\r\nLa première génération qui entre de plein droit dans la base est donc celle constituée par John Cage, Olivier Messiaen ou encore Elliott Carter.\r\n\u003C/p>\r\n\r\n\u003Ch3>Contenus\u003C/h3>\r\n\r\n\u003Cp style=\"text-align: justify;\">\r\nLes données sont progressivement mises à jour depuis juillet 2007, en remplacement de celles de l’ancienne version de la base, développée entre 1996 et 2001 par Marc Texier. L’information peut donc être incomplète pour certains compositeurs non encore traités : dans ce cas l’indication « ! Informations antérieures à 2002 » apparaît en haut de page. Pour tous les autres documents, la date de dernière mise à jour est indiquée en haut de page.\r\n\u003C/p>\r\n\r\n\u003Ch3>Mises à jour et nouvelles entrées\u003C/h3>\r\n\r\n\r\n\u003Cp style=\"text-align: justify;\">Les mises à jour se font compositeur par compositeur. Pour un compositeur donné, sont systématiquement revus ou créés les documents suivants :\r\n\u003C/p>\r\n\u003Cul style=\"text-align: justify;\">\r\n \u003Cli>la biographie\u003C/li>\r\n \u003Cli>le catalogue exhaustif de ses œuvres (y compris, si possible, les œuvres disparues, retirées ou posthumes)\u003C/li>\r\n \u003Cli>une liste de ressources bibliographiques, discographiques et internet,\u003C/li>\r\n \u003Cli>des éventuels documents attachés (Parcours de l’œuvre, interviews, analyses, notes de programme etc.)\u003C/li>\r\n\u003C/ul>\r\n\u003Cp style=\"text-align: justify;\">\r\nLa définition des priorités de mises à jour et nouvelles entrées des compositeurs s’opèrent suivant une méthodologie basée sur l’observation de la vie culturelle européenne :\r\n\u003C/p>\r\n\u003Cul style=\"text-align: justify;\">\r\n \u003Cli>Avant chaque saison, nous relevons les programmations à venir des principaux festivals, institutions et ensembles musicaux européens investis dans le domaine de la création musicale. Cette observation s’opère par cercles concentriques en partant de l’activité propre de l’Ircam (année n-2), puis de celle des partenaires privilégiés (année n-1) jusqu’aux grandes institutions et festivals européens de création (année n) ;\u003C/li>\r\n \u003Cli>Chaque compositeur est crédité de points en fonction de l’importance et de l’intensité de l’activité musicale le concernant. Ce classement permet de définir les priorités pour chaque trimestre ;\u003C/li>\r\n \u003Cli>Si un compositeur n’a pas obtenu assez de points pour figurer dans les priorités, il cumule ceux-ci sur le trimestre suivant ; et ainsi remonte progressivement dans la liste des priorités.\u003C/li>\r\n \u003Cli>Une fois mis à jour, les documents attachés à un compositeur sont valables trois ans, après lesquels le processus décrit ci-dessus reprend.\u003C/li>\r\n\u003C/ul>\t\r\n\r\n\u003Ch3>Erreurs ou omissions\u003C/h3>\t\r\n\t\t\t\t\r\n\u003Cp style=\"text-align: justify;\">\r\nSi la mise à jour est déjà effectuée (date postérieure à juin 2007) : nous invitons les musicologues, les compositeurs (ou leur éditeur) à nous signaler toute erreur ou omission importante. Elle sera corrigée, dans la mesure du possible, au cours du trimestre suivant. De même, nous les invitons à nous faire connaître leurs œuvres nouvelles, en mentionnant tous les éléments nécessaires à la création d’une fiche œuvre nouvelle.\r\n\u003C/p>\r\n\u003Cp style=\"text-align: justify;\">\t\t\r\nSi la mise à jour n’est pas encore effectuée (indication : « mise à jour à venir ») : Les compositeurs peuvent nous signaler des erreurs ou omissions importantes. Ces indications seront prises en compte au moment de la mise à jour à venir. Un compositeur peut également demander le retrait de sa biographie dans l’attente de la mise à jour.\r\n\u003C/p>\r\n\u003Cp style=\"text-align: justify;\">\r\nPour cela : \u003Ca href=\"mailto:brahms-contenu[at]ircam[dot]fr\">écrire\u003C/a> à l’administrateur de publication\r\n\u003C/p>\r\n",{"id":14,"url":15,"titleFr":16,"titleEn":11,"contentFr":17,"contentEn":11},"a3cd05aa-3447-487a-b4fc-213ba0f77e6b","/copyrights/","Mention Légale","La reproduction de contenus de ce site Web, en tout ou partie, est formellement interdite sans la permission écrite de l'Ircam. Les textes, images, logos, codes sources sont la propriété de l'Ircam, ou de détenteurs avec lesquels l'Ircam a négocié les droits de reproduction à sa seule fin d'utilisation dans le cadre du site Brahms. Tout contrevenant s'expose à des poursuites judiciaires. ",{"id":19,"url":20,"titleFr":21,"titleEn":11,"contentFr":22,"contentEn":11},"9162642e-ea99-48c3-8d3b-2dc2a3f8ba45","/repertoire/about/","Projet Répertoire Ircam","\u003Cp>Le Projet Répertoire Ircam est une collection d’analyses musicales en ligne d’environ 70 œuvres crées à l’Ircam et considérées comme représentatives de la culture de l’institut tant sur le plan artistique que technologique.\u003C/p>\r\n\r\n\u003Cp>Ce projet a débuté en 2006-2008 avec la création d’outils auteurs mises en œuvre par le département Interfaces Recherche/Création en collaboration avec le secteur recherche de l’institut. Les premières analyses ont été mises en ligne fin 2010 et il est prévu que la collection s’élargisse à un rythme de deux ou trois nouvelles analyse par an.\u003C/p>\r\n\r\n\u003Cp>Plusieurs objectifs sont poursuivis par ce projet :\u003C/p>\r\n\r\n\u003Cul>\r\n\t\u003Cli>faire connaître les œuvres produites à l’Ircam à un public plus large,\u003C/li>\r\n\t\u003Cli>montrer la relation entre l’idée musicale et les technologies utilisés,\u003C/li>\r\n\t\u003Cli>identifier les nouveaux éléments du vocabulaire musical qui émergent à travers ces œuvres,\u003C/li>\r\n\t\u003Cli>offrir un support d’information aux interprètes.\u003C/li>\r\n\u003C/ul>\r\n\r\n\u003Cp>Chaque analyse est structurée en trois parties :\u003C/p>\r\n\r\n\u003Col>\r\n\t\u003Cli>description générale de l’œuvre,\u003C/li>\r\n\t\u003Cli>analyse des extraits de l’œuvre avec mise en relation de l’idée musicale et de l’écriture électronique,\u003C/li>\r\n\t\u003Cli>la liste de ressources spécifiques (type de problème musical abordé, technologies utilisées, œuvres abordant le même type de problématique) et générales (biographique, historique, technique).\u003C/li>\r\n\u003C/ol>\r\n\r\n\u003Cp>Les analyses seront également mises en relation avec :\u003C/p>\r\n\r\n\u003Cul>\r\n\t\u003Cli>Brahms : une base de données encyclopédique en ligne de compositeurs de musique contemporaine de toutes les nationalités dont les œuvres ont été créées après 1945. Cette base contient actuellement environ 600 références. Pour chaque compositeur, il y a une partie biographique accompagnée des sources d’information, et une autre partie qui situe l’orientation esthétique, les phases principales et le contexte historique de l’œuvre.\u003C/li>\r\n\t\u003Cli>Images d’une œuvre : une collection des interviews filmés des compositeurs.\u003C/li>\r\n\t\u003Cli>Sidney : une base de données qui contient les éléments techniques (programmes informatiques, sons etc. ) nécessaires pour l’exécution de l’œuvre.\u003C/li>\r\n\u003C/ul>\r\n\r\n\u003Cp>A plus long terme, les analyses des nouvelles œuvres créés à l’Ircam viendront se rajouter au corpus donné dans l’annexe citée ci-dessus.\u003C/p>",{"data":24},{"personBySlug":25},{"firstName":26,"lastName":27,"privateState":28,"biographyDate":29,"resume":30,"resumeEn":31,"resources":32,"catalogueSource":33,"manualUpdateDate":34,"documents":35,"photo":57,"copyrights":59,"slug":60,"hasArticles":61,"type":62,"hasWorks":61,"works":63,"hasBiography":61,"hasWorkcourse":61,"hasAnalyses":640,"hasBooks":640,"hasMonographs":640,"hasPartitions":640,"hasFloraAudios":640,"hasAudios":61,"hasVideos":61},"Helmut","Lachenmann","valid","2019-02-08T00:00:00.000Z","Compositeur allemand né le 27 novembre 1935 à Stuttgart.","German composer born 27 November 1935 in Stuttgart.","\u003Ch3 id=\"bibliographie\">Bibliographie\u003C/h3>\n\u003Ch4 id=\"textes-de-lachenmann\">Textes de Lachenmann\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>Helmut LACHENMANN, Wolfgang RIHM, \u003Cem>Conversazioni e scritti\u003C/em>, Enzo Restagno (a cura di), Ricordi, 2010.\u003C/li>\u003Cli>Helmut LACHENMANN, \u003Cem>Écrits et entretiens\u003C/em>, choisis et préfacés par Martin Kaltenecker, éditions Contrechamps, Genève, 2009.\u003C/li>\u003Cli>Helmut LACHENMANN, \u003Cem>Musik als existentielle Erfahrung\u003C/em>, J. Häusler (éd), Wiesbaden, Breitkopf & Härtel, 1996.\u003C/li>\u003C/ul>\n\u003Cp>\u003Cem>En français\u003C/em>\u003C/p>\n\u003Cul class=\"list-disc\">\u003Cli>Helmut LACHENMANN, « Quatre aspects du matériau », tr. J.-L. Leleu, \u003Cem>Revue musicale suisse\u003C/em>, 123/6, 1983.\u003C/li>\u003Cli>Helmut LACHENMANN, « L’Ecoute est désarmée – sans l’écoute », traduction : M. Kaltenecker, dans \u003Cem>L'Ecoute\u003C/em>, Ircam / L'Harmattan, 2000.\u003C/li>\u003Cli>Helmut LACHENMANN, « De la Composition», traduction : M. Kaltenecker, \u003Cem>Entretemps\u003C/em> n° 10, 1992.\u003C/li>\u003Cli>Helmut LACHENMANN, « Entretien avec P.Szendy » dans \u003Cem>Musiques en création\u003C/em>, Genève : Contrechamps, 1997.\u003C/li>\u003Cli>Helmut LACHENMANN, « De la musique comme situation. Entretien avec A. Haethcote », Circuit, 17, 1, 2007.\u003C/li>\u003C/ul>\n\u003Cp>\u003Cem>En anglais\u003C/em>\u003C/p>\n\u003Cul class=\"list-disc\">\u003Cli>Helmut LACHENMANN, « Open letter to Hans Werner Henze », \u003Cem>Perspectives of New Music\u003C/em>, n° 35, 2, 1997.\u003C/li>\u003Cli>Helmut LACHENMANN, « Sound Structures, Transformations, and Broken Magic: An Interview with Helmut Lachenmann » dans \u003Cem>Contemporary Music. Theoretical and Philosophical Perspectives\u003C/em> (Max Paddison, Irène Deliège, éd.), Farnham (GB), Burlington (USA), Ashgate, 2010, p. 331-348.\u003C/li>\u003C/ul>\n\u003Cp>\u003Cem>En allemand\u003C/em>\u003C/p>\n\u003Cul class=\"list-disc\">\u003Cli>Helmut LACHENMANN, « Tradition der Irritation. Nachdenken über das Komponieren, den Kunstbegriff und das Hören », \u003Cem>MusikTexte\u003C/em>, Heft 132 , 2012, p. 11-13.\u003C/li>\u003Cli>Helmut LACHENMANN, « "Ernst machen: das kann ja heiter werden!" Hören als Beobachten: Helmut Lachenmann im Radiogespräch mit Michael Struck-Schloen », \u003Cem>MusikTexte\u003C/em>, 140, 2014, p. 20-26.\u003C/li>\u003C/ul>\n\u003Ch4 id=\"textes-sur-lachenmann\">Textes sur Lachenmann\u003C/h4>\n\u003Cp>\u003Cem>En français\u003C/em>\u003C/p>\n\u003Cul class=\"list-disc\">\u003Cli>Jean-Marc CHOUVEL, \u003Cem>Sémiologie et cognition des formes temporelles\u003C/em>, Paris, L’Harmattan, 2006 [sur \u003Cem>Salut für Caudwell\u003C/em>, p.215-224]\u003C/li>\u003Cli>Caroline DELUME, « L’œuvre de Lachenmann », Les Cahiers du CIREM, 27/28,1992-93.\u003C/li>\u003Cli>Didier GUIGUE, « L’ars subtilior de Lachenmann. Une incursion dans l’univers sonore de \u003Cem>Serynade\u003C/em> » \u003Cem>Filigrane\u003C/em> n° 7, 2008.\u003C/li>\u003Cli>Laurent FENEYROU, « Griffhand. Introduction à \u003Cem>Salut für Caudwell\u003C/em> de Helmut Lachenmann », \u003Cem>L’Inouï\u003C/em> n° 2, 2006.\u003C/li>\u003Cli>Laurent FENEYROU, \u003Cem>De lave et de fer. Une jeunesse allemande : Helmut Lachenmann\u003C/em>, Paris, éditions MF, collection Répercussions, 2017.\u003C/li>\u003Cli>Martin KALTENECKER, \u003Cem>Avec Helmut Lachenmann\u003C/em>, Paris : Van Dieren, 2000.\u003C/li>\u003Cli>Béatrice RAMAUT, « Deux mises en scène d’une conscience de la tradition. \u003Cem>Opera\u003C/em> de Berio et \u003Cem>Accanto\u003C/em> de Lachenmann » \u003Cem>Revue de Musicologie française\u003C/em>, n° 79, 1, 1993.\u003C/li>\u003C/ul>\n\u003Cp>\u003Cem>En anglais\u003C/em>\u003C/p>\n\u003Cul class=\"list-disc\">\u003Cli>Ian PACE, "Positive or Negative", The Musical Times, janvier et février 1998.\u003C/li>\u003Cli>Dossier Lachenmann dans : \u003Cem>Contemporary Music Review\u003C/em>, vol. 23, 3 et 4, 2004 et vol. 24, 2005.\u003C/li>\u003C/ul>\n\u003Cp>\u003Cem>En allemand\u003C/em>\u003C/p>\n\u003Cul class=\"list-disc\">\u003Cli>Pierto CAVALOTTI, \u003Cem>Differenzen. Poststrukturalistische Aspekte in der Musik der 1980er Jahre, am Beispiel von H. Lachenmann, B. Ferneyhough und G. Grisey\u003C/em>, Berlin : Argus, 2006 [analyse de Tanzsuite mit Deutschlandlied].\u003C/li>\u003Cli>Karsten HÄCKER, "Versuch über den Strukturklang", \u003Cem>MusikTexte\u003C/em> 67/68, 1997.\u003C/li>\u003Cli>Jörn Peter HIEKEL, "Momente der Irritation", \u003Cem>Studien zur Wertungsforschung\u003C/em> 32, 1997.\u003C/li>\u003Cli>Klaus-Michael HINZ, "Räume der Wollust", \u003Cem>MusikTexte\u003C/em> 67/68, 1997.\u003C/li>\u003Cli>Josefine Helen HORN, "Postserielle Mechanismen. Zu Helmut Lachenmanns \u003Cem>Notturno\u003C/em>", \u003Cem>MusikTexte\u003C/em> 79, 1999.\u003C/li>\u003Cli>Hüppe, Eberhard HÜPPE, "Über das Höhlengleichnis", \u003Cem>MusikTexte\u003C/em> 67/68, 1997.\u003C/li>\u003Cli>Christian KEMPER, "Helmut Lachenmanns Das Mädchen mit den Schwefelhölzern", \u003Cem>Musik & Ästhetik\u003C/em>, 19, 2001.\u003C/li>\u003Cli>Rainer NONNENMAN, \u003Cem>Angebot durch Verweigerung. Die Ästhetik des instrumentalkonreten Klangkomponierens in Helmut Lachenmanns Orchesterwerken\u003C/em>, Mainz, Schott, 2000.\u003C/li>\u003Cli>MatteoNANNIund Matthias SCHMIDT (éd.),** **\u003Cem>Helmut Lachenmann: Musik mit Bildern?\u003C/em>, München, Wilhelm Fink, 2012.\u003C/li>\u003Cli>Tom SORA, « In der repetitiven Struktur verschlüsselte Inhalte. Zu Helmut Lachenmanns Klavierstück \u003Cem>Filter-Schaukel\u003C/em> », in \u003Cem>MusikTexte\u003C/em> n°164, février 2020, p. 74-80.\u003C/li>\u003Cli>Mathias SPAHLINGER, "eröffnungs schlußfall", \u003Cem>Musik-Konzepte,\u003C/em> 61/62, 1988.\u003C/li>\u003Cli>Ulrich TADDAY (éd.), « Helmut Lachenmann », \u003Cem>Musik-Konzepte\u003C/em>, 146, 2009.\u003C/li>\u003Cli>Michael ZINK, "Strukturen. Über H.Lachenmanns Ausklang", \u003Cem>MusikTexte\u003C/em> 96, 2003.\u003C/li>\u003C/ul>\n\u003Cp>\u003Cem>En italien\u003C/em>\u003C/p>\n\u003Cul class=\"list-disc\">\u003Cli>Angela Ida DE BENEDICTIS und Ulrich MOSCH (éd.),\u003Cem>Alla ricerca di luce e chiarezza. Lespistolario Helmut Lachenmann Luigi Nono (1957-1990)\u003C/em>, Florenz, Olschki 2012.\u003C/li>\u003C/ul>\n\u003Cp>\u003Cem>Volumes collectifs\u003C/em>\u003C/p>\n\u003Cul class=\"list-disc\">\u003Cli>J. -P. HIEKEL et S. MAUSER (éd.), \u003Cem>Nachgedachte Musik. Studien zum Werk von H.Lachenmann\u003C/em>, Saarbruck, Pfau Verlag, 2005.\u003C/li>\u003Cli>H. -K. JUNGHEINRICH (éd.), \u003Cem>Der Atem des Wanderers\u003C/em>, Main, Schott, 2006.\u003C/li>\u003Cli>J. -P. HIEKEL (éd.), \u003Cem>Musik inszeniert\u003C/em> (Veröffentlichungen des Instituts für Neue Musik Darmstadt, 46), Mainz : Schott, 2006.\u003C/li>\u003Cli>H.P. JAHN (éd.)\u003Cem>, H. Lachenmann – auf(-) und zuhören\u003C/em>, Hofheim : Wolke, 2006.\u003C/li>\u003C/ul>\n\u003Ch3 id=\"discographie\">Discographie\u003C/h3>\n\u003Cul class=\"list-disc\">\u003Cli>Helmut LACHENMANN, \u003Cem>Got Lost\u003C/em> ; \u003Cem>Streichtrio\u003C/em> ; \u003Cem>Serynade\u003C/em>, dans « Got Lost », 1 CD WERGO, 2018, WER 7367 2.\u003C/li>\u003Cli>Helmut LACHENMANN, \u003Cem>Ausklang, Musik für Klavier mit Orchester\u003C/em>, Pierre-Laurent Aimard, piano, Symphonieorchester des Bayerischen Rundfunks, Peter Eötvös, Susanna Mälkki, direction, 1 cd Neos, 2015, 11423.\u003C/li>\u003Cli>Helmut LACHENMANN, \u003Cem>... Zwei Gefühle ...Musik mit Leonardo, Schreiben\u003C/em>, Symphonieorchester des Bayerischen Rundfunks, Jonathan Nott, direction, 1 cd Neos, 2015, 11424.\u003C/li>\u003Cli>Helmut LACHENMANN, \u003Cem>Schreiben ; Double (Grido II)\u003C/em>, SWR Sinfonieorchester Baden-Baden und Freiburg, Experimentalstudio des SWR, Lucerne Festival Academy Ensemble, Sylvain Cambreling, Matthias Hermann, direction, 1 cd Kairos, 2014, 0013342KAI.\u003C/li>\u003Cli>Helmut LACHENMANN*, Grido* ; \u003Cem>Reigen seliger Geister\u003C/em> ; \u003Cem>Gran Torso,\u003C/em> Jack Quartet, Mode Records, 2014, MODE267.\u003C/li>\u003Cli>Helmut LACHENMANN, Das Mädchen Mit Den Schwefelhölzer, SWR Sinfonieorchester, Sylvain Cambreling, direction, 1 cd Ecm Records New Series, 2013.\u003C/li>\u003Cli>Helmut LACHENMANN, \u003Cem>Accanto, Consolation I ; Kontradenz\u003C/em>, Eduard Brunner, clarinette, Arno Arndt, Siegfried Fink, Hermann Gschwendtner, Michael Ranta, percussions, Rundfunk-Sinfonieorchester Saarbrücken, Schola Cantorum Stuttgart, Radio-Sinfonieorchester Stuttgart des SWR, Hans Zender, Clytus Gotwald, Michael Gielen, direction, 1 cd Wergo, 2010, WER 67382.\u003C/li>\u003Cli>Helmut LACHENMANN, « Les Consolations » : \u003Cem>Salut für Caudwell\u003C/em> ; \u003Cem>Les Consolations\u003C/em> ; \u003Cem>Concertini\u003C/em>, Wilhelm Bruck, Theodor Ross : guitares, Schola Heidelberg, Walter Nußbaum, WDR Sinfonieorchester Köln, Klangforum Wien, direction : Johannes Kalitzke, 2 Cds Kairos, 2009, n° 0012652KAI.\u003C/li>\u003Cli>Helmut LACHENMANN, \u003Cem>Dal niente (Intérieur III) ; temA für Flöte ; Toccatina ; Pression für einen Cellisten ; Allegro sostenuto\u003C/em>, Ensemble Phorminx, 1 cd Wergo, 2008, WER 66822.\u003C/li>\u003Cli>Helmut LACHENMANN, \u003Cem>Grido\u003C/em> ; \u003Cem>Reigen seliger Geister\u003C/em> ; \u003Cem>Gran Torso\u003C/em>, Quatuor Arditti, 1 Cd Kairos, 2007, n° 0012662 KAI.\u003C/li>\u003Cli>Helmut LACHENMANN, \u003Cem>Ausklang\u003C/em> ; \u003Cem>Tableau\u003C/em>, Massimiliano Damerini, Hans Zender, Peter Eötvös, Kölner Rundfunk-Sinfonie-Orchester, Rundfunk-Sinfonieorchester Saarbrücken, Saarbrucken Radio Symphony, 1 Cd col legno, 2006.\u003C/li>\u003Cli>Helmut LACHENMANN, \u003Cem>Piano Music\u003C/em>, Marino Formenti, 1 Cd col legno, 2003.\u003C/li>\u003Cli>Helmut LACHENMANN, \u003Cem>Schwankungen Am Rand\u003C/em>, comprenant aussi \u003Cem>Mouvement (-vor der Erstarrung)\u003C/em> ; \u003Cem>"...zwei Gefühle..."\u003C/em>, \u003Cem>Musik mit Leonardo\u003C/em>, Ensemble Modern, direction : Peter Eötvös, 1 Cd Ecm Records, 2002.\u003C/li>\u003Cli>Helmut LACHENMANN, \u003Cem>Allegro sostenuto\u003C/em> ; \u003Cem>Serynade\u003C/em>, Yukiko Sugawara, piano, Shizuyo Oka, clarinette, Lucas Fels violoncello, 1 Cd Kairos, 2001, n° 0012212KAI.\u003C/li>\u003Cli>Helmut LACHENMANN, \u003Cem>Das Mädchen mit den Schwefelhölzern\u003C/em>, Elizabeth Keusch, soprano, Sarah Leonard, soprano, Salome Kammer, récitante, Mayumi Miyata, shô, Yukiko Sugawara piano, Tomoko Hemmi piano, Staatsoper Stuttgart, Lothar Zagrosek, 2 Cd Kairos, 2001, n° 0012282KAI.\u003C/li>\u003Cli>Helmut LACHENMANN, \u003Cem>Kontrakadenz\u003C/em> ; \u003Cem>Klangschatten\u003C/em> ; \u003Cem>Fassade\u003C/em>, Peter Roggenkamp, piano, Zsigmond Szathmáry, piano, Gerhard Gregor, piano, NDR-Sinfonieorchester, SWR Radio-Sinfonieorchester Stuttgart, SWR Sinfonieorchester Baden-Baden und Freiburg, Michael Gielen, 1 Cd Kairos, 2001, n° 0012232KAI.\u003C/li>\u003Cli>Helmut LACHENMANN, \u003Cem>Mouvement\u003C/em> ; .\u003Cem>.. zwei Gefühle ...", Musik mit Leonardo\u003C/em> ; \u003Cem>Consolation I\u003C/em> ; \u003Cem>Consolation II\u003C/em>, Hans Zender, Ensemble Aisthesis, Schola Heidelberg, Walter Nußbaum, 1 Cd Kairos, 2001, n° 0012202KAI.\u003C/li>\u003Cli>Helmut LACHENMANN, \u003Cem>Nun\u003C/em> ; \u003Cem>Notturno\u003C/em>, Hans Zender, Jonathan Nolt, Gaby Van Riet, Michael Svoboda, Klangforum Wien, WDR Sinfonie Orchester Köln, 1 cd Kairos, WDR, 2003, n° 0012142KAI.\u003C/li>\u003Cli>Helmut LACHENMANN, \u003Cem>Orchestral Works & Chamber Music\u003C/em> : \u003Cem>Interieur I\u003C/em> ; \u003Cem>Schwankungen am Rand\u003C/em> ; \u003Cem>Air\u003C/em>, Christoph Caskel SWF Sinfonieorchester Baden-Baden, direction : Ernest Bour, Christian Dierstein, Stuttgart State Orchestra, direction : Lothar Zagrosek, 1 Cd col legno, 2001.\u003C/li>\u003Cli>Helmut LACHENMANN, \u003Cem>Chamber Music\u003C/em> : \u003Cem>Allegro Sostenuto\u003C/em> ; \u003Cem>Kinderspiel\u003C/em> ; \u003Cem>7 Short Pieces for Piano\u003C/em> ; \u003Cem>Dal Niente\u003C/em> ; \u003Cem>Pression\u003C/em>, Bernhard Wambach, David Smeyers, Michael Bach, 1 Cd Cpo Records, 1995.\u003C/li>\u003C/ul>\n\u003Ch3 id=\"lien-internet\">Lien internet\u003C/h3>\n\u003Cul class=\"list-disc\">\u003Cli>Éditions Breitkopf & Härtel : \u003Ca href=\"https://www.breitkopf.com/composer/561\" title=\"www.breitkopf.com\">www.breitkopf.com\u003C/a>\u003C/li>\u003C/ul>\n\u003Cp>(\u003Cem>lien vérifié en septembre 2022\u003C/em>).\u003C/p>\n","","2022-02-23T00:00:00.000Z",[36,45],{"id":37,"slug":38,"title":39,"titleFr":11,"titleEn":11,"publishingStartDate":11,"authors":40,"copyrights":44},"0339ccb6-c899-4758-ba33-00960ba285c0","fr-des-paradis-ephemeres","Des Paradis éphémères",[41],{"firstName":42,"lastName":43},"Peter","Szendy",[],{"id":46,"slug":47,"title":48,"titleFr":11,"titleEn":11,"publishingStartDate":49,"authors":50,"copyrights":54},"d54436ee-a5e8-4361-81cb-11c481a69934","fr-entretien-avec-helmut-lachenmann-:-faire-le-vide-s'evader-de-sa-prison-intellectuelle","Entretien avec Helmut Lachenmann : Faire le vide / S’évader de sa prison intellectuelle","2018-09-07T00:00:00.000Z",[51],{"firstName":52,"lastName":53},"Jérémie","Szpirglas",[55],{"nameC":56},"Ircam-Centre Pompidou",{"getUrl":58},"https://storage.ressources.ircam.fr/ressources/persons/photos/cc5b9500-a1cf-4eed-a174-ec6e356f9bf3-thumbnail.jpg?response-cache-control=public%2C%20max-age%3D31536000%2C%20immutable&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=ressources%2F20250922%2Fus-east-1%2Fs3%2Faws4_request&X-Amz-Date=20250922T085631Z&X-Amz-Expires=604800&X-Amz-SignedHeaders=host&X-Amz-Signature=a448a905fa165e083acde334a15e5458cdc283566c81ba6ade0563ddf26e6dfa","Gabi Minz, Neuhardenberg, 2009","helmut-lachenmann",true,"COMPOSER",[64,79,92,103,113,125,137,147,158,166,177,186,196,206,217,228,236,245,256,266,272,282,287,298,306,318,330,341,349,359,365,372,380,389,398,405,416,424,434,443,450,456,466,474,482,492,502,508,519,531,546,556,565,573,582,589,599,608,612,620,627,632],{"id":65,"slug":66,"title":67,"duration":68,"publishingStartDate":69,"publishingEndDate":70,"descriptionFr":71,"descriptionEn":72,"cardDescription":71,"style":73,"styleEn":74,"editor":75,"tags":76},"3ef496ed-c26b-487e-8b3a-45ca52def61a","accanto","Accanto",26,"1975-01-01T00:00:00.000Z","1976-01-01T00:00:00.000Z","pour clarinette soliste et orchestre","for solo clarinet and orchestra","Musique concertante (Clarinette et orchestre)","Concertant music (Clarinet and orchestra)","Breitkopf & Härtel",[77],{"label":78},"Électronique",{"id":80,"slug":81,"title":82,"duration":83,"publishingStartDate":84,"publishingEndDate":85,"descriptionFr":86,"descriptionEn":87,"cardDescription":86,"style":88,"styleEn":89,"editor":90,"tags":91},"f3f5f00e-bca2-451e-a040-a06d5372857f","angelion","Angelion",0,"1962-01-01T00:00:00.000Z","1963-01-01T00:00:00.000Z","pour quatorze cuivres et deux pianos","for fourteen brass instruments and two pianos","Musique instrumentale d'ensemble (Ensemble à vent et claviers)","Instrumental ensemble music (Wind and keyboard ensemble)","Inédit",[],{"id":93,"slug":94,"title":95,"duration":96,"publishingStartDate":97,"publishingEndDate":97,"descriptionFr":98,"descriptionEn":99,"cardDescription":98,"style":100,"styleEn":101,"editor":75,"tags":102},"ff1b3783-7051-400b-af4f-f0fc69fa4d13","consolation-i","Consolation I",10,"1967-01-01T00:00:00.000Z","pour chœur et percussions","for choir and percussion","Musique vocale et instrument(s) (Chœur(s) et percussion)","Vocal music and instrument(s) (Choir(s) and percussion)",[],{"id":104,"slug":105,"title":106,"duration":83,"publishingStartDate":107,"publishingEndDate":107,"descriptionFr":108,"descriptionEn":109,"cardDescription":108,"style":110,"styleEn":111,"editor":90,"tags":112},"1dfc9d6f-e7d9-402d-9d0b-cb2148ddaf98","due-giri","Due Giri","1960-01-01T00:00:00.000Z","deux études pour orchestre","two studies for orchestra","Musique instrumentale d'ensemble (Musique orchestrale)","Instrumental ensemble music (Orchestral music)",[],{"id":114,"slug":115,"title":116,"duration":117,"publishingStartDate":118,"publishingEndDate":118,"descriptionFr":119,"descriptionEn":120,"cardDescription":119,"style":121,"styleEn":122,"editor":75,"tags":123},"a74c35c2-2761-48be-9d6a-e954123c125c","fassade","Fassade",20,"1973-01-01T00:00:00.000Z","pour grand orchestre et bande magnétique","for large orchestra and magnetic tape","Musique instrumentale d'ensemble (Grand orchestre type \"bois par 3\" (ou plus))","Instrumental ensemble music (Triple wind orchestra (or larger))",[124],{"label":78},{"id":126,"slug":127,"title":128,"duration":129,"publishingStartDate":130,"publishingEndDate":131,"descriptionFr":132,"descriptionEn":133,"cardDescription":132,"style":134,"styleEn":135,"editor":75,"tags":136},"f461904b-262f-49e9-83e0-317dbd120c44","harmonica","Harmonica",31,"1981-01-01T00:00:00.000Z","1983-01-01T00:00:00.000Z","pour tuba soliste et grand orchestre","for solo tuba and large orchestra","Musique concertante (Tuba et ensemble/orchestre)","Concertant music (Tuba and ensemble/orchestra)",[],{"id":138,"slug":139,"title":140,"duration":83,"publishingStartDate":141,"publishingEndDate":141,"descriptionFr":142,"descriptionEn":143,"cardDescription":142,"style":144,"styleEn":145,"editor":11,"tags":146},"f7d88e8c-7e9a-4e31-83c7-eacbbac08086","montage","Montage","1971-01-01T00:00:00.000Z","pour clarinette, piano et violoncelle","for clarinet, piano and cello","Musique de chambre (Trio à vent, clavier et cordes)","Chamber music (Wind, keyboard and string trio)",[],{"id":148,"slug":149,"title":150,"duration":151,"publishingStartDate":152,"publishingEndDate":152,"descriptionFr":153,"descriptionEn":154,"cardDescription":153,"style":155,"styleEn":156,"editor":75,"tags":157},"bcb9f0fc-a49c-48d8-b1b4-136e8926efef","pression","Pression",9,"1969-01-01T00:00:00.000Z","pour violoncelle seul","for solo cello","Musique soliste (sauf voix) (Violoncelle)","Solo (excluding voice) (Cello)",[],{"id":159,"slug":160,"title":161,"duration":96,"publishingStartDate":162,"publishingEndDate":162,"descriptionFr":163,"descriptionEn":164,"cardDescription":163,"style":121,"styleEn":122,"editor":75,"tags":165},"6ff9ac8c-e10e-4a44-a657-41e5d5dd2ac8","tableau","Tableau","1988-01-01T00:00:00.000Z","pour orchestre","for orchestra",[],{"id":167,"slug":168,"title":169,"duration":170,"publishingStartDate":171,"publishingEndDate":171,"descriptionFr":172,"descriptionEn":173,"cardDescription":172,"style":174,"styleEn":175,"editor":90,"tags":176},"c2f3cab8-8f41-4b95-9507-58c7adad90d8","troisieme-voix-pour-l'invention-a-deux-voix-en-re-mineur-(bwv-775)-de-j.-s.-bach","Troisième voix pour l'Invention à deux voix en ré mineur (BWV 775) de J. S. Bach",3,"1985-01-01T00:00:00.000Z","pour effectif variable à trois voix","for variable three-part formation","Musique instrumentale d'ensemble (Ensemble instrumental non spécifié ou indéterminé)","Instrumental ensemble music (Unspecified or undetermined instrumental ensemble)",[],{"id":178,"slug":179,"title":180,"duration":83,"publishingStartDate":118,"publishingEndDate":181,"descriptionFr":33,"descriptionEn":33,"cardDescription":33,"style":182,"styleEn":183,"editor":184,"tags":185},"2e055717-e902-49f2-b024-0ebd0bf09c6e","zwei-studien-fur-violine-allein","Zwei Studien für Violine allein","1974-01-01T00:00:00.000Z","Musique soliste (sauf voix) (Violon)","Solo (excluding voice) (Violin)","partition retirée du catalogue",[],{"id":187,"slug":188,"title":189,"duration":117,"publishingStartDate":190,"publishingEndDate":152,"descriptionFr":191,"descriptionEn":192,"cardDescription":191,"style":193,"styleEn":194,"editor":75,"tags":195},"9cb45aeb-e73e-4ec5-9bc8-2c454347c016","air-1","Air","1968-01-01T00:00:00.000Z","pour grand orchestre et percussion soliste","for large orchestra and solo percussion","Musique concertante (Percussion et ensemble/orchestre)","Concertant music (Percussion and ensemble/orchestra)",[],{"id":197,"slug":198,"title":199,"duration":200,"publishingStartDate":190,"publishingEndDate":190,"descriptionFr":201,"descriptionEn":202,"cardDescription":201,"style":203,"styleEn":204,"editor":75,"tags":205},"3dd7cea3-c6b3-4953-bad6-4779ca585e23","consolation-ii","Consolation II",6,"pour chœur à seize voix","for sixteen-part choir","Musique vocale a cappella (Chœur mixte a cappella)","A cappella vocal music (Mixed choir a cappella)",[],{"id":207,"slug":208,"title":209,"duration":210,"publishingStartDate":211,"publishingEndDate":211,"descriptionFr":212,"descriptionEn":213,"cardDescription":212,"style":214,"styleEn":215,"editor":75,"tags":216},"0330102a-6ef4-4f21-95d6-e39b59b027ed","echo-andante","Echo Andante",12,"1961-01-01T00:00:00.000Z","pour piano","for piano","Musique soliste (sauf voix) (Piano solo)","Solo (excluding voice) (Solo piano)",[],{"id":218,"slug":219,"title":220,"duration":221,"publishingStartDate":141,"publishingEndDate":222,"descriptionFr":223,"descriptionEn":224,"cardDescription":223,"style":225,"styleEn":226,"editor":75,"tags":227},"1ac484a4-63d3-4a87-9701-6ccbec400c32","gran-torso","Gran Torso",21,"1972-01-01T00:00:00.000Z","pour quatuor à cordes","for string quartet","Musique de chambre (2 violons, alto, violoncelle)","Chamber music (2 violins, viola, cello)",[],{"id":229,"slug":230,"title":231,"duration":232,"publishingStartDate":233,"publishingEndDate":141,"descriptionFr":163,"descriptionEn":164,"cardDescription":163,"style":121,"styleEn":122,"editor":234,"tags":235},"56999339-2b2a-4538-af52-d810f5fbe249","kontrakadenz","Kontrakadenz",17,"1970-01-01T00:00:00.000Z","Boosey & Hawkes",[],{"id":237,"slug":238,"title":239,"duration":240,"publishingStartDate":241,"publishingEndDate":241,"descriptionFr":242,"descriptionEn":243,"cardDescription":242,"style":225,"styleEn":226,"editor":75,"tags":244},"c3b47a25-7f1f-4a68-b165-12783340fe6f","reigen-seliger-geister","Reigen seliger Geister",28,"1989-01-01T00:00:00.000Z","deuxième quatuor à cordes","second string quartet",[],{"id":246,"slug":247,"title":248,"duration":249,"publishingStartDate":250,"publishingEndDate":250,"descriptionFr":251,"descriptionEn":252,"cardDescription":251,"style":253,"styleEn":254,"editor":75,"tags":255},"2860ab50-27a4-4c71-a20a-14804676c87a","souvenir-1","Souvenir",15,"1959-01-01T00:00:00.000Z","pour quarante et un instruments","for forty-one instruments","Musique instrumentale d'ensemble (Orchestre autre)","Instrumental ensemble music (Other orchestra)",[],{"id":257,"slug":258,"title":259,"duration":260,"publishingStartDate":190,"publishingEndDate":190,"descriptionFr":261,"descriptionEn":262,"cardDescription":261,"style":263,"styleEn":264,"editor":75,"tags":265},"605dfcd7-d609-4f37-a505-47e4a35cb6ed","tema-1","TemA",14,"pour flûte, voix et violoncelle","for flute, voice and cello","Musique vocale et instrument(s) (1 voix soliste et ensemble jusqu'à 9 instruments)","Vocal music and instrument(s) (Solo voice and ensemble of up to 9 instruments)",[],{"id":267,"slug":268,"title":269,"duration":270,"publishingStartDate":85,"publishingEndDate":85,"descriptionFr":212,"descriptionEn":213,"cardDescription":212,"style":214,"styleEn":215,"editor":75,"tags":271},"f98c64ae-775e-42bb-a5b7-7ed61453fbfd","wiegenmusik","Wiegenmusik",4,[],{"id":273,"slug":274,"title":275,"duration":83,"publishingStartDate":211,"publishingEndDate":211,"descriptionFr":276,"descriptionEn":277,"cardDescription":276,"style":278,"styleEn":279,"editor":280,"tags":281},"618d9e34-f107-40d4-9954-2f708c68c069","funf-strophen","Fünf Strophen","pour neuf instruments","for nine instruments","Musique instrumentale d'ensemble (Ensemble instrumental mixte de 5 à 9 instruments)","Instrumental ensemble music (Mixed instrumental ensemble of 5 to 9 instruments)","pas d'éditeur",[],{"id":283,"slug":284,"title":285,"duration":170,"publishingStartDate":233,"publishingEndDate":162,"descriptionFr":212,"descriptionEn":213,"cardDescription":212,"style":214,"styleEn":215,"editor":75,"tags":286},"33eb89df-87fb-4abd-834c-0080e7465cd8","guero","Guero",[],{"id":288,"slug":289,"title":290,"duration":260,"publishingStartDate":291,"publishingEndDate":292,"descriptionFr":293,"descriptionEn":294,"cardDescription":293,"style":295,"styleEn":296,"editor":280,"tags":297},"d8321710-e92f-42e0-8f21-caaced4568c7","interieur-i","Intérieur I","1965-01-01T00:00:00.000Z","1966-01-01T00:00:00.000Z","pour percussion solo","for solo percussion","Musique soliste (sauf voix) (Multi-percussions)","Solo (excluding voice) (Multiple percussion instruments)",[],{"id":299,"slug":300,"title":301,"duration":83,"publishingStartDate":302,"publishingEndDate":302,"descriptionFr":303,"descriptionEn":304,"cardDescription":303,"style":278,"styleEn":279,"editor":11,"tags":305},"cefb2893-1ef8-4828-be70-62f5ae68405f","introversion-ii","Introversion II","1964-01-01T00:00:00.000Z","pour ensemble de chambre","for chamber ensemble",[],{"id":307,"slug":308,"title":309,"duration":310,"publishingStartDate":97,"publishingEndDate":311,"descriptionFr":312,"descriptionEn":313,"cardDescription":312,"style":314,"styleEn":315,"editor":75,"tags":316},"877b3200-b8ce-4151-8857-1e9416ed0e65","les-consolations","Les Consolations",38,"1978-01-01T00:00:00.000Z","pour seize voix mixtes, orchestre et bande magnétique","for sixteen mixed voices, orchestra and tape","Musique vocale et instrument(s) (Chœur mixte et orchestre)","Vocal music and instrument(s) (Mixed choir and orchestra)",[317],{"label":78},{"id":319,"slug":320,"title":321,"duration":322,"publishingStartDate":323,"publishingEndDate":324,"descriptionFr":325,"descriptionEn":326,"cardDescription":325,"style":327,"styleEn":328,"editor":75,"tags":329},"d43bbc30-268d-4aaf-86cb-27685873f377","mouvement-(-vor-der-erstarrung)","Mouvement (- vor der Erstarrung)",24,"1982-01-01T00:00:00.000Z","1984-01-01T00:00:00.000Z","pour ensemble","for ensemble","Musique instrumentale d'ensemble (Ensemble instrumental mixte de 10 à 25 instruments)","Instrumental ensemble music (Mixed instrumental ensemble of 10 to 25 instruments)",[],{"id":331,"slug":332,"title":333,"duration":334,"publishingStartDate":335,"publishingEndDate":335,"descriptionFr":336,"descriptionEn":337,"cardDescription":336,"style":338,"styleEn":339,"editor":75,"tags":340},"f5eb6ff3-0403-4b84-a9f6-60fcd1fd3563","salut-fur-caudwell","Salut für Caudwell",30,"1977-01-01T00:00:00.000Z","pour deux guitaristes","for two guitarists","Musique de chambre (Duo de cordes pincées)","Chamber music (Plucked string duo)",[],{"id":342,"slug":343,"title":344,"duration":96,"publishingStartDate":291,"publishingEndDate":291,"descriptionFr":33,"descriptionEn":33,"cardDescription":33,"style":345,"styleEn":346,"editor":347,"tags":348},"78c2f561-0f23-4ee6-a87f-945ac49e9428","streichtrio-i","Streichtrio I","Musique de chambre (Trio violon, alto, violoncelle)","Chamber music (Violin, viola and cello trio)","Modern",[],{"id":350,"slug":351,"title":352,"duration":353,"publishingStartDate":292,"publishingEndDate":97,"descriptionFr":354,"descriptionEn":355,"cardDescription":354,"style":356,"styleEn":357,"editor":75,"tags":358},"6dffaef5-bc5d-4901-a2de-8322cdaa17d5","trio-fluido","Trio Fluido",16,"pour clarinette, alto et percussion","for clarinet, viola and percussion","Musique instrumentale d'ensemble (Ensemble instrumental mixte de moins de 5 instruments)","Instrumental ensemble music (Mixed instrumental ensemble of up to 5 instruments)",[],{"id":360,"slug":361,"title":362,"duration":240,"publishingStartDate":363,"publishingEndDate":162,"descriptionFr":142,"descriptionEn":143,"cardDescription":142,"style":144,"styleEn":145,"editor":75,"tags":364},"fdaf91f0-f297-4683-b410-3a5a3cfd4a09","allegro-sostenuto","Allegro sostenuto","1986-01-01T00:00:00.000Z",[],{"id":366,"slug":367,"title":368,"duration":83,"publishingStartDate":85,"publishingEndDate":85,"descriptionFr":369,"descriptionEn":370,"cardDescription":369,"style":278,"styleEn":279,"editor":11,"tags":371},"9011263f-9f1c-472c-b818-71a011caa9a1","introversion-i","Introversion I","pour six instruments","for six instruments",[],{"id":373,"slug":374,"title":375,"duration":376,"publishingStartDate":222,"publishingEndDate":222,"descriptionFr":377,"descriptionEn":378,"cardDescription":377,"style":253,"styleEn":254,"editor":75,"tags":379},"17eb9ae9-35b9-4bbe-8c81-31816cc86388","klangschatten-mein-saitenspiel","Klangschatten - mein Saitenspiel",25,"pour quarante-huit cordes et trois pianos","for forty-eight strings and three pianos",[],{"id":381,"slug":382,"title":383,"duration":249,"publishingStartDate":292,"publishingEndDate":190,"descriptionFr":384,"descriptionEn":385,"cardDescription":384,"style":386,"styleEn":387,"editor":75,"tags":388},"3b6ce508-88fb-409d-866b-57ebeee5d924","notturno","Notturno","\u003Ci>Musik für Julia\u003C/i>, pour petit orchestre et violoncelle soliste","\u003Ci>Musik für Julia\u003C/i>, for small orchestra and solo cello","Musique concertante (Violoncelle et ensemble de plus de 25 instruments)","Concertant music (Cello and ensemble of more than 25 instruments)",[],{"id":390,"slug":391,"title":392,"duration":210,"publishingStartDate":291,"publishingEndDate":291,"descriptionFr":393,"descriptionEn":394,"cardDescription":393,"style":395,"styleEn":396,"editor":90,"tags":397},"c8ff2f47-c5e9-41ea-ac38-c0785e9074a2","scenario","Scenario","musique électronique","electronic music","Musique électronique / sur support / instruments mécaniques (Musique électronique / sur support / instruments mécaniques)","Electronic music / fixed media / mechanical musical instruments (Electronic music / fixed media / mechanical musical instruments)",[],{"id":399,"slug":400,"title":401,"duration":402,"publishingStartDate":171,"publishingEndDate":403,"descriptionFr":163,"descriptionEn":164,"cardDescription":163,"style":121,"styleEn":122,"editor":75,"tags":404},"5e088553-1852-44a1-82e3-9d3493ed1dff","staub","Staub",23,"1987-01-01T00:00:00.000Z",[],{"id":406,"slug":407,"title":408,"duration":310,"publishingStartDate":409,"publishingEndDate":410,"descriptionFr":411,"descriptionEn":412,"cardDescription":411,"style":413,"styleEn":414,"editor":75,"tags":415},"f45aad42-e27b-4946-b64a-0f2a9e82a3c8","tanzsuite-mit-deutschlandlied","Tanzsuite mit Deutschlandlied","1979-01-01T00:00:00.000Z","1980-01-01T00:00:00.000Z","pour quatuor à cordes soliste et orchestre","for string quartet soloist and orchestra","Musique concertante (4 solistes ou plus et ensemble/orchestre)","Concertant music (4 or more soloists and ensemble/orchestra)",[],{"id":417,"slug":418,"title":419,"duration":420,"publishingStartDate":363,"publishingEndDate":363,"descriptionFr":421,"descriptionEn":422,"cardDescription":421,"style":182,"styleEn":183,"editor":75,"tags":423},"e23f375a-b315-475b-966f-77e61f2aa076","toccatina","Toccatina",5,"étude pour violon seul","study for solo violin",[],{"id":425,"slug":426,"title":427,"duration":428,"publishingStartDate":324,"publishingEndDate":171,"descriptionFr":429,"descriptionEn":430,"cardDescription":429,"style":431,"styleEn":432,"editor":75,"tags":433},"a9cdde11-7b4c-415e-9c5a-720cbb79e585","ausklang","Ausklang",50,"pour piano et orchestre","for piano and orchestra","Musique concertante (Piano et orchestre)","Concertant music (Piano and 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