From the same archive
Tracking the creative process in Trevor Wishart’s Imago - Michael Clarke, Frédéric Dufeu
October 9, 2015 26 min
A framework for sustainability and research of interactive computer music repertoire - Jeremy Baguyos
October 9, 2015 30 min
Enquête sur les frequency-shifters dans les œuvres mixtes - Alain Bonardi
October 9, 2015 27 min
Assessing the impact of feedback in the composition process: an experiment in leadsheet composition - Daniel Martín, Benjamin Frantz
October 9, 2015 31 min
The composer as evaluator: reflections on evaluation and the creative process - Annelies Fryberger
October 9, 2015 29 min
Créer sous les micros. Quand la lecture répétée d'une œuvre fait advenir son interprétation - Benoît Haug
October 9, 2015 27 min
From perfection to expression? Exploring possibilities for changing the aesthetics and processes of recording classical music
October 9, 2015 30 min
Understanding the creative process in the shaping of an interpretation by eight expert musicians - Isabelle Héroux
October 9, 2015 28 min
Genre as frame in elite performers' interpretative decision-making - Sheila Guymer
October 9, 2015 27 min
The authorship of orchestral performance - Cayenna Ponchione-Bailey
October 9, 2015 33 min
Improvised meetings between New York and Kolkata: A collaborative analysis of a transcultural study - Amandine Pras, Caroline Cance, Gilles Cloiseau
October 9, 2015 28 min
Gestural interfaces and creativity in electronic music: A comparative analysis - Baptiste Bacot
October 9, 2015 31 min
Technical influence and physical constraint in the realisation of Gesang der Jünglinge - Sean Williams
October 9, 2015 30 min
Melodic Variation and Improvisational Syntax in an Aka Polyphonic Song - Rob Schultz
October 9, 2015 23 min
Life through a lens: a case study evaluating an application of the concepts of affordance, effectivities and the hallmarks of human behavior to an experiment in ‘intuitive’ composition for voice and accordion - Chloë Mullett
October 9, 2015 28 min
Creating new music across cultural boundaries: mbira and string quartet - Amanda Bayley
October 9, 2015 29 min
Sur les rôles de Heinz Holliger dans la genèse de la Sequenza VII de Luciano Berio (FR) - Nicolas Donin
October 9, 2015 29 min
Historically informed? The creative consequences of period instruments in contemporary compositions - Emily Payne
October 9, 2015 28 min
The Body in the Composition and Performance of Art Music - Mark Wraith
October 9, 2015 21 min
Cipriano de Rore’s Setting of Petrarch’s Vergine Cycle and the Creative Process - Jessie Ann Owens
October 9, 2015 26 min
Table ronde 1 : Friedemann Sallis, Music Sketches (2015) - Jonathan Cross, Nicolas Donin, William Kinderman, Jessie Ann Owens, Friedemann Sallis
October 9, 2015 01 h 10 min
Igor Stravinsky’s Compositional Process for Duo Concertant (1931–32)
October 9, 2015 27 min
Jimi Hendrix’s Fire from Studio to Live, and Back: The Song as a Work in Progress - Alessandro Bratus
October 9, 2015 25 min
Analyser la sociogenèse d’une manière d’écrire singulière : l’exemple de l’écriture improvisatrice chez Déodat de Séverac (FR)
October 9, 2015 25 min
Models, Figures, and Modernity in the Process of Composition of Claude Debussy’s Sonate pour violoncelle et piano: The Case of 'Sérénade' (EN) - François Delecluse
October 9, 2015 30 min
Comment Debussy réinvente-t-il les opérateurs de la modernité ? Modèles, figures et modernité dans la composition de la Sonate pour violoncelle et piano de Claude Debussy : l’exemple de la « Sérénade » (VF) - François Delecluse
October 9, 2015 30 min
Choosing the Right ‘Notes’ in Synchronized Swimming: Practical and Stylistical Consequences (EN) - Irina Kirchberg
October 9, 2015 29 min
Opter pour les bonnes « notes » en natation synchronisée : conséquences pratiques et stylistiques (FR) - Irina Kirchberg
October 9, 2015 29 min
Creating and Re-Creating: What Remediation Entails (EN) - Julie Mansion-Vaquié
October 9, 2015 19 min
Création et re-création, les enjeux du changement de support (FR) - Julie Mansion-Vaquié
October 9, 2015 19 min
Collaboration in Computer Music. An Analysis of the Role Played by Musical Assistants Obtained Through Semi-Structured Interviews (EN) - Laura Zattra
October 9, 2015 24 min
Computer Music et collaboration : enquête sur le rôle créatif des assistants musicaux à partir d’entretiens semi-structurés (FR)
October 9, 2015 24 min
On Heinz Holliger’s Roles in the Creative Process of Luciano Berio’s Sequenza VII (EN) - Nicolas Donin
October 9, 2015 29 min
E-sketch analysis: Marco Stroppa’s Chroma between the late ’80s and early ’90s - Giacomo Albert
October 9, 2015 28 min
Roundtable 1: Friedemann Sallis, Music Sketches (2015) - Jonathan Cross, Nicolas Donin, William Kinderman, Jessie Ann Owens, Friedemann Sallis
October 9, 2015 01 h 10 min
WORKSHOP 2 : Gestes et expérimentations: composition et interprétation de Sonant 1960/... (1960) et Dressur (1977) de Kagel - Jean-François Trubert, Gaston Sylvestre, Willy Coquillat
October 9, 2015 01 h 36 min
Analysing the Socio-Genesis of a Distinctive Writing Technique: Improvisatory Writing by Déodat de Séverac (EN)
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labels.no_description
speakers
information
- event
- TCPM 2015 : Analyser les processus de création musicale / Tracking the Creative Process in Music
- Type
- Séminaire / Conférence
- duration
- 25 min
- date
- October 9, 2015
- program note
- TCPM 2015