Vous constatez une erreur ?
NaN:NaN
00:00
Tools for computer-aided composition such as OpenMusic and PWGL provide access to the Lisp layer they are based upon, and advanced operations have often proven being more easily implemented in Lisp than through a higher-level, graphical approach. Max provides several options for embedding in patches textual code written in various programming languages, but my perception is that these languages bindings are either too revealing of the low-level mechanisms underlying the Max environment, or suffer from their abstractness with respect to the actual Max data types and programming paradigm. The project I will show, which I am carrying out within Ircam’s Musical Research Residency program, consists in designing and implementing a simple, high-level, multi-paradigm, textual programming language able to manipulate directly the data types of bach. At the time of the presentation, the language will still be in its development phase, but I will be able to show its basic principles and
some working examples.
© Ircam-Centre Pompidou, 2017.
À mi-chemin entre sculptures et instruments de musique, les objets sonores conçus par Violeta Cruz présentent des nouveaux enjeux pour l’écriture musicale. Ils s’agit d’une série de machines mécaniques au comportement partiellement aléatoir
16 mars 2017 27 min
16 mars 2017 15 min
16 mars 2017 27 min
Leap motion is an affordable and easy to use tool to track the motions of the user’s hands. It is widely used to control musical software. Mostly it’s being used for live performances e.g. to perform filtersweeps or to alter the volume of a
16 mars 2017 27 min
Prismes électriques – hommage à Sonia Delaunay is a tribute to the naturalized French artist Sonia Delaunay, co-author of the simultaneous contrast theory with her husband. This piece is a personal transposition into music of one of Delau
16 mars 2017 19 min
« Orchestra of Speeh » est un projet artistique développé dans le cadre d’un programme de recherche artistique à la Norwegian University of Science and Technology. Le but artistique du projet est d’explorer l’utilisation de la parole comme
16 mars 2017 27 min
Vous constatez une erreur ?
1, place Igor-Stravinsky
75004 Paris
+33 1 44 78 48 43
Du lundi au vendredi de 9h30 à 19h
Fermé le samedi et le dimanche
Hôtel de Ville, Rambuteau, Châtelet, Les Halles
Institut de Recherche et de Coordination Acoustique/Musique
Copyright © 2022 Ircam. All rights reserved.