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« Here's the Information We Collect » is a multi-channel interactive video installation tailored to respond to selected privacy policy on major social media platforms. The audience members are invited to engage with the work by speaking into a microphone. Their words will be processed by a pre-coded speech recognition program to match the key words to specific sonic elements performed by professional vocalists, creating a dynamic and evolving musical score in real-time. The project employs the privacy policy of a particular cyber enterprise as an entry point to explore the implications of our online data and the tension between privacy, surveillance, and the free flow of information in the digital age. It also calls attention to tech corporations' collection and capitalization of user data behind the scenes as a form of digital colonialism.
The “falling sand” genre of games provide a unique “sandbox” experience to players, encouraging curiosity and creativity. Players experiment with a variety of powdered elements which are subjected to a detailed physics system and may react
28 mars 2025
sinusoidal run rhythm is created by the addition of in-phase cosine functions in integer ratios. Their maxima are temporally and dynamically shifted in relation to corresponding notated rhythms and exhibit a physicality that is not present
28 mars 2025
28 mars 2025
At its core, Telematic Theater features the Audio-Visual Panner, a spatialization tool that synchronizes 3D performer positioning in spherical environments with 3D ambisonic and binaural sound. This correlation between sound, image, movemen
28 mars 2025
Process - Sound Collection and Training Using sound data from 2023 to 2024 registered by NanFormosa, it is placed in the Memory Creator for analysis, with Nana performing improvisational interactions. Additionally, a MIDI controller is use
28 mars 2025
28 mars 2025
Decorrelated Spatial Synthesis involves the addition of classical synthesizer parts to spatial coordinates, and establishes a correlation between synthesis parameters and spatial positions. For each polyphony voice, each section of the synt
28 mars 2025
We present Latent Terrain, an algorithmic approach to dissecting the latent space of a neural audio autoencoder into a two-dimensional plane. Latent Terrain questions the conventional paradigms of dimensionality reduction in creative intera
28 mars 2025
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Du lundi au vendredi de 9h30 à 19h
Fermé le samedi et le dimanche
Hôtel de Ville, Rambuteau, Châtelet, Les Halles
Institut de Recherche et de Coordination Acoustique/Musique
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