Finding common ground in divergent compositional aesthetics: Elliott Carter’s and Luigi Nono’s analyses of Arnold Schoenberg’s op. 31 - Laura Emmery
From their compositional and philosophical perspectives, the works of Elliott Carter and Luigi Nono share very little in common. Carter, a true American modernist, strongly opposed the method of twelve-tone music, which was becoming prevale
October 10, 2015 27 min
Video