Les médias liés à cet évènement

Introduction à la journée d'études du GdR IASIS dédiée à la synthèse audio - Thomas Hélie, Mathieu Lagrange

7 novembre 2024

Audio Language Models - Neil Zeghidour

7 novembre 2024

Poster sessions - Clara Boukhemia, Samir Sadok, Amandine Brunetto, Haoran Sun, Vincent Lostanlen, Morgane Buisson, Xiran Zhang, Reyhaneh Abbasi, Ainė Drėlingytė, Étienne Paul André, Yuexuan Kong, Étienne Bost, Axel Marmoret, Javier Nistal, Hugo Pauget Ballesteros

7 novembre 2024

AI in 64Kbps: Lightweight neural audio synthesis for embedded instruments - Philippe Esling

7 novembre 2024

Grey-box modelling informed by physics: Application to commercial digital audio effects - Judy Najnudel

7 novembre 2024

Introduction à la journée d'études du GdR IASIS dédiée à la synthèse audio - Thomas Hélie, Mathieu Lagrange

7 novembre 2024

Audio Language Models - Neil Zeghidour

7 novembre 2024

Poster sessions - Clara Boukhemia, Samir Sadok, Amandine Brunetto, Haoran Sun, Vincent Lostanlen, Morgane Buisson, Xiran Zhang, Reyhaneh Abbasi, Ainė Drėlingytė, Étienne Paul André, Yuexuan Kong, Étienne Bost, Axel Marmoret, Javier Nistal, Hugo Pauget Ballesteros

7 novembre 2024

AI in 64Kbps: Lightweight neural audio synthesis for embedded instruments - Philippe Esling

7 novembre 2024

Grey-box modelling informed by physics: Application to commercial digital audio effects - Judy Najnudel

7 novembre 2024

Hybrid deep learning for music analysis and synthesis - Gaël Richard

16 novembre 2023 53 min

Invariance learning for a music indexing robust to sound modifications - Rémi Mignot

16 novembre 2023 51 min

Basic Pitch: A lightweight model for multi-pitch, note and pitch bend estimations in polyphonic music - Rachel Bittner

16 novembre 2023 43 min

GDR ISIS, Méthodes et modèles en traitement de signal, Introduction

16 novembre 2023 05 min

Labeling a Large Music Catalog - Romain Hennequin

16 novembre 2023 01 h 04 min

Music sound synthesis using machine learning

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One of the major challenges of the synthesizer market and sound synthesis today lies in proposing new forms of synthesis allowing the creation of brand new sonorities while offering musicians more intuitive and perceptually meaningful control to help them find the perfect sound more easily. Indeed, today's synthesizers are very powerful tools offering musicians a wide range of possibilities for creating sound textures, but the control of parameters still lacks user-friendliness and generally requires expert knowledge to manipulate. This presentation will focus on machine learning methods for sound synthesis, enabling the generation of new, high-quality sounds while providing perceptually relevant control parameters.

In a first part of this talk, we will focus on the perceptual characterization of synthetic musical timbre by highlighting a set of verbal descriptors frequently and consensually used by musicians. Secondly, we will explore the use of machine learning algorithms for sound synthesis, and in particular different models of the "autoencoder" type, for which we have carried out an in-depth comparative study on two different datasets. Then, this presentation will focus on the perceptual regularization of the proposed model, based on the perceptual characterization of synthetic timbre presented in the first part, to enable (at least partial) perceptually relevant control of sound synthesis. Finally, in the last part of this talk, we will quickly present some of the latest tests we conducted using more recent neural synthesis models.

intervenants

informations

Type
Séminaire / Conférence
Lieu de représentation
Ircam, Salle Igor-Stravinsky (Paris)
date
7 novembre 2024

IRCAM

1, place Igor-Stravinsky
75004 Paris
+33 1 44 78 48 43

heures d'ouverture

Du lundi au vendredi de 9h30 à 19h
Fermé le samedi et le dimanche

accès en transports

Hôtel de Ville, Rambuteau, Châtelet, Les Halles

Institut de Recherche et de Coordination Acoustique/Musique

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