\r\nLa première génération qui entre de plein droit dans la base est donc celle constituée par John Cage, Olivier Messiaen ou encore Elliott Carter.\r\n\u003C/p>\r\n\r\n\u003Ch3>Contenus\u003C/h3>\r\n\r\n\u003Cp style=\"text-align: justify;\">\r\nLes données sont progressivement mises à jour depuis juillet 2007, en remplacement de celles de l’ancienne version de la base, développée entre 1996 et 2001 par Marc Texier. L’information peut donc être incomplète pour certains compositeurs non encore traités : dans ce cas l’indication « ! Informations antérieures à 2002 » apparaît en haut de page. Pour tous les autres documents, la date de dernière mise à jour est indiquée en haut de page.\r\n\u003C/p>\r\n\r\n\u003Ch3>Mises à jour et nouvelles entrées\u003C/h3>\r\n\r\n\r\n\u003Cp style=\"text-align: justify;\">Les mises à jour se font compositeur par compositeur. Pour un compositeur donné, sont systématiquement revus ou créés les documents suivants :\r\n\u003C/p>\r\n\u003Cul style=\"text-align: justify;\">\r\n \u003Cli>la biographie\u003C/li>\r\n \u003Cli>le catalogue exhaustif de ses œuvres (y compris, si possible, les œuvres disparues, retirées ou posthumes)\u003C/li>\r\n \u003Cli>une liste de ressources bibliographiques, discographiques et internet,\u003C/li>\r\n \u003Cli>des éventuels documents attachés (Parcours de l’œuvre, interviews, analyses, notes de programme etc.)\u003C/li>\r\n\u003C/ul>\r\n\u003Cp style=\"text-align: justify;\">\r\nLa définition des priorités de mises à jour et nouvelles entrées des compositeurs s’opèrent suivant une méthodologie basée sur l’observation de la vie culturelle européenne :\r\n\u003C/p>\r\n\u003Cul style=\"text-align: justify;\">\r\n \u003Cli>Avant chaque saison, nous relevons les programmations à venir des principaux festivals, institutions et ensembles musicaux européens investis dans le domaine de la création musicale. Cette observation s’opère par cercles concentriques en partant de l’activité propre de l’Ircam (année n-2), puis de celle des partenaires privilégiés (année n-1) jusqu’aux grandes institutions et festivals européens de création (année n) ;\u003C/li>\r\n \u003Cli>Chaque compositeur est crédité de points en fonction de l’importance et de l’intensité de l’activité musicale le concernant. Ce classement permet de définir les priorités pour chaque trimestre ;\u003C/li>\r\n \u003Cli>Si un compositeur n’a pas obtenu assez de points pour figurer dans les priorités, il cumule ceux-ci sur le trimestre suivant ; et ainsi remonte progressivement dans la liste des priorités.\u003C/li>\r\n \u003Cli>Une fois mis à jour, les documents attachés à un compositeur sont valables trois ans, après lesquels le processus décrit ci-dessus reprend.\u003C/li>\r\n\u003C/ul>\t\r\n\r\n\u003Ch3>Erreurs ou omissions\u003C/h3>\t\r\n\t\t\t\t\r\n\u003Cp style=\"text-align: justify;\">\r\nSi la mise à jour est déjà effectuée (date postérieure à juin 2007) : nous invitons les musicologues, les compositeurs (ou leur éditeur) à nous signaler toute erreur ou omission importante. Elle sera corrigée, dans la mesure du possible, au cours du trimestre suivant. De même, nous les invitons à nous faire connaître leurs œuvres nouvelles, en mentionnant tous les éléments nécessaires à la création d’une fiche œuvre nouvelle.\r\n\u003C/p>\r\n\u003Cp style=\"text-align: justify;\">\t\t\r\nSi la mise à jour n’est pas encore effectuée (indication : « mise à jour à venir ») : Les compositeurs peuvent nous signaler des erreurs ou omissions importantes. Ces indications seront prises en compte au moment de la mise à jour à venir. Un compositeur peut également demander le retrait de sa biographie dans l’attente de la mise à jour.\r\n\u003C/p>\r\n\u003Cp style=\"text-align: justify;\">\r\nPour cela : \u003Ca href=\"mailto:brahms-contenu[at]ircam[dot]fr\">écrire\u003C/a> à l’administrateur de publication\r\n\u003C/p>\r\n",{"id":14,"url":15,"titleFr":16,"titleEn":11,"contentFr":17,"contentEn":11},"a3cd05aa-3447-487a-b4fc-213ba0f77e6b","/copyrights/","Mention Légale","La reproduction de contenus de ce site Web, en tout ou partie, est formellement interdite sans la permission écrite de l'Ircam. Les textes, images, logos, codes sources sont la propriété de l'Ircam, ou de détenteurs avec lesquels l'Ircam a négocié les droits de reproduction à sa seule fin d'utilisation dans le cadre du site Brahms. Tout contrevenant s'expose à des poursuites judiciaires. ",{"id":19,"url":20,"titleFr":21,"titleEn":11,"contentFr":22,"contentEn":11},"9162642e-ea99-48c3-8d3b-2dc2a3f8ba45","/repertoire/about/","Projet Répertoire Ircam","\u003Cp>Le Projet Répertoire Ircam est une collection d’analyses musicales en ligne d’environ 70 œuvres crées à l’Ircam et considérées comme représentatives de la culture de l’institut tant sur le plan artistique que technologique.\u003C/p>\r\n\r\n\u003Cp>Ce projet a débuté en 2006-2008 avec la création d’outils auteurs mises en œuvre par le département Interfaces Recherche/Création en collaboration avec le secteur recherche de l’institut. Les premières analyses ont été mises en ligne fin 2010 et il est prévu que la collection s’élargisse à un rythme de deux ou trois nouvelles analyse par an.\u003C/p>\r\n\r\n\u003Cp>Plusieurs objectifs sont poursuivis par ce projet :\u003C/p>\r\n\r\n\u003Cul>\r\n\t\u003Cli>faire connaître les œuvres produites à l’Ircam à un public plus large,\u003C/li>\r\n\t\u003Cli>montrer la relation entre l’idée musicale et les technologies utilisés,\u003C/li>\r\n\t\u003Cli>identifier les nouveaux éléments du vocabulaire musical qui émergent à travers ces œuvres,\u003C/li>\r\n\t\u003Cli>offrir un support d’information aux interprètes.\u003C/li>\r\n\u003C/ul>\r\n\r\n\u003Cp>Chaque analyse est structurée en trois parties :\u003C/p>\r\n\r\n\u003Col>\r\n\t\u003Cli>description générale de l’œuvre,\u003C/li>\r\n\t\u003Cli>analyse des extraits de l’œuvre avec mise en relation de l’idée musicale et de l’écriture électronique,\u003C/li>\r\n\t\u003Cli>la liste de ressources spécifiques (type de problème musical abordé, technologies utilisées, œuvres abordant le même type de problématique) et générales (biographique, historique, technique).\u003C/li>\r\n\u003C/ol>\r\n\r\n\u003Cp>Les analyses seront également mises en relation avec :\u003C/p>\r\n\r\n\u003Cul>\r\n\t\u003Cli>Brahms : une base de données encyclopédique en ligne de compositeurs de musique contemporaine de toutes les nationalités dont les œuvres ont été créées après 1945. Cette base contient actuellement environ 600 références. Pour chaque compositeur, il y a une partie biographique accompagnée des sources d’information, et une autre partie qui situe l’orientation esthétique, les phases principales et le contexte historique de l’œuvre.\u003C/li>\r\n\t\u003Cli>Images d’une œuvre : une collection des interviews filmés des compositeurs.\u003C/li>\r\n\t\u003Cli>Sidney : une base de données qui contient les éléments techniques (programmes informatiques, sons etc. ) nécessaires pour l’exécution de l’œuvre.\u003C/li>\r\n\u003C/ul>\r\n\r\n\u003Cp>A plus long terme, les analyses des nouvelles œuvres créés à l’Ircam viendront se rajouter au corpus donné dans l’annexe citée ci-dessus.\u003C/p>",{"data":24},{"personBySlug":25},{"firstName":26,"lastName":27,"privateState":28,"biographyDate":11,"resume":29,"resumeEn":30,"resources":31,"catalogueSource":32,"manualUpdateDate":33,"documents":11,"photo":34,"copyrights":36,"slug":37,"hasArticles":38,"type":39,"hasWorks":38,"works":40,"hasBiography":38,"hasWorkcourse":38,"hasAnalyses":38,"hasBooks":616,"hasMonographs":616,"hasPartitions":616,"hasFloraAudios":616,"hasAudios":38,"hasVideos":38},"Marco","Stroppa","valid","Compositeur italien né le 8 décembre 1959 à Vérone.","Italian composer born 8 December 1959 in Verona.","\u003Ch4 id=\"bibliographie\">Bibliographie\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>Giacomo ALBERT, \u003Cem>La musica di Marco Stroppa: percorsi paralleli tra tecnologia e pensiero compositivo\u003C/em>, mémoire de Maîtrise, sous la direction de Gianmario Borio, Université de Parme, Faculté de Musicologie, 2006.\u003C/li>\u003Cli>Lidia BRAMANI, \u003Cem>Memoria e attesa: il presente nella musica\u003C/em>, De Sono Editions, Associazione per la Musica, Turin, 1994.\u003C/li>\u003Cli>Lidia BRAMANI, \u003Cem>Versuch über die Ästhetik Marco Stroppas\u003C/em>, livret du programme du cycle \u003Cem>Next Generation of the 1996 Salzburger Festspiele\u003C/em>, 1996.\u003C/li>\u003Cli>Jérôme CHADEL, « Interactions Piano / Machine dans \u003Cem>Traiettoria... deviata\u003C/em> de Marco Stroppa. », mémoire de D.E.A. Arts option Musique, sous la direction de Márta Grabócz, Université Marc Bloch de Strasbourg, 2000.\u003C/li>\u003Cli>Danielle COHEN-LEVINAS, Entretien avec Marco Stroppa, dans \u003Cem>Les Cahiers de l’Ircam\u003C/em> n° 3, Paris, Ircam - Centre Pompidou, 1993.\u003C/li>\u003Cli>Giordano FERRARI, « Opéras Radiophoniques, un genre de dramaturgie musicale », \u003Cem>Musique et Dramaturgie, Esthétique de la représentation d'avant-garde\u003C/em>, sous la direction de Laurent Feneyrou, CDMC Sacem, 2000, p. 639-651.\u003C/li>\u003Cli>Giordano FERRARI, « Verso la commedia: coordinate per un dramma in musica » \u003Cem>Sonus\u003C/em>, 1995, p. 31-46.\u003C/li>\u003Cli>Giordano FERRARI, « Vers un Scénario Imaginaire : l'Opéra Radiophonique Italien », \u003Cem>Musique : Texte, Les Cahiers de l'Ircam\u003C/em>, n° 6, 1994, p. 71-80.\u003C/li>\u003Cli>Xavier HAUTBOIS, \u003Cem>Formulation et Formalisation des Contraintes en Informatique Musicale, approches des compositeurs Marco Stroppa et Philippe Hurel\u003C/em>, mémoire de D.E.A. en Musique et musicologie du XX\u003Csup>e\u003C/sup> Siècle, sous la direction de Hugues Dufourt, École des Hautes Études en Sciences Sociales, 1991.\u003C/li>\u003Cli>Florian HÖLSCHER, « Anmerkungen zu Marco Stroppas Zyklus \u003Cem>Miniature Estrose\u003C/em> für pianoforte d’amore » in \u003Cem>Physiologie des Klaviers\u003C/em>, Julia Kursell, Hrsg. (éditeur), Max-Planck-Instituyt für Wissenschaftsgeschickte, Preprint 366, 2009, téléchargement pdf sur \u003Ca href=\"http://www.mpiwg-berlin.mpg.de/Preprints/P366.PDF\">http://www.mpiwg-berlin.mpg.de\u003C/a> \u003Cem>(lien vérifié en avril 2020).\u003C/em>\u003C/li>\u003Cli>Stefano MARCATO, « La realizzazione dei suoni sintetici in Traiettoria di Marco Stroppa », \u003Cem>Il centro di sonologia computazionale dell'università di Padova. Vent'anni di musica elettronica\u003C/em>, CIMS, Centro per le iniziative musicali in Sicilia, Palermo, 2001.\u003C/li>\u003Cli>Nathalie RUGET, \u003Cem>M. Stroppa : une démarche compositionnelle. Un parcours possible à travers\u003C/em> Miniature Estrose, Upon a Blade of Grass, \u003Cem>et\u003C/em> Hiranyaloka, mémoire de DEA de Musique, sous la direction de Jean-Yves Bosseur, Université de Paris IV Sorbonne, 1999.\u003C/li>\u003Cli>Marco STROPPA, Jean BRESSON, « Electronic dramaturgy and computer-aided composition in \u003Cem>Re Orso\u003C/em> », dans \u003Cem>The OM Composer's Book volume 3\u003C/em>, (Jean Bresson, Carlos Agon, Gérard Assayag, éd.), éditions Delatour/Ircam-Centre Pompidou, coll. « Musique/Sciences », 2016\u003C/li>\u003Cli>Marco STROPPA, « Accorder musicalement un espace réel et un espace inventé. Entretien avec Jehanne Dautrey », dans \u003Cem>Rue Descartes\u003C/em>, n° 56, puf, Paris, 2007 p. 70-81.\u003C/li>\u003Cli>Marco STROPPA, Serge LEMOUTON, et Benny SLUCHIN, « Using the augmented trombone in \u003Cem>I will not kiss your f.ing flag\u003C/em> », dans \u003Cem>NIME 06\u003C/em>, Paris, juin 2006, p. 304-307 en ligne sur \u003Ca href=\"http://www.nime.org/2006/proceedings.htm\">http://www.nime.org/2006/proceedings.htm\u003C/a> \u003Cem>(lien vérifié en avril 2020).\u003C/em>\u003C/li>\u003Cli>Marco STROPPA, « Gibt's was Neues ? », dans \u003Cem>Zeitschrift Musik & Ästhetik\u003C/em>, année IX, vol. 33, 2005, Klett-Cotta, Stuttgart, p. 83-84, (p. 67-85, « Forum » des compositeurs).\u003C/li>\u003Cli>Marco STROPPA, Serge LEMOUTON, Carlos AGON, \u003Cem>omChroma ; vers une formalisation compositionnelle des processus de synthèse sonore\u003C/em>, Paris, Ircam - Centre Pompidou, 2002.\u003C/li>\u003Cli>Marco STROPPA, Gérard ASSAYAG, Carlos AGON, « High Level Musical Control of Sound Synthesis in OpenMusic », dans \u003Cem>Proceedings of the 2000 ICMC\u003C/em>, Berlin, 2000.\u003C/li>\u003Cli>Marco STROPPA, « Paradigms for the High-level Musical Control of Digital Signal Processing », dans \u003Cem>Proceedings of the COST G-6 Conference on Digital Audio Effects\u003C/em>, DAFX-00, Vérone, décembre, 2000*.*\u003C/li>\u003Cli>Marco STROPPA, « Les chemins de la création », dans \u003Cem>Due anni di lavoro\u003C/em>, Institut Italien de Culture, Paris, 2003, p. 64-67. Intervention dans cadre du \u003Cem>Colloque sur la Création\u003C/em>, Fondation Jean-Jaurès, La Villette, Paris, 2000.\u003C/li>\u003Cli>Marco STROPPA, « Live Electronics or ... Live Musics? Towards a Critique of Interaction » [avec exemples sonores dans un Cd], \u003Cem>The Aesthetics of Live Electronic Music\u003C/em>, Marc Battier, ed., Contemporary Music Revue, Harwood Academic Publishers, London, 1999.\u003C/li>\u003Cli>Marco STROPPA, « In cielo, in terra, in mare », \u003Cem>Musique et Dramaturgie, Esthétique de la représentation d'avant-garde\u003C/em>, sous la direction de Laurent Feneyrou, CDMC Sacem, 2000, p. 653-659.\u003C/li>\u003Cli>Marco STROPPA, « Un Orchestre Synthétique : Remarques sur une Notation Personnelle », \u003Cem>Le timbre : Métaphores pour la composition\u003C/em>, J.B. Barrière ed., Ed. C. Bourgois, Paris, 1991, p. 485-538.\u003C/li>\u003Cli>Marco STROPPA, Jacques DUTHEN, « Une représentation de structure temporelle par synchronisation de pivots », dans \u003Cem>Actes du .I.M. Colloque « Musique et Assistance Informatique »\u003C/em> (Marseille, 3-6 Octobre 1990), éd. Christian Bourgois, Paris, 1991, p. 305-322.\u003C/li>\u003Cli>Marco STROPPA, « Musical Information Organisms: An Approach to Composition », \u003Cem>Music and the Cognitive sciences\u003C/em>, S. Mc Adams et I. Deliège dir., Contemporary Music Revue, vol. 4, Harwood Academic Publishers, London, 1989. Trad. en français : « Les Organismes d'Information Musicale : Une Approche de la Composition » \u003Cem>La Musique et les Sciences Cognitives\u003C/em>, Contemporary Music Revue, Pierre Mardaga, Bruxelles, 1989, p. 203-234.\u003C/li>\u003Cli>Marco STROPPA, « L'Esplorazione e la Manipolazione del Timbro », \u003Cem>LIMB Bullettin\u003C/em> n° 5, édition La Biennale de Venise, 1985.\u003C/li>\u003Cli>Alessandro TAMBURINI, « Ritratto di poetica musicale: \u003Cem>Traiettoria\u003C/em>, per pianoforte e computer di Marco Stroppa » dans \u003Cem>LIMB Bullettin\u003C/em> n° 5, Edition La Biennale de Venise, 1985, p. 69-76.\u003C/li>\u003Cli>Vincent TIFFON, Noémie SPRENGER-OHANA, « The Creative Process in \u003Cem>Traiettoria\u003C/em>: An Account of the Genesis of Marco Stroppa’s Musical Thought », \u003Cem>Contemporary Music Review\u003C/em>, vol. 30, n° 5, 2012.\u003C/li>\u003C/ul>\n\u003Ch4 id=\"discographie\">Discographie\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>Marco STROPPA, « Miniature Estrose - Primo Libro, per pianoforte d'amore », Erik Bertsch : piano, 1 Cd Kairos, 2020, 0015071KAI.\u003C/li>\u003Cli>Marco STROPPA, \u003Cem>Come play with Me\u003C/em>, SWR Symphonieorchester, Pascal Rophé : direction, dans « Donauschinger Musikstage 2018 », 2 cd Neos, 2019, NEOS 11924_15.\u003C/li>\u003Cli>Marco STROPPA, \u003Cem>Space\u003C/em>, ensemble KNM Berlin, dans « Space », 1 cd Wergo, 2018.\u003C/li>\u003Cli>Marco STROPPA, \u003Cem>Auras\u003C/em>, Thierry Miroglio, percussion, dans « The World of Percussion », avec des œuvres de Bruno Mantovani, Peter Eötvös, René Leibowitz, Philippe Hersant et Jean-Claude Risset, 1 cd Naxos, 2016.\u003C/li>\u003Cli>Marco STROPPA, \u003Cem>Tangata manu\u003C/em>, dans « Liszt project », Pierre-Laurent Aimard : piano, avec des pièces de Franz Liszt, Richard Wagner, Alexander Scriabin, Béla Bartók, Olivier Messiaen et Maurice Ravel, 1 cd Deutsche Grammophon, 2011, DGG 4779439.\u003C/li>\u003Cli>Marco STROPPA, \u003Cem>Traiettoria\u003C/em>, \u003Cem>Spirali\u003C/em>, Pierre-Laurent Aimard : piano, Quatuor Arditti, 1 cd Stradivarius - Riccordi oggi, 2009, STR 57008.\u003C/li>\u003Cli>Marco STROPPA, \u003Cem>Miniature Estrose, Libro Primo\u003C/em> ; \u003Cem>Ahu Tang\u003C/em>, Tamara Stefanovich : piano, dans « Edition Klavier Festival Ruhr 2005 », vol. 9, 3 cd AVIM, 2008, 553015.\u003C/li>\u003Cli>Marco STROPPA, \u003Cem>Miniature Estrose, Libro Primo\u003C/em>, Florian Hölscher, piano, 1 cd Stradivarius, 2005, STR 33713.\u003C/li>\u003Cli>Marco STROPPA, \u003Cem>Ossia\u003C/em>, Annette Bik, violon, Andrea Lindenbaum, violoncelle, Mathilde Hoursiangou, piano (Klangforum Wien), 1 cd Col legno, Donaueschinger Musiktage 2005, vol. 3, WWE 20246.\u003C/li>\u003Cli>Marco STROPPA, \u003Cem>Spirali\u003C/em>, Quatuor Arditti, 1 cd Auvidis/Montaigne, 1995, MO 782042.\u003C/li>\u003Cli>Marco STROPPA, \u003Cem>Hiranyaloka\u003C/em>, Südwestfunk Orchester, direction : Michael Gielen, 3 cd Col Legno, Donaueschinger Musiktage, 1995 WWE 31882.\u003C/li>\u003Cli>Marco STROPPA, \u003Cem>Traiettoria\u003C/em>, Pierre-Laurent Aimard : piano, Marco Stroppa, projection du son, 1 cd Wergo, 1992, WER 2030-2.\u003C/li>\u003Cli>Marco STROPPA, \u003Cem>Due Miniature Estrose\u003C/em>, Pierre-Laurent Aimard : piano, enregistrement du concert du festival Présences 92, Radio France, 1 cd ADES, 1992, 202282.\u003C/li>\u003C/ul>\n\u003Ch4 id=\"lien-internet\">Lien Internet\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>Site de Ricordi, \u003Ca href=\"http://www.umpgclassical.com/en-GB/Composers/S/Stroppa-Marco.aspx\">http://www.umpgclassical.com/en-GB/Composers/S/Stroppa-Marco.aspx\u003C/a>\u003C/li>\u003Cli>Enregistrement audio du séminaire au CDMC, Paris, 11 juin 2002, \u003Cem>Le langage musical et l'informatique : influences réciproques au début des années 1980\u003C/em> avec Giordano Ferrari : \u003Ca href=\"http://www.cdmc.asso.fr/fr/actualites/saison-cdmc/langage-style-ecriture-aujourd-hui-langage-musical-informatique-influences\">http://www.cdmc.asso.fr\u003C/a>\u003C/li>\u003C/ul>\n\u003Cp>\u003Cem>(liens vérifiés en avril 2020).\u003C/em>\u003C/p>\n","","2022-06-15T00:00:00.000Z",{"getUrl":35},"https://storage.ressources.ircam.fr/ressources/persons/photos/f3974ef9-3fc2-4e6b-9e4d-e8daa33b31a2-thumbnail.jpg?response-cache-control=public%2C%20max-age%3D31536000%2C%20immutable&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=ressources%2F20250926%2Fus-east-1%2Fs3%2Faws4_request&X-Amz-Date=20250926T075554Z&X-Amz-Expires=604800&X-Amz-SignedHeaders=host&X-Amz-Signature=5f8fffe13416cf8baa9c3153b51034466d4ee6f8da25af672e252132314b7627","Marco Delogu","marco-stroppa",true,"COMPOSER",[41,51,67,79,90,100,113,123,135,143,153,161,168,178,187,199,209,220,230,241,251,263,275,282,294,304,314,323,332,342,351,362,371,381,390,400,408,418,429,441,452,466,475,484,494,501,508,519,525,534,543,551,561,569,579,590,595,606],{"id":42,"slug":43,"title":44,"duration":45,"publishingStartDate":46,"publishingEndDate":46,"descriptionFr":32,"descriptionEn":32,"cardDescription":32,"style":47,"styleEn":48,"editor":49,"tags":50},"d27cbf4f-2c6b-4c12-ae6e-13d6a4eddf50","contrasti","Contrasti",18,"1984-01-01T00:00:00.000Z","Musique soliste (sauf voix) (Piano solo)","Solo (excluding voice) (Solo piano)","pas d'éditeur",[],{"id":52,"slug":53,"title":54,"duration":55,"publishingStartDate":56,"publishingEndDate":56,"descriptionFr":57,"descriptionEn":58,"cardDescription":57,"style":59,"styleEn":60,"editor":61,"tags":62},"8f934cc9-376c-4181-a825-6f261e8a3545","hidinefte-ou-l'autre-face-de-traiettoria","Hidinefte, ou l'autre face de Traiettoria",30,"1989-01-01T00:00:00.000Z","pour bande générée par l'ordinateur","for computer generated tape","Musique électronique / sur support / instruments mécaniques (Musique électronique / sur support / instruments mécaniques)","Electronic music / fixed media / mechanical musical instruments (Electronic music / fixed media / mechanical musical instruments)","Ricordi",[63,65],{"label":64},"Électronique",{"label":66},"Ircam",{"id":68,"slug":69,"title":70,"duration":71,"publishingStartDate":72,"publishingEndDate":73,"descriptionFr":74,"descriptionEn":75,"cardDescription":74,"style":59,"styleEn":60,"editor":61,"tags":76},"32ecd2e5-9c43-4a4a-aa5c-dbad86e0d23e","leggere-il-decamerone","Leggere il Decamerone",180,"1990-01-01T00:00:00.000Z","1991-01-01T00:00:00.000Z","musique pour 160 émissions radiophoniques sur la lecture intégrale du \u003Ci>Decamerone\u003C/i> de Boccaccio","music for 160 radio broadcasts on the full reading of Boccaccio's \u003Ci>Decamerone\u003C/i>",[77,78],{"label":64},{"label":66},{"id":80,"slug":81,"title":82,"duration":83,"publishingStartDate":84,"publishingEndDate":46,"descriptionFr":85,"descriptionEn":86,"cardDescription":85,"style":47,"styleEn":48,"editor":61,"tags":87},"9f00fdd4-6861-479f-8b39-bb85e8aaff9b","traiettoria","Traiettoria",46,"1982-01-01T00:00:00.000Z","pour piano et électronique","for piano and electronics",[88,89],{"label":64},{"label":66},{"id":91,"slug":92,"title":93,"duration":94,"publishingStartDate":95,"publishingEndDate":95,"descriptionFr":96,"descriptionEn":97,"cardDescription":96,"style":47,"styleEn":48,"editor":98,"tags":99},"7fa0b449-dce6-4de0-9def-71cdfcc804ef","miniature-estrose-1","Miniature estrose",0,"2005-01-01T00:00:00.000Z","\u003Ci>second livre\u003C/i>, pour piano","\u003Ci>second livre\u003C/i>, for piano","Inédit",[],{"id":101,"slug":102,"title":103,"duration":104,"publishingStartDate":105,"publishingEndDate":105,"descriptionFr":106,"descriptionEn":107,"cardDescription":106,"style":108,"styleEn":109,"editor":61,"tags":110},"462ea11e-64a5-4a24-8f4d-38dbdbbb441c","come-natura-di-foglia","Come Natura di Foglia",15,"1997-01-01T00:00:00.000Z","\u003Ci>canti lontani\u003C/i>, pour voix et électronique","\u003Ci>canti lontani\u003C/i>, for voices and electronics","Musique vocale a cappella (Quatuor vocal)","A cappella vocal music (Voice quartet)",[111,112],{"label":64},{"label":66},{"id":114,"slug":115,"title":116,"duration":117,"publishingStartDate":56,"publishingEndDate":105,"descriptionFr":118,"descriptionEn":119,"cardDescription":118,"style":120,"styleEn":121,"editor":61,"tags":122},"916159a6-b2ae-4e5e-8af6-7f007063a67c","elet...-fogytiglan","élet... fogytiglan",24,"\u003Ci>dialogue imaginaire entre un poète et un philosophe\u003C/i>, pour quinze instrumentistes","\u003Ci>imaginary dialogue between a poet and a philosopher\u003C/i>, for fifteen instrumentalists","Musique instrumentale d'ensemble (Ensemble instrumental mixte de 10 à 25 instruments)","Instrumental ensemble music (Mixed instrumental ensemble of 10 to 25 instruments)",[],{"id":124,"slug":125,"title":126,"duration":127,"publishingStartDate":128,"publishingEndDate":129,"descriptionFr":130,"descriptionEn":131,"cardDescription":130,"style":132,"styleEn":133,"editor":61,"tags":134},"82f789a9-fb1a-45b1-91d1-cd7a51d611b6","from-needle's-eye","From Needle's Eye",23,"1996-01-01T00:00:00.000Z","2001-01-01T00:00:00.000Z","pour trombone soliste, double quintette et percussion","for solo trombone, double quintet and percussion","Musique concertante (Trombone et ensemble/orchestre)","Concertant music (Trombone and ensemble/orchestra)",[],{"id":136,"slug":137,"title":138,"duration":139,"publishingStartDate":73,"publishingEndDate":73,"descriptionFr":140,"descriptionEn":141,"cardDescription":140,"style":47,"styleEn":48,"editor":61,"tags":142},"487797c6-51c4-4527-a8bc-88fe09859ac8","due-miniature-estrose","Due Miniature estrose",10,"pour piano","for piano",[],{"id":144,"slug":145,"title":146,"duration":45,"publishingStartDate":147,"publishingEndDate":56,"descriptionFr":148,"descriptionEn":149,"cardDescription":148,"style":120,"styleEn":121,"editor":61,"tags":150},"5138846c-71b2-4afe-9f1d-bdc97e4824ee","etude-pour-pulsazioni","Étude pour Pulsazioni","1985-01-01T00:00:00.000Z","pour ensemble et électronique","for ensemble and electronics",[151,152],{"label":64},{"label":66},{"id":154,"slug":155,"title":156,"duration":157,"publishingStartDate":84,"publishingEndDate":84,"descriptionFr":32,"descriptionEn":32,"cardDescription":32,"style":47,"styleEn":48,"editor":61,"tags":158},"56e19583-4302-4689-8dfa-b0afa1cbcd92","traiettoria-:-traiettoria...deviata-dialoghi-contrasti","Traiettoria : Traiettoria...deviata ; Dialoghi ; Contrasti",47,[159,160],{"label":64},{"label":66},{"id":162,"slug":163,"title":93,"duration":164,"publishingStartDate":73,"publishingEndDate":129,"descriptionFr":165,"descriptionEn":166,"cardDescription":165,"style":47,"styleEn":48,"editor":61,"tags":167},"066e7967-5ecb-40d7-8379-a49b65a527d1","miniature-estrose",60,"\u003Ci>Libro primo per pianoforte d'amore\u003C/i>, premier livre, pour piano","\u003Ci>Libro primo per pianoforte d'amore\u003C/i>, first book, for piano",[],{"id":169,"slug":170,"title":171,"duration":127,"publishingStartDate":128,"publishingEndDate":128,"descriptionFr":172,"descriptionEn":173,"cardDescription":172,"style":174,"styleEn":175,"editor":61,"tags":176},"e539eb28-a365-4985-a624-e562980a0e2e","little-i","Little i","pour flûte et électronique de chambre","for flute and chamber electronics","Musique soliste (sauf voix) (Flûte)","Solo (excluding voice) (Flute)",[177],{"label":64},{"id":179,"slug":180,"title":181,"duration":45,"publishingStartDate":95,"publishingEndDate":95,"descriptionFr":182,"descriptionEn":183,"cardDescription":182,"style":184,"styleEn":185,"editor":61,"tags":186},"d821bc1d-2a59-4d5b-bb02-f54ed39e483d","ossia-seven-strophes-for-a-literary-drone","Ossia, Seven Strophes for a Literary Drone","pour violon, violoncelle et piano","for violin, cello and piano","Musique de chambre (Trio violon, violoncelle, piano)","Chamber music (Violin, cello and keyboard trio)",[],{"id":188,"slug":189,"title":190,"duration":191,"publishingStartDate":192,"publishingEndDate":193,"descriptionFr":194,"descriptionEn":195,"cardDescription":194,"style":196,"styleEn":197,"editor":61,"tags":198},"4e5bc73c-7430-436c-9bca-82bbbbd483fc","hiranyaloka","Hiranyaloka",27,"1993-01-01T00:00:00.000Z","1994-01-01T00:00:00.000Z","pour orchestre","for orchestra","Musique instrumentale d'ensemble (Grand orchestre type \"bois par 3\" (ou plus))","Instrumental ensemble music (Triple wind orchestra (or larger))",[],{"id":200,"slug":201,"title":202,"duration":104,"publishingStartDate":203,"publishingEndDate":203,"descriptionFr":204,"descriptionEn":205,"cardDescription":204,"style":206,"styleEn":207,"editor":61,"tags":208},"803cda16-8f5b-4595-a764-b0bfbda0434a","un-segno-nello-spazio","Un segno nello spazio","1992-01-01T00:00:00.000Z","pour quatuor à cordes","for string quartet","Musique de chambre (2 violons, alto, violoncelle)","Chamber music (2 violins, viola, cello)",[],{"id":210,"slug":211,"title":212,"duration":213,"publishingStartDate":214,"publishingEndDate":214,"descriptionFr":215,"descriptionEn":216,"cardDescription":215,"style":217,"styleEn":218,"editor":61,"tags":219},"1f94962e-1239-42f2-955e-aac724e29492","gla-dya","Gla-dya",12,"2007-01-01T00:00:00.000Z","\u003Ci>études sur les rayonnements jumeaux\u003C/i>, pour deux cors","\u003Ci>études sur les rayonnements jumeaux\u003C/i>, for two horns","Musique de chambre (Duo de cuivres)","Chamber music (Brass duo)",[],{"id":221,"slug":222,"title":223,"duration":45,"publishingStartDate":105,"publishingEndDate":224,"descriptionFr":225,"descriptionEn":226,"cardDescription":225,"style":227,"styleEn":228,"editor":61,"tags":229},"a5d57008-865a-4396-b349-efa1216cb565","hommage-a-gy.-k.","Hommage à Gy. K.","2003-01-01T00:00:00.000Z","pour clarinette, alto et piano","for clarinet, viola and piano","Musique de chambre (Trio à vent, clavier et cordes)","Chamber music (Wind, keyboard and string trio)",[],{"id":231,"slug":232,"title":233,"duration":234,"publishingStartDate":72,"publishingEndDate":72,"descriptionFr":235,"descriptionEn":236,"cardDescription":235,"style":59,"styleEn":60,"editor":61,"tags":237},"8fad0103-38d6-428a-852b-895ad787adcb","traume-vom-fliegen","Träume vom Fliegen",50,"musique d'ordinateur pour un ballet d'acrobates et funanbules","computer music for a ballet of acrobats and funanbules",[238,239],{"label":64},{"label":240},"Scénique",{"id":242,"slug":243,"title":244,"duration":94,"publishingStartDate":214,"publishingEndDate":245,"descriptionFr":246,"descriptionEn":247,"cardDescription":246,"style":248,"styleEn":249,"editor":11,"tags":250},"37d71847-df25-435e-96ee-77bb100e7145","the-great-unknown","The great unknown","2009-01-01T00:00:00.000Z","pour quatuor de saxophones, chœur et grand orchestre","for saxophone quartet, choir and large orchestra","Musique vocale et instrument(s) (Instrument(s) soliste(s), chœur(s) et orchestre)","Vocal music and instrument(s) (Solo instrument(s), choir(s) and orchestra)",[],{"id":252,"slug":253,"title":254,"duration":104,"publishingStartDate":255,"publishingEndDate":255,"descriptionFr":256,"descriptionEn":257,"cardDescription":256,"style":258,"styleEn":259,"editor":61,"tags":260},"0d09ab1a-29a4-4623-9bd1-e228f7165ac7","auras","Auras","1995-01-01T00:00:00.000Z","pour percussion (métaux) et électronique temps réel","for percussion (metals) and live electronics","Musique soliste (sauf voix) (Multi-percussions)","Solo (excluding voice) (Multiple percussion instruments)",[261,262],{"label":64},{"label":66},{"id":264,"slug":265,"title":266,"duration":267,"publishingStartDate":95,"publishingEndDate":95,"descriptionFr":268,"descriptionEn":269,"cardDescription":268,"style":270,"styleEn":271,"editor":61,"tags":272},"69bbd81f-c79d-4691-988d-6013f1797374","i-will-not-kiss-your-f.ing-flag","I will not kiss your f.ing flag",22,"pour trombone et électronique de chambre","for trombone and chamber electronics","Musique soliste (sauf voix) (Trombone)","Solo (excluding voice) (Trombone)",[273,274],{"label":64},{"label":66},{"id":276,"slug":277,"title":278,"duration":139,"publishingStartDate":84,"publishingEndDate":84,"descriptionFr":194,"descriptionEn":195,"cardDescription":194,"style":279,"styleEn":280,"editor":61,"tags":281},"f651a3ab-9930-461e-b53c-26636311e285","metabolai","Metabolai","Musique instrumentale d'ensemble (Orchestre type \"bois par 2\")","Instrumental ensemble music (Double wind orchestra)",[],{"id":283,"slug":284,"title":285,"duration":286,"publishingStartDate":255,"publishingEndDate":287,"descriptionFr":288,"descriptionEn":289,"cardDescription":288,"style":290,"styleEn":291,"editor":61,"tags":292},"e92586ef-8f10-434e-be72-ebe64520ab87","zwielicht-1","Zwielicht",35,"1998-01-01T00:00:00.000Z","pour contrebasse, deux percussionistes, électronique et projection du son dans l'espace en treize dimensions","for double bass, two percussionists, electronics and projection of sound into space in thirteen dimensions","Musique de chambre (Autre trio de diverses familles)","Chamber music (Trio with diverse instruments)",[293],{"label":64},{"id":295,"slug":296,"title":297,"duration":139,"publishingStartDate":224,"publishingEndDate":298,"descriptionFr":299,"descriptionEn":300,"cardDescription":299,"style":301,"styleEn":302,"editor":61,"tags":303},"0222b8de-f438-4d44-ad5a-37f1a682c3b0","nous-sommes-l'air-pas-la-terre...","Nous sommes l'air, pas la terre...","2004-01-01T00:00:00.000Z","pour alto et accordéon","for viola and accordion","Musique de chambre (Autre duo clavier et corde)","Chamber music (Other string and keyboard duo)",[],{"id":305,"slug":306,"title":307,"duration":94,"publishingStartDate":298,"publishingEndDate":308,"descriptionFr":309,"descriptionEn":310,"cardDescription":309,"style":311,"styleEn":312,"editor":11,"tags":313},"731e3ff4-38ee-48e9-9c06-add40713ac37","no-boughs","No Boughs","2006-01-01T00:00:00.000Z","concerto pour piccolo et orchestre à cordes","concerto for piccolo and string orchestra","Musique concertante (Flûte et orchestre de chambre)","Concertant music (Flute and chamber orchestra)",[],{"id":315,"slug":316,"title":317,"duration":139,"publishingStartDate":129,"publishingEndDate":129,"descriptionFr":318,"descriptionEn":319,"cardDescription":318,"style":320,"styleEn":321,"editor":61,"tags":322},"c48b6c32-2204-4583-9cd5-f1c25b58e4f1","ay-there's-the-rub","Ay, there's the rub","pour violoncelle solo","for solo cello","Musique soliste (sauf voix) (Violoncelle)","Solo (excluding voice) (Cello)",[],{"id":324,"slug":325,"title":326,"duration":191,"publishingStartDate":129,"publishingEndDate":224,"descriptionFr":327,"descriptionEn":328,"cardDescription":327,"style":329,"styleEn":330,"editor":61,"tags":331},"925e63f1-ac77-4638-b216-31fd5fc9c768","cantilena","Cantilena","pièces pour chœur mixte divisé en trois groupes","pieces for mixed choir divided into three groups","Musique vocale a cappella (Chœur mixte à 4 voix)","A cappella vocal music (Mixed four-part choir)",[],{"id":333,"slug":334,"title":335,"duration":94,"publishingStartDate":336,"publishingEndDate":336,"descriptionFr":337,"descriptionEn":338,"cardDescription":337,"style":339,"styleEn":340,"editor":98,"tags":341},"06f05698-8f41-4b53-b8dc-34b4287ab86b","like-milk-spilt","Like Milk Spilt","2008-01-01T00:00:00.000Z","pour accordéon, deux accordéons \u003Ci>ombres\u003C/i> et quatre groupes orchestraux","for accordion, two \u003Ci> shadows \u003C/i> accordions and four orchestral groups","Musique concertante (3 solistes et ensemble/orchestre)","Concertant music (3 soloists and ensemble/orchestra)",[],{"id":343,"slug":344,"title":345,"duration":94,"publishingStartDate":308,"publishingEndDate":308,"descriptionFr":346,"descriptionEn":347,"cardDescription":346,"style":348,"styleEn":349,"editor":98,"tags":350},"249a0fe7-ef0c-4ece-a755-c469319f3017","and-one-by-one-we-drop-away","And one by one we drop away","concerto pour violoncelle et orchestre","concerto for cello and orchestra","Musique concertante (Violoncelle et orchestre)","Concertant music (Cello and orchestra)",[],{"id":352,"slug":353,"title":353,"duration":354,"publishingStartDate":255,"publishingEndDate":255,"descriptionFr":355,"descriptionEn":356,"cardDescription":355,"style":357,"styleEn":358,"editor":61,"tags":359},"3fbd2e37-7539-4b30-a433-b92f0186601b","...1995...2995...3695...",75,"\u003Ci>Comoedia harmonica\u003C/i>, pour actrice, contrebasse, tam-tam et électronique","\u003Ci>Comoedia harmonica\u003C/i>, for actress, double bass, tam-tam and electronics","Musique vocale et instrument(s) (1 voix soliste et ensemble jusqu'à 9 instruments)","Vocal music and instrument(s) (Solo voice and ensemble of up to 9 instruments)",[360,361],{"label":64},{"label":240},{"id":363,"slug":364,"title":365,"duration":286,"publishingStartDate":255,"publishingEndDate":128,"descriptionFr":366,"descriptionEn":367,"cardDescription":366,"style":368,"styleEn":369,"editor":61,"tags":370},"7e1b3db2-97b0-49de-9ba2-f0722499d536","upon-a-blade-of-grass","Upon a Blade of Grass","concerto pour piano et grand orchestre","concerto for piano and large orchestra","Musique concertante (Piano et orchestre)","Concertant music (Piano and orchestra)",[],{"id":372,"slug":373,"title":374,"duration":375,"publishingStartDate":224,"publishingEndDate":298,"descriptionFr":376,"descriptionEn":377,"cardDescription":376,"style":378,"styleEn":379,"editor":61,"tags":380},"ceea62e6-f202-40e0-bba2-0ee9bcc7dbfb","lamento-3","Lamento",9,"trois pièces pour chœur de chambre mixte","three pieces for mixed chamber choir","Musique vocale a cappella (Chœur mixte à 5 voix et plus)","A cappella vocal music (Mixed choir with five or more parts)",[],{"id":382,"slug":383,"title":384,"duration":45,"publishingStartDate":224,"publishingEndDate":298,"descriptionFr":385,"descriptionEn":386,"cardDescription":385,"style":387,"styleEn":388,"editor":61,"tags":389},"2fcac7bc-2b72-4d56-9c3b-51632d8d1879","opus-nainileven","Opus nainileven","\u003Ci>cinque requies per la democrazia\u003C/i>, pour quintette à vent","\u003Ci>cinque requies per la democrazia\u003C/i>, for wind quintet","Musique de chambre (Quintette de bois et cuivres)","Chamber music (Woodwind and brass quintet)",[],{"id":391,"slug":392,"title":393,"duration":394,"publishingStartDate":105,"publishingEndDate":105,"descriptionFr":395,"descriptionEn":396,"cardDescription":395,"style":47,"styleEn":48,"editor":61,"tags":397},"1571b5a2-cbee-4d76-bd5d-065f0d6f8712","race","Race",80,"\u003Ci>musique pour mémoire, parole et piano\u003C/i>, écrite et dirigée par Pascal Rambert avec piano et électronique de Marco Stroppa","\u003Ci>music for memory, speech and piano\u003C/i>, written and conducted by Pascal Rambert with piano and electronics by Marco Stroppa",[398,399],{"label":64},{"label":240},{"id":401,"slug":402,"title":403,"duration":404,"publishingStartDate":214,"publishingEndDate":214,"descriptionFr":405,"descriptionEn":406,"cardDescription":405,"style":196,"styleEn":197,"editor":61,"tags":407},"575e7796-f86a-45d7-985d-b04cca0df5cc","ritratti-senza-volto","Ritratti senza volto",17,"trois tableaux pour orchestre","three paintings for orchestra",[],{"id":409,"slug":410,"title":411,"duration":94,"publishingStartDate":412,"publishingEndDate":11,"descriptionFr":413,"descriptionEn":414,"cardDescription":413,"style":415,"styleEn":416,"editor":11,"tags":417},"3c525670-05da-46ab-aab2-99804840ee21","vagabonds-des-nuages","Vagabonds des nuages","1900-01-01T00:00:00.000Z","pour 10 instruments","for 10 instruments","Musique instrumentale d'ensemble (Ensemble instrumental mixte de 5 à 9 instruments)","Instrumental ensemble music (Mixed instrumental ensemble of 5 to 9 instruments)",[],{"id":419,"slug":420,"title":421,"duration":267,"publishingStartDate":422,"publishingEndDate":423,"descriptionFr":424,"descriptionEn":425,"cardDescription":424,"style":206,"styleEn":207,"editor":61,"tags":426},"2fbfd078-86a7-443b-8239-4a58d1a926bf","spirali","Spirali","1987-01-01T00:00:00.000Z","1988-01-01T00:00:00.000Z","pour quatuor à cordes \u003Ci>projeté\u003C/i> dans l'espace","for string quartet \u003Ci>projected\u003C/i> in space",[427,428],{"label":64},{"label":66},{"id":430,"slug":431,"title":432,"duration":433,"publishingStartDate":214,"publishingEndDate":214,"descriptionFr":434,"descriptionEn":435,"cardDescription":434,"style":436,"styleEn":437,"editor":61,"tags":438},"d98f2901-a203-40f5-b85f-e010d1c0108a","...-of-silence","... of silence",21,"pour saxophone et électronique de chambre","for saxophone and chamber electronics","Musique soliste (sauf voix) (Saxophone)","Solo (excluding voice) (Saxophone)",[439,440],{"label":64},{"label":66},{"id":442,"slug":443,"title":444,"duration":45,"publishingStartDate":245,"publishingEndDate":245,"descriptionFr":445,"descriptionEn":446,"cardDescription":445,"style":447,"styleEn":448,"editor":61,"tags":449},"ae6cced1-d24b-4087-92a0-d9bfc082cb8b","hist-whist","hist whist","pour violon et électronique","for violin and electronics","Musique soliste (sauf voix) (Violon)","Solo (excluding voice) (Violin)",[450,451],{"label":64},{"label":66},{"id":453,"slug":454,"title":455,"duration":394,"publishingStartDate":456,"publishingEndDate":457,"descriptionFr":458,"descriptionEn":459,"cardDescription":458,"style":460,"styleEn":461,"editor":61,"tags":462},"772b42a1-6045-4146-99a6-3132d2882536","re-orso","Re Orso","2010-01-01T00:00:00.000Z","2012-01-01T00:00:00.000Z","\u003Ci>Légende d'Arrigo Boito\u003C/i>","\u003Ci>Legend of Arrigo Boito\u003C/i>","Musique vocale et instrument(s) (2 voix solistes ou plus et ensemble de 10 à 25 instruments)","Vocal music and instrument(s) (2 solo voices or more and ensemble of 10 to 25 instruments)",[463,464,465],{"label":64},{"label":66},{"label":240},{"id":467,"slug":468,"title":469,"duration":117,"publishingStartDate":456,"publishingEndDate":456,"descriptionFr":470,"descriptionEn":471,"cardDescription":470,"style":472,"styleEn":473,"editor":61,"tags":474},"56728ed8-90a0-4611-82c2-75f5a33c9013","let-me-sing-into-your-ear","Let me sing into your ear","pour cor de basset et orchestre","for basset horn and orchestra","Musique concertante (Clarinette et orchestre)","Concertant music (Clarinet and orchestra)",[],{"id":476,"slug":477,"title":478,"duration":45,"publishingStartDate":336,"publishingEndDate":336,"descriptionFr":479,"descriptionEn":480,"cardDescription":479,"style":481,"styleEn":482,"editor":61,"tags":483},"cbcbe667-3d24-41b4-9945-67162181849f","perche-non-riusciamo-a-vederla","Perchè non riusciamo a vederla","\u003Ci>cris, appels et clameurs\u003C/i> pour chœur \u003Ci>a cappella\u003C/i> avec alto \u003Ci>obbligato ad libitum\u003C/i>","\u003Ci>cries, calls and clamors\u003C/i> for \u003Ci>a cappella\u003C/i> choir with viola \u003Ci>obbligato ad libitum\u003C/i>","Musique vocale et instrument(s) (Chœur(s) et cordes)","Vocal music and instrument(s) (Choir(s) and strings)",[],{"id":485,"slug":486,"title":487,"duration":11,"publishingStartDate":488,"publishingEndDate":488,"descriptionFr":489,"descriptionEn":490,"cardDescription":489,"style":491,"styleEn":492,"editor":11,"tags":493},"08501c25-3662-45ab-8452-f3e03a3b7aa0","balkanic-pot-pourri","Balkanic Pot-Pourri","2011-01-01T00:00:00.000Z","pour accordéon","for accordion","Musique soliste (sauf voix) (Accordéon ou autres aérophones)","Solo (excluding voice) (Accordion and other aerophone instruments)",[],{"id":495,"slug":496,"title":497,"duration":11,"publishingStartDate":456,"publishingEndDate":456,"descriptionFr":498,"descriptionEn":499,"cardDescription":498,"style":481,"styleEn":482,"editor":11,"tags":500},"4d050664-fb0f-44ef-8d61-912ebaa935fc","perche-non-risuciamo-a-verderla","Perchè non risuciamo a verderla","pour chœur \u003Ci>a cappella\u003C/i> et alto","for \u003Ci>a cappella\u003C/i> choir and viola",[],{"id":502,"slug":503,"title":504,"duration":505,"publishingStartDate":506,"publishingEndDate":506,"descriptionFr":204,"descriptionEn":205,"cardDescription":204,"style":206,"styleEn":207,"editor":61,"tags":507},"b2f1e316-265d-45e0-aeed-32d1bbf583e5","la-vita-immobile-7-micro-automi-musicali","La vita immobile - 7 micro-automi musicali",13,"2014-01-01T00:00:00.000Z",[],{"id":509,"slug":510,"title":511,"duration":512,"publishingStartDate":513,"publishingEndDate":513,"descriptionFr":514,"descriptionEn":515,"cardDescription":514,"style":516,"styleEn":517,"editor":61,"tags":518},"8804e311-dfc0-4acd-b635-145a979ea5e4","die-tanzende-hand.-versione-triangolare","Die Tanzende Hand. 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