfel, Rémy Muller, Terence Caulkins

November 29, 2006 12 min

Nouveautés Modalys - Joël Bensoam, Nicholas Ellis, Jean Lochard

November 29, 2006 50 min

Mlys - une interface de contrôle de Modalys dans Max/MSP - Manuel Poletti

November 29, 2006 47 min

Accueil - Andrew Gerzso

November 29, 2006 18 min

Développements récents de l'équipe applications temps réel - Diemo Schwarz, Riccardo Borghesi, Norbert Schnell

November 29, 2006 51 min

Shallow Steps - Spatial Cognitive Sonification of Generative Visuals

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‘Shallow Steps’ is an audiovisual installation/performance that explores the synaesthetic space between sound, vision, audience, and infinity. The technique and software for the translation of the visuals to sound is created through the composer’s research on ‘Cognitive Audiovisual Transformation’- an approach to synaesthetic art that prioritizes cognitive elements instead of mathematical correspondences. The self-repeating structure of fractals, especially mathematical fractals such as the Mandelbrot set, is the starting point of the work. Applying certain mathematical formulae on a visual plane creates a specific, self-repeating shape. Zooming into this shape creates more intricate patterns. Theoretically these patterns continue until infinity, ever-changing and yet always unique. In this work it is this pattern that is transformed into sound and given an audiovisual form, as an automata entity.

speakers

information

Type
Ensemble de conférences, symposium, congrès
performance location
Ircam, Salle Igor-Stravinsky (Paris)
duration
27 min
date
March 31, 2023

IRCAM

1, place Igor-Stravinsky
75004 Paris
+33 1 44 78 48 43

opening times

Monday through Friday 9:30am-7pm
Closed Saturday and Sunday

subway access

Hôtel de Ville, Rambuteau, Châtelet, Les Halles

Institut de Recherche et de Coordination Acoustique/Musique

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