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Karlheinz Stockhausen’s ‘Kontakte für elektronische Klänge, Klavier und Schlagzeug’ (1960) remains one of the most celebrated works of ‘mixed’ music. My paper will analyse the role of the piano in this groundbreaking composition. In referen
April 5, 2012 28 min
1, place Igor-Stravinsky 75004 Paris +33 1 44 78 48 43
Monday through Friday 9:30am-7pm Closed Saturday and Sunday
Hôtel de Ville, Rambuteau, Châtelet, Les Halles
Institut de Recherche et de Coordination Acoustique/Musique
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