flûte, clarinette, violon, alto, violoncelle, contrebasse
États-Unis, Boston, Jordan Hall
les Boston Symphony Chamber Players.
This piece starts with a set of variations on a Yiddish lullaby that I composed for Sally Potter's film The Man Who Cried, set to function well in counterpoint to another important music theme in the soundtrack: Bizet's Aria Je Crois Entendre Encore, from The Pearl Fishers. In her film Sally explores the fate of Jews and Gypsies in Europe during the mid-years of the 20th century, through a love story between a Jewish young woman and a Gypsy young man. The lullaby metamorphoses into a dense and dark doina (a gypsy slow, rubato genre) featuring the lowest string of the violas. The piece ends in a fast gallop boasting a theme that I stole from my friends of the wild gypsy band Taraf de Haddocks.
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