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This talk presents a practice-based research that uses choreography to critique the often-concealed algorithms operating in the background of everyday web environments. By harnessing choreographic practices, researchers can both reinforce existing forms of control over people's movements or catalyse critical investigation into movement, thereby offering a multifaceted and nuanced perspective on this issue. Joana Chicau will showcase a series of projects that integrate elements of artistic research, critical design, choreography, and embodied sense-making to render hidden algorithmic processes visible and experiential. Her approach seeks more intimate and visceral forms of algorithmic resistance, exploring how embodiment can empower and emancipate users.
Joana Chicau is a designer and researcher — with a background in dance. Chicau's research seeks to increase public understanding of computational processes through embodied and choreographic approaches. Her practice interweaves web design and programming with choreography — from the making of online platforms to performances and workshops. She participates in and curates events focused on computational arts and community roundtables about digital activism. Including Mesh Festival (Basel), Fiber Festival (Amsterdam), Piksel (Bergen), Transmediale Vorspiel (Berlin), Art Meets Radical Openness (Linz), Radical Networks (NYC), to name a few. She is a lecturer and PhD candidate at the Creative Institute at the University of the Arts London.
https://joanachicau.com/
La WAC est une conférence internationale consacrée aux technologies et applications audio sur le web, accueillant des chercheurs, chercheuses, développeurs, développeuses et des artistes, pour discuter de la recherche universitaire et artistique, du développement, de la conception, de l'évaluation et des normes concernant les technologies web émergentes liées à l'audio. Pour ses 10 ans, thématisés « Hacking and Making with Web Audio », la WAC invite à explorer de nouvelles utilisations de l'API audio web.
20 novembre 2025
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20 novembre 2025
This paper introduces p5.spatial.js, an open source JavaScript library for creating multichannel sound works in the web browser. Designed to extend the popular creative coding environment p5.js, p5.spatial.js adds multichan- nel audio outpu
20 novembre 2025
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This article explores the frontiers of interactive, modular music creation by presenting how existing WAM plugins, available on the Web in their 2D version, can be deployed in real-time 3D collaborative environments without any modification
20 novembre 2025
Music audio concepts and design for VR are relatively under-explored compared to visual analogs. This paper ad- dresses the design and evaluation of a dynamic experience of music in Web VR called VRTGO, in which a user explores three altern
20 novembre 2025
RhizomeBridge is a VST/AU plugin that enables real- time, bidirectional communication with minimal latency and sample-accurate precision between a Digital Audio Workstation (DAW) and an external Node.js process. Unlike protocol-based approa
20 novembre 2025
20 novembre 2025
Lately, the rise of AI generative systems has significantly influenced academic discourse on assisted composition, reshaping research agendas and scholarly practices. While generative tools can streamline exploratory workflows, they also au
20 novembre 2025
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Hôtel de Ville, Rambuteau, Châtelet, Les Halles
Institut de Recherche et de Coordination Acoustique/Musique
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