Analysing the Socio-Genesis of a Distinctive Writing Technique: Improvisatory Writing by Déodat de Séverac (EN)
0:00/0:00
From the same archive
The composer as evaluator: reflections on evaluation and the creative process - Annelies Fryberger
undefined 29 min
Créer sous les micros. Quand la lecture répétée d'une œuvre fait advenir son interprétation - Benoît Haug
undefined 27 min
From perfection to expression? Exploring possibilities for changing the aesthetics and processes of recording classical music
undefined 30 min
Tracking the creative process in Trevor Wishart’s Imago - Michael Clarke, Frédéric Dufeu
undefined 26 min
A framework for sustainability and research of interactive computer music repertoire - Jeremy Baguyos
undefined 30 min
Enquête sur les frequency-shifters dans les œuvres mixtes - Alain Bonardi
undefined 27 min
Assessing the impact of feedback in the composition process: an experiment in leadsheet composition - Daniel Martín, Benjamin Frantz
undefined 31 min
Understanding the creative process in the shaping of an interpretation by eight expert musicians - Isabelle Héroux
undefined 28 min
Genre as frame in elite performers' interpretative decision-making - Sheila Guymer
undefined 27 min
The authorship of orchestral performance - Cayenna Ponchione-Bailey
undefined 33 min
Improvised meetings between New York and Kolkata: A collaborative analysis of a transcultural study - Amandine Pras, Caroline Cance, Gilles Cloiseau
undefined 28 min
Gestural interfaces and creativity in electronic music: A comparative analysis - Baptiste Bacot
undefined 31 min
Technical influence and physical constraint in the realisation of Gesang der Jünglinge - Sean Williams
undefined 30 min
Melodic Variation and Improvisational Syntax in an Aka Polyphonic Song - Rob Schultz
undefined 23 min
Life through a lens: a case study evaluating an application of the concepts of affordance, effectivities and the hallmarks of human behavior to an experiment in ‘intuitive’ composition for voice and accordion - Chloë Mullett
undefined 28 min
Creating new music across cultural boundaries: mbira and string quartet - Amanda Bayley
undefined 29 min
Sur les rôles de Heinz Holliger dans la genèse de la Sequenza VII de Luciano Berio (FR) - Nicolas Donin
undefined 29 min
Historically informed? The creative consequences of period instruments in contemporary compositions - Emily Payne
undefined 28 min
The Body in the Composition and Performance of Art Music - Mark Wraith
undefined 21 min
Cipriano de Rore’s Setting of Petrarch’s Vergine Cycle and the Creative Process - Jessie Ann Owens
undefined 26 min
Table ronde 1 : Friedemann Sallis, Music Sketches (2015) - Jonathan Cross, Nicolas Donin, William Kinderman, Jessie Ann Owens, Friedemann Sallis
undefined 01 h 10 min
Igor Stravinsky’s Compositional Process for Duo Concertant (1931–32)
undefined 27 min
Jimi Hendrix’s Fire from Studio to Live, and Back: The Song as a Work in Progress - Alessandro Bratus
undefined 25 min
Analyser la sociogenèse d’une manière d’écrire singulière : l’exemple de l’écriture improvisatrice chez Déodat de Séverac (FR)
undefined 25 min
Models, Figures, and Modernity in the Process of Composition of Claude Debussy’s Sonate pour violoncelle et piano: The Case of 'Sérénade' (EN) - François Delecluse
undefined 30 min
Comment Debussy réinvente-t-il les opérateurs de la modernité ? Modèles, figures et modernité dans la composition de la Sonate pour violoncelle et piano de Claude Debussy : l’exemple de la « Sérénade » (VF) - François Delecluse
undefined 30 min
Choosing the Right ‘Notes’ in Synchronized Swimming: Practical and Stylistical Consequences (EN) - Irina Kirchberg
undefined 29 min
Opter pour les bonnes « notes » en natation synchronisée : conséquences pratiques et stylistiques (FR) - Irina Kirchberg
undefined 29 min
Creating and Re-Creating: What Remediation Entails (EN) - Julie Mansion-Vaquié
undefined 19 min
Création et re-création, les enjeux du changement de support (FR) - Julie Mansion-Vaquié
undefined 19 min
Collaboration in Computer Music. An Analysis of the Role Played by Musical Assistants Obtained Through Semi-Structured Interviews (EN) - Laura Zattra
undefined 24 min
Computer Music et collaboration : enquête sur le rôle créatif des assistants musicaux à partir d’entretiens semi-structurés (FR)
undefined 24 min
On Heinz Holliger’s Roles in the Creative Process of Luciano Berio’s Sequenza VII (EN) - Nicolas Donin
undefined 29 min
E-sketch analysis: Marco Stroppa’s Chroma between the late ’80s and early ’90s - Giacomo Albert
undefined 28 min
Roundtable 1: Friedemann Sallis, Music Sketches (2015) - Jonathan Cross, Nicolas Donin, William Kinderman, Jessie Ann Owens, Friedemann Sallis
undefined 01 h 10 min
WORKSHOP 2 : Gestes et expérimentations: composition et interprétation de Sonant 1960/... (1960) et Dressur (1977) de Kagel - Jean-François Trubert, Gaston Sylvestre, Willy Coquillat
undefined 01 h 36 min
speakers
information
- event
- TCPM 2015 : Analyser les processus de création musicale / Tracking the Creative Process in Music
- Type
- Séminaire / Conférence
- duration
- 25 min
- program note
- TCPM 2015