information

Type
Ensemble de conférences, symposium, congrès
performance location
Ircam, Salle Igor-Stravinsky (Paris)
duration
24 min
date
March 31, 2023

Ada’s Song is a ca. 10-minute work for mezzo-soprano, ensemble and an interactive Piano Machine system, commissioned as an hommage to Ada Lovelace in 2019. It was created using AI-assisted composition processes, and employs real-time machine learning in the performance of the Piano Machine. Designed at Goldsmiths College in collaboration with Konstantin Leonenko in 2017, the Piano Machine plays the strings of the piano directly through mechanical, sustained vibration created by a set of motors and finger-like appendages controlled by microprocessors, thus creating dynamic control of notes over time, piloted by wireless OSC messaging. The material performed by the Piano Machine was generated by a concatenation of recordings of a work by Henry Purcell, Hosanna to the Highest, such that the repetitive ground bass of the original creates a foundation for the expressive intervention of real-time machine-learning processes.
In an attempt to render the Piano Machine more expressive and responsive to the ‘human’ musicians’ performance, the repeating harmonic patterns performed by the Piano Machine are shaped by machine learning processes that ‘listen’ to the instrumentalists during the rehearsals and performance. These processes filter the reservoir of notes and amplitudes produced from the concatenated recordings, not only in relation the notes that been played, but how they have been performed. This is achieved by building up training sets of timbral data over the course of rehearsals. Thus, the Piano Machine inscribes itself into the expressive sonic world of the ensemble.

speakers

From the same archive

Gestural-Based Sound Spatialization & Synthesis Strategies in 3D Virtual Environment in Interactive Audiovisual Composition

This presentation/demo is based on my final doctoral project that explores computer game technology's artistic potential, particularly through the adaptation of the hand gesture of the Sabetan Technique of Indonesia Wayang Kulit to create p

March 31, 2023 28 min

Video

Media Specific Performance: the screen mediated production during the Pandemic

In this presentation, I am aiming to discuss the development of new possibilities of aesthetic explorations in sound art, experimental music and audiovisual performances, that emerged during the pandemic. I am interested in real-time audiov

March 31, 2023 34 min

Video

AI, networked performance and aesthetic judgment

March 31, 2023 27 min

Video

The World of Freedom

World of Freedom is an immersive virtual space. It provides possibilities for people to empathetically imagine a “free” living sociology at the post-pandemic Anthropocene. Technologies support people to live in their identical personal spac

March 31, 2023 22 min

Video

ISMM team (IRCAM) - Presentation of the latest projects for Max: Mubu, CataRT, SkataRT, Gesture&Sound Toolkit.

March 31, 2023 30 min

Video

Family Life - recomposed

Family life, and children in general are commonly associated with chaos and unsolicited noise. Something sound artists themselves mostly try to avoid, as the worst place for them to work. This 16-loudspeaker installation, in opposition, aim

March 31, 2023 31 min

Video

Conclusions

March 31, 2023 24 min

Video

Shallow Steps - Spatial Cognitive Sonification of Generative Visuals

‘Shallow Steps’ is an audiovisual installation/performance that explores the synaesthetic space between sound, vision, audience, and infinity. The technique and software for the translation of the visuals to sound is created through the com

March 31, 2023 27 min

Video

Max/MSP Spat library, sensors, and Unreal Engine: a workflow for a real-time generative VR project

his project is a poetic discussion about the relationship between people, parks, and space. Whenever I go to the park, as I look around, I always wonder why people go to the park? What do parks really mean to us? What do people feel in the

March 31, 2023 32 min

Video

share


Do you notice a mistake?

IRCAM

1, place Igor-Stravinsky
75004 Paris
+33 1 44 78 48 43

opening times

Monday through Friday 9:30am-7pm
Closed Saturday and Sunday

subway access

Hôtel de Ville, Rambuteau, Châtelet, Les Halles

Institut de Recherche et de Coordination Acoustique/Musique

Copyright © 2022 Ircam. All rights reserved.