From the same archive

Tracking the creative process in Trevor Wishart’s Imago - Michael Clarke, Frédéric Dufeu

October 9, 2015 26 min

A framework for sustainability and research of interactive computer music repertoire - Jeremy Baguyos

October 9, 2015 30 min

Enquête sur les frequency-shifters dans les œuvres mixtes - Alain Bonardi

October 9, 2015 27 min

Assessing the impact of feedback in the composition process: an experiment in leadsheet composition - Daniel Martín, Benjamin Frantz

October 9, 2015 31 min

The composer as evaluator: reflections on evaluation and the creative process - Annelies Fryberger

October 9, 2015 29 min

Créer sous les micros. Quand la lecture répétée d'une œuvre fait advenir son interprétation - Benoît Haug

October 9, 2015 27 min

From perfection to expression? Exploring possibilities for changing the aesthetics and processes of recording classical music

October 9, 2015 30 min

Understanding the creative process in the shaping of an interpretation by eight expert musicians - Isabelle Héroux

October 9, 2015 28 min

Genre as frame in elite performers' interpretative decision-making - Sheila Guymer

October 9, 2015 27 min

The authorship of orchestral performance - Cayenna Ponchione-Bailey

October 9, 2015 33 min

Improvised meetings between New York and Kolkata: A collaborative analysis of a transcultural study - Amandine Pras, Caroline Cance, Gilles Cloiseau

October 9, 2015 28 min

Gestural interfaces and creativity in electronic music: A comparative analysis - Baptiste Bacot

October 9, 2015 31 min

Technical influence and physical constraint in the realisation of Gesang der Jünglinge - Sean Williams

October 9, 2015 30 min

Melodic Variation and Improvisational Syntax in an Aka Polyphonic Song - Rob Schultz

October 9, 2015 23 min

Life through a lens: a case study evaluating an application of the concepts of affordance, effectivities and the hallmarks of human behavior to an experiment in ‘intuitive’ composition for voice and accordion - Chloë Mullett

October 9, 2015 28 min

Creating new music across cultural boundaries: mbira and string quartet - Amanda Bayley

October 9, 2015 29 min

Sur les rôles de Heinz Holliger dans la genèse de la Sequenza VII de Luciano Berio (FR) - Nicolas Donin

October 9, 2015 29 min

Historically informed? The creative consequences of period instruments in contemporary compositions - Emily Payne

October 9, 2015 28 min

The Body in the Composition and Performance of Art Music - Mark Wraith

October 9, 2015 21 min

Cipriano de Rore’s Setting of Petrarch’s Vergine Cycle and the Creative Process - Jessie Ann Owens

October 9, 2015 26 min

Table ronde 1 : Friedemann Sallis, Music Sketches (2015) - Jonathan Cross, Nicolas Donin, William Kinderman, Jessie Ann Owens, Friedemann Sallis

October 9, 2015 01 h 10 min

Igor Stravinsky’s Compositional Process for Duo Concertant (1931–32)

October 9, 2015 27 min

Jimi Hendrix’s Fire from Studio to Live, and Back: The Song as a Work in Progress - Alessandro Bratus

October 9, 2015 25 min

Analyser la sociogenèse d’une manière d’écrire singulière : l’exemple de l’écriture improvisatrice chez Déodat de Séverac (FR)

October 9, 2015 25 min

Models, Figures, and Modernity in the Process of Composition of Claude Debussy’s Sonate pour violoncelle et piano: The Case of 'Sérénade' (EN) - François Delecluse

October 9, 2015 30 min

Comment Debussy réinvente-t-il les opérateurs de la modernité ? Modèles, figures et modernité dans la composition de la Sonate pour violoncelle et piano de Claude Debussy : l’exemple de la « Sérénade » (VF) - François Delecluse

October 9, 2015 30 min

Choosing the Right ‘Notes’ in Synchronized Swimming: Practical and Stylistical Consequences (EN) - Irina Kirchberg

October 9, 2015 29 min

Opter pour les bonnes « notes » en natation synchronisée : conséquences pratiques et stylistiques (FR) - Irina Kirchberg

October 9, 2015 29 min

Creating and Re-Creating: What Remediation Entails (EN) - Julie Mansion-Vaquié

October 9, 2015 19 min

Création et re-création, les enjeux du changement de support (FR) - Julie Mansion-Vaquié

October 9, 2015 19 min

Collaboration in Computer Music. An Analysis of the Role Played by Musical Assistants Obtained Through Semi-Structured Interviews (EN) - Laura Zattra

October 9, 2015 24 min

Computer Music et collaboration : enquête sur le rôle créatif des assistants musicaux à partir d’entretiens semi-structurés (FR)

October 9, 2015 24 min

On Heinz Holliger’s Roles in the Creative Process of Luciano Berio’s Sequenza VII (EN) - Nicolas Donin

October 9, 2015 29 min

E-sketch analysis: Marco Stroppa’s Chroma between the late ’80s and early ’90s - Giacomo Albert

October 9, 2015 28 min

Roundtable 1: Friedemann Sallis, Music Sketches (2015) - Jonathan Cross, Nicolas Donin, William Kinderman, Jessie Ann Owens, Friedemann Sallis

October 9, 2015 01 h 10 min

WORKSHOP 2 : Gestes et expérimentations: composition et interprétation de Sonant 1960/... (1960) et Dressur (1977) de Kagel - Jean-François Trubert, Gaston Sylvestre, Willy Coquillat

October 9, 2015 01 h 36 min

Analysing the Socio-Genesis of a Distinctive Writing Technique: Improvisatory Writing by Déodat de Séverac (EN)

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information

Type
Séminaire / Conférence
duration
25 min
date
October 9, 2015
program note
TCPM 2015

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