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Part #3:
Animal Signals and General Auditory Semantics in Music Cognition
“Music cognition is continuous with normal auditory cognition”: sounds that signal danger (“ROAR!”) or that carry meaning on their causes (“BANG!”) are archetypes from which musical emotions can emerge. Our fourth guest speaker, Professor of Communication Sciences Gregory A. Bryant, will show through recent data how musical sounds that mimic the acoustics of certain animal calls can trigger corresponding emotions in human listeners. Our fifth guest speaker, Professor of Linguistics Philippe Schlenker, will show how a formal semantics of such auditory events can be developped for music. Finally, a second studio report from IRCAM’s “6months” project will show how these ideas can provide inspiration for further experiments on the links between music and emotions.
June 9, 2016 37 min
June 9, 2016 26 min
June 9, 2016 35 min
June 9, 2016 15 min
June 9, 2016 28 min
The sound of arousal in animal vocalizations has been evolutionarily conserved across many mammalian species, and is often characterized by particular nonlinear acoustic features. Here I will describe research examining the relationship bet
June 9, 2016 01 h 01 min
We provide the outline of a (highly simplified) semantics for music. We take music cognition to be continuous with normal auditory cognition, and thus to deliver inferences about ‘virtual sources’ of the music (as in Bregman’s Auditory Scen
June 9, 2016 01 h 00 min
June 9, 2016 45 min
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