\r\nLa première génération qui entre de plein droit dans la base est donc celle constituée par John Cage, Olivier Messiaen ou encore Elliott Carter.\r\n\u003C/p>\r\n\r\n\u003Ch3>Contenus\u003C/h3>\r\n\r\n\u003Cp style=\"text-align: justify;\">\r\nLes données sont progressivement mises à jour depuis juillet 2007, en remplacement de celles de l’ancienne version de la base, développée entre 1996 et 2001 par Marc Texier. L’information peut donc être incomplète pour certains compositeurs non encore traités : dans ce cas l’indication « ! Informations antérieures à 2002 » apparaît en haut de page. Pour tous les autres documents, la date de dernière mise à jour est indiquée en haut de page.\r\n\u003C/p>\r\n\r\n\u003Ch3>Mises à jour et nouvelles entrées\u003C/h3>\r\n\r\n\r\n\u003Cp style=\"text-align: justify;\">Les mises à jour se font compositeur par compositeur. Pour un compositeur donné, sont systématiquement revus ou créés les documents suivants :\r\n\u003C/p>\r\n\u003Cul style=\"text-align: justify;\">\r\n \u003Cli>la biographie\u003C/li>\r\n \u003Cli>le catalogue exhaustif de ses œuvres (y compris, si possible, les œuvres disparues, retirées ou posthumes)\u003C/li>\r\n \u003Cli>une liste de ressources bibliographiques, discographiques et internet,\u003C/li>\r\n \u003Cli>des éventuels documents attachés (Parcours de l’œuvre, interviews, analyses, notes de programme etc.)\u003C/li>\r\n\u003C/ul>\r\n\u003Cp style=\"text-align: justify;\">\r\nLa définition des priorités de mises à jour et nouvelles entrées des compositeurs s’opèrent suivant une méthodologie basée sur l’observation de la vie culturelle européenne :\r\n\u003C/p>\r\n\u003Cul style=\"text-align: justify;\">\r\n \u003Cli>Avant chaque saison, nous relevons les programmations à venir des principaux festivals, institutions et ensembles musicaux européens investis dans le domaine de la création musicale. Cette observation s’opère par cercles concentriques en partant de l’activité propre de l’Ircam (année n-2), puis de celle des partenaires privilégiés (année n-1) jusqu’aux grandes institutions et festivals européens de création (année n) ;\u003C/li>\r\n \u003Cli>Chaque compositeur est crédité de points en fonction de l’importance et de l’intensité de l’activité musicale le concernant. Ce classement permet de définir les priorités pour chaque trimestre ;\u003C/li>\r\n \u003Cli>Si un compositeur n’a pas obtenu assez de points pour figurer dans les priorités, il cumule ceux-ci sur le trimestre suivant ; et ainsi remonte progressivement dans la liste des priorités.\u003C/li>\r\n \u003Cli>Une fois mis à jour, les documents attachés à un compositeur sont valables trois ans, après lesquels le processus décrit ci-dessus reprend.\u003C/li>\r\n\u003C/ul>\t\r\n\r\n\u003Ch3>Erreurs ou omissions\u003C/h3>\t\r\n\t\t\t\t\r\n\u003Cp style=\"text-align: justify;\">\r\nSi la mise à jour est déjà effectuée (date postérieure à juin 2007) : nous invitons les musicologues, les compositeurs (ou leur éditeur) à nous signaler toute erreur ou omission importante. Elle sera corrigée, dans la mesure du possible, au cours du trimestre suivant. De même, nous les invitons à nous faire connaître leurs œuvres nouvelles, en mentionnant tous les éléments nécessaires à la création d’une fiche œuvre nouvelle.\r\n\u003C/p>\r\n\u003Cp style=\"text-align: justify;\">\t\t\r\nSi la mise à jour n’est pas encore effectuée (indication : « mise à jour à venir ») : Les compositeurs peuvent nous signaler des erreurs ou omissions importantes. Ces indications seront prises en compte au moment de la mise à jour à venir. Un compositeur peut également demander le retrait de sa biographie dans l’attente de la mise à jour.\r\n\u003C/p>\r\n\u003Cp style=\"text-align: justify;\">\r\nPour cela : \u003Ca href=\"mailto:brahms-contenu[at]ircam[dot]fr\">écrire\u003C/a> à l’administrateur de publication\r\n\u003C/p>\r\n",{"id":14,"url":15,"titleFr":16,"titleEn":11,"contentFr":17,"contentEn":11},"a3cd05aa-3447-487a-b4fc-213ba0f77e6b","/copyrights/","Mention Légale","La reproduction de contenus de ce site Web, en tout ou partie, est formellement interdite sans la permission écrite de l'Ircam. Les textes, images, logos, codes sources sont la propriété de l'Ircam, ou de détenteurs avec lesquels l'Ircam a négocié les droits de reproduction à sa seule fin d'utilisation dans le cadre du site Brahms. Tout contrevenant s'expose à des poursuites judiciaires. ",{"id":19,"url":20,"titleFr":21,"titleEn":11,"contentFr":22,"contentEn":11},"9162642e-ea99-48c3-8d3b-2dc2a3f8ba45","/repertoire/about/","Projet Répertoire Ircam","\u003Cp>Le Projet Répertoire Ircam est une collection d’analyses musicales en ligne d’environ 70 œuvres crées à l’Ircam et considérées comme représentatives de la culture de l’institut tant sur le plan artistique que technologique.\u003C/p>\r\n\r\n\u003Cp>Ce projet a débuté en 2006-2008 avec la création d’outils auteurs mises en œuvre par le département Interfaces Recherche/Création en collaboration avec le secteur recherche de l’institut. Les premières analyses ont été mises en ligne fin 2010 et il est prévu que la collection s’élargisse à un rythme de deux ou trois nouvelles analyse par an.\u003C/p>\r\n\r\n\u003Cp>Plusieurs objectifs sont poursuivis par ce projet :\u003C/p>\r\n\r\n\u003Cul>\r\n\t\u003Cli>faire connaître les œuvres produites à l’Ircam à un public plus large,\u003C/li>\r\n\t\u003Cli>montrer la relation entre l’idée musicale et les technologies utilisés,\u003C/li>\r\n\t\u003Cli>identifier les nouveaux éléments du vocabulaire musical qui émergent à travers ces œuvres,\u003C/li>\r\n\t\u003Cli>offrir un support d’information aux interprètes.\u003C/li>\r\n\u003C/ul>\r\n\r\n\u003Cp>Chaque analyse est structurée en trois parties :\u003C/p>\r\n\r\n\u003Col>\r\n\t\u003Cli>description générale de l’œuvre,\u003C/li>\r\n\t\u003Cli>analyse des extraits de l’œuvre avec mise en relation de l’idée musicale et de l’écriture électronique,\u003C/li>\r\n\t\u003Cli>la liste de ressources spécifiques (type de problème musical abordé, technologies utilisées, œuvres abordant le même type de problématique) et générales (biographique, historique, technique).\u003C/li>\r\n\u003C/ol>\r\n\r\n\u003Cp>Les analyses seront également mises en relation avec :\u003C/p>\r\n\r\n\u003Cul>\r\n\t\u003Cli>Brahms : une base de données encyclopédique en ligne de compositeurs de musique contemporaine de toutes les nationalités dont les œuvres ont été créées après 1945. Cette base contient actuellement environ 600 références. Pour chaque compositeur, il y a une partie biographique accompagnée des sources d’information, et une autre partie qui situe l’orientation esthétique, les phases principales et le contexte historique de l’œuvre.\u003C/li>\r\n\t\u003Cli>Images d’une œuvre : une collection des interviews filmés des compositeurs.\u003C/li>\r\n\t\u003Cli>Sidney : une base de données qui contient les éléments techniques (programmes informatiques, sons etc. ) nécessaires pour l’exécution de l’œuvre.\u003C/li>\r\n\u003C/ul>\r\n\r\n\u003Cp>A plus long terme, les analyses des nouvelles œuvres créés à l’Ircam viendront se rajouter au corpus donné dans l’annexe citée ci-dessus.\u003C/p>",{"data":24},{"personBySlug":25},{"firstName":26,"lastName":27,"privateState":28,"biographyDate":11,"resume":29,"resumeEn":30,"resources":31,"catalogueSource":32,"manualUpdateDate":33,"documents":11,"photo":34,"copyrights":36,"slug":37,"hasArticles":38,"type":39,"hasWorks":40,"works":41,"hasBiography":40,"hasWorkcourse":40,"hasAnalyses":38,"hasBooks":38,"hasMonographs":38,"hasPartitions":38,"hasFloraAudios":38,"hasAudios":40,"hasVideos":38},"Luigi","Nono","valid","Compositeur italien né le 29 janvier 1924 à Venise, mort le 8 mai 1990 à Venise.","Italian composer born 29 January 1924 in Venice; died 8 May 1990 in Venice.","\u003Ch4 id=\"bibliographie\">Bibliographie\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>\u003Cem>Presenza storica di Luigi Nono\u003C/em> (Angela Ida De Benedictis, éd., avec la collaboration de Laura Zattra), Lucca, LIM, 2011.\u003C/li>\u003Cli>\u003Cem>Musik-Konzepte, Luigi Nono\u003C/em>, volume 20, 1981.\u003C/li>\u003Cli>\u003Cem>Studien zur Wertungsforschung\u003C/em>. Die Musik Luigi Nonos, volume 24, 1991.\u003C/li>\u003Cli>Philippe ALBÈRA (sous la dir. de), \u003Cem>Luigi Nono\u003C/em>, Paris / Genève, Festival d’automne à Paris / Contrechamps, 1987.\u003C/li>\u003Cli>Gianmario BORIO, Giovanni MORELLI et Veniero RIZZARDI (sous la dir. de), \u003Cem>La nuova ricerca sull’opera di Luigi Nono\u003C/em>, Florence, Olschki, 1999.\u003C/li>\u003Cli>Massimo CACCIARI (sous la dir. de), \u003Cem>Verso Prometeo\u003C/em>, Milan, Ricordi, 1984.\u003C/li>\u003Cli>Martine CADIEU, \u003Cem>Présence de Luigi Nono\u003C/em>, Isles-lès-Villenoy, Pro Musica, 1995.\u003C/li>\u003Cli>Stefan DREES, Architektur und Fragment. Studien zu späten Kompositionen Luigi Nonos, Sarrebruck, Pfau, 1998.\u003C/li>\u003Cli>Laurent FENEYROU, \u003Cem>« Il canto sospeso » de Luigi Nono\u003C/em>, Paris, Michel de Maule, 2002.\u003C/li>\u003Cli>Laurent FENEYROU, \u003Cem>Fragmente-Stille, an Diotima\u003C/em>, Genève, Contrechamps Poche, 2021.\u003C/li>\u003Cli>Lydia JESCHKE, \u003Cem>Prometeo. Geschichtskonzeptionen in Luigi Nonos Hörtragödie\u003C/em>, Stuttgart, Franz Steiner Verlag, 1997.\u003C/li>\u003Cli>Helmut LACHENMANN, \u003Cem>Musik als existentielle Erfahrung. Schriften\u003C/em> 1966-1995, Wiesbaden, Breitkopf & Härtel, 1996.\u003C/li>\u003Cli>Jimmie LEBLANC, \u003Cem>Luigi Nono et les chemins de l'écoute : entre espace qui sonne et espace du son. Une analyse de\u003C/em> No hay caminos Hay que caminar... Tarkovskij \u003Cem>(1987)\u003C/em>, L'Harmattan, 2010.\u003C/li>\u003Cli>Giovanni MORELLI, \u003Cem>Scenari della lontananza. La musica del Novecento fuori di sé\u003C/em>, Venise, Marsilio, 2003.\u003C/li>\u003Cli>Christine MAST, \u003Cem>Luigi Nono "Io, Prometeo". Zum Entwurf konkreter Subjektivität in Luigi Nonos "Tragedia dell'ascolto" Prometeo"\u003C/em>, Francfort, Stroemfeld, 2008.\u003C/li>\u003Cli>Massimo MILA et Luigi NONO, \u003Cem>Nulla di oscuro tra noi. Lettere 1952-1988\u003C/em> (Angela Ida De Benedictis et Veniero Rizzardi, éds.), Milan, Il Saggiatore, 2010.\u003C/li>\u003Cli>Wolfgang MOTZ, \u003Cem>Konstruktion und Ausdruck. Analytische Betrachtungen zu\u003C/em> \u003Cem>« Il canto sospeso » (1955/56) von Luigi Nono\u003C/em>, Sarrebruck, Pfau, 1996.\u003C/li>\u003Cli>Carola NIELINGER-VAKIL, \u003Cem>Luigi Nono: a composer in context\u003C/em>, Cambridge, Cambridge University Press, 2015.\u003C/li>\u003Cli>Luigi NONO, \u003Cem>Per un sospeso fuoco\u003C/em> \u003Cem>:\u003C/em> \u003Cem>lettere 1950-1969\u003C/em> (Paolo Da Molin et Maria Carla Papini éd.), Milan, Il Saggiatore, 2016.\u003C/li>\u003Cli>Luigi NONO, \u003Cem>Studi, edizione, testimonianze\u003C/em> (Luca Cossettini, éd.), Lucca, LIM, 2010.\u003C/li>\u003Cli>Luigi NONO, \u003Cem>Carteggi concernenti politica, cultura e Partito Comunista Italiano\u003C/em> (Antonio Trudu, éd.), Florence, Olschki, 2008.\u003C/li>\u003Cli>Luigi NONO, \u003Cem>Écrits\u003C/em> (Laurent Feneyrou, éd.), Genève, Contrechamps, 2007.\u003C/li>\u003Cli>Luigi NONO, \u003Cem>Scritti e colloqui\u003C/em> (Angela Ida De Benedictis et Veniero Rizzardi, sous la dir. de), Lucques, LIM / Ricordi, 2001.\u003C/li>\u003Cli>Luigi PESTALOZZA (sous la dir. de), \u003Cem>Al gran sole carico d’amore. Per un nuovo teatro musicale\u003C/em>, Milan, Ricordi, 1974.\u003C/li>\u003Cli>Enzo RESTAGNO, (sous la dir. de), \u003Cem>Nono\u003C/em>, Turin, EDT, 1987.\u003C/li>\u003Cli>Erika SCHALLER, \u003Cem>Klang und Zahl. Luigi Nono, serielles Komponieren zwischen 1955 und 1959\u003C/em>, Sarrebruck, Pfau, 1997.\u003C/li>\u003Cli>Friedrich SPANGEMACHER, \u003Cem>Luigi Nono, die elektronische Musik\u003C/em>, Regensburg, Gustav Bosse Verlag, 1983.\u003C/li>\u003Cli>Juerg STENZL, \u003Cem>Luigi Nono\u003C/em>, Hambourg, Rowohlt Verlag, 1998.\u003C/li>\u003Cli>Juerg STENZL (sous la dir. de), \u003Cem>Luigi Nono. Texte, Studien zu seiner Musik\u003C/em>, Zurich, Atlantis Musikbuch Verlag, 1975.\u003C/li>\u003Cli>Laura ZATTRA, Ian BURLEIGH, Friedemann SALLIS, « Studying Luigi Nono’s \u003Cem>A Pierre. Dell'azzurro silenzio, inquietum\u003C/em> (1985) as a Performance Event », \u003Cem>Contemporary Music Review\u003C/em>, vol. 30, n° 5, 2012.\u003C/li>\u003C/ul>\n\u003Ch4 id=\"discographie\">Discographie\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>Luigi NONO, \u003Cem>La lontananza nostalgica utopica futura\u003C/em>, Marco Fusi, Pierluigi Billone, 1 cd Kairos, 2020, 0015086KAI.\u003C/li>\u003Cli>Luigi NONO, \u003Cem>Polifonica - Monodia - Ritmica\u003C/em>, \u003Cem>Sarà Dolce Tacere\u003C/em>, Schola Heidelberg, Ensemble Aisthesis, Walter Nußbaum, 1 cd Dovix, 2020, CDX-21701.\u003C/li>\u003Cli>Luigi NONO, \u003Cem>Risonanze Erranti. Liederzyklus A Massimo\u003C/em> \u003Cem>Cacciari,\u003C/em> Marco Angiu, Friedrich Goldmann, direction ; Ensemble Prometeo, dans « Risonanze Erranti – Edizione Delle Opere Vol.1 », 1 cd Schiiin, 2018, ELN1.\u003C/li>\u003Cli>Luigi NONO, \u003Cem>A Carlo Scarpa, Architetto, Ai Suoi Infiniti Possibili\u003C/em> ; \u003Cem>A Pierre. Dell'azzurro silenzio, inquietum\u003C/em> ; \u003Cem>Guai Ai Gelidi Mostri\u003C/em> ; \u003Cem>La Terra e la Compagna\u003C/em> ; \u003Cem>Caminantes... Ayacucho\u003C/em> ; \u003Cem>No Hay Que Caminar...\u003C/em> \u003Cem>Andrej Tarkowskij\u003C/em>, dans « Seguente », 2 cd Édition RZ, 2014, ed. RZ 1031-32.\u003C/li>\u003Cli>Luigi NONO, \u003Cem>A Pierre. Dell'azzurro silenzio, inquietum\u003C/em> ; \u003Cem>…sofferte onde serene…\u003C/em> ; \u003Cem>Omaggio a György Kurtag\u003C/em> ; \u003Cem>Con Luigi Dallapiccola\u003C/em>, Roberto Fabbriciani : flûte, Ernesto Molinari : clarinette, Markus Hinterhäuser : piano, Susanne Otto : contralto, Les Percussions de Strasbourg, Ensemble Experimental, direction : Detlef Heusinger, Experimentalstudio des SWR, 1 cd Neos, 2012, NEOS 11122.\u003C/li>\u003Cli>Luigi NONO, \u003Cem>Risonanze errant\u003C/em> ; \u003Cem>Post-prae-ludium per Donau\u003C/em>, Susanne Otto : contralto, Roberto Fabbriciani : flûte, Klaus Burger : tuba, Les Percussions de Strasbourg, direction : Detlef Heusinger, Experimentalstudio des SWR, 1 cd Neos, 2011, NEOS 11119.\u003C/li>\u003Cli>Luigi NONO, \u003Cem>Guai ai gelidi mostri\u003C/em> ; \u003Cem>Quando stanno morendo. Diario polacco n. 2\u003C/em>, solistes, Experimentalstudio des SWR, André Richard : direction artistique, 1 cd Neos, 2008, NEOS 10801/02.\u003C/li>\u003Cli>Luigi NONO, \u003Cem>Caminantes... Ayacucho,\u003C/em> comprenant aussi \u003Cem>No hay caminos, hay que caminar..., Andrej Tarkowskij, "Hay que caminar" sognando,\u003C/em> Irvine Arditti, violon, Roberto Fabbriciani, flûte, Graeme Jennings, violon, Susanne Otto, mezzo-soprano, Experimentalstudio für akustische Kunst e.V., Solistenchor Freiburg, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Emilio Pomárico, 1 cd Kairos, 2007, 0012512KAI.\u003C/li>\u003Cli>Luigi NONO, \u003Cem>Complete Works for Solo Tape\u003C/em>, 2 cds Stradivarius / Ricordi, 2006, STR 57001.\u003C/li>\u003Cli>Luigi NONO, \u003Cem>Io, frammento da Prometeo\u003C/em>, \u003Cem>Das atmende Klarsein\u003C/em>, Solistenchor Freiburg (I-II), Roberto Fabbriciani, flûte (II), Experimentalstudio der Heinrich-Strobel Stiftung (I-II), direction : André Richard (I-II), 1 cd col legno, 2003, WWE 2SACD 20600.\u003C/li>\u003Cli>Luigi NONO, « Quando stanno morendo » \u003Cem>: “Ha venido”, Canciones para Silvia\u003C/em> ; \u003Cem>¿Dónde estás, hermano?\u003C/em> ; \u003Cem>Djamila Boupachà\u003C/em> ; \u003Cem>Sarà dolce tacere\u003C/em> ; \u003Cem>Quando stanno morendo. Diario polacco n. 2\u003C/em>, Neue Vocalsolisten Stuttgart, 1 cd col legno, 2002, WWE 1SACD 20603.\u003C/li>\u003Cli>Luigi NONO, \u003Cem>Al gran sole carico d’amore\u003C/em>, Staatsopernchor Stuttgart, Staatsorchester Stuttgart, direction : Lothar Zagrosek, 2 cds Teldec, 2001, n° 8573-81059-2.\u003C/li>\u003Cli>Luigi NONO, \u003Cem>Prometeo\u003C/em>, Solistenchor Freiburg, Ensemble Modern, direction : Ingo Metzmacher et Peter Rundel, 2 cds EMI Classics - Ricordi, 1995, n° 5 55209-2.\u003C/li>\u003Cli>Luigi NONO, \u003Cem>Intolleranza 1960\u003C/em>, Chor der Staatsoper Stuttgart, Staatsorchester Stuttgart, direction : Bernhard Kontarsky, 1 cd Teldec, 1995, n° 4509-97304-2.\u003C/li>\u003Cli>Luigi NONO, \u003Cem>Il canto sospeso\u003C/em>, Rundfunkchor Berlin, Berliner Philharmoniker, direction : Claudio Abbado, 1 cd Sony, 1993, SK 53360.\u003C/li>\u003Cli>Luigi NONO, \u003Cem>La fabbrica illuminata\u003C/em>, \u003Cem>« Ha venido ».\u003C/em> \u003Cem>Canciones para Silvia\u003C/em> ; \u003Cem>Ricorda cosa ti hanno fatto in Auschwitz\u003C/em>, Carla Henius, soprano (I), Schola Cantorum Stuttgart (II), Clytus Gottwald, dir. (II), 1 cd Wergo, 1992, WER 6038-2.\u003C/li>\u003Cli>Luigi NONO, I. C*omo una ola de fuerza y luz *; II. \u003Cem>…sofferte onde serene… \u003Cem>; III.\u003C/em> Contrappunto dialettico alla mente\u003C/em>, Slavka Taskova : soprano (I), Maurizio Pollini : piano (I-II), Symphonie-Orchester des Bayerischen Rundfunks, direction : Claudio Abbado (I), Liliana Poli : soprano (III), Coro de camera della Rai, Roma, direction : Nino Antonellini (III), 1 cd Deutsche Grammophon, 1988, n° 423 248-2.\u003C/li>\u003Cli>Luigi NONO, *Fragmente-Stille *; \u003Cem>an Diotima\u003C/em>, LaSalle Quartet, 1 cd Deutsche Grammophon, 1986, n° 415 513-2.\u003C/li>\u003C/ul>\n\u003Ch4 id=\"site-internet\">Site internet\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>Archives Luigi Nono, \u003Ca href=\"http://www.luiginono.it\">http://www.luiginono.it\u003C/a> \u003Cem>(vérifié en février 2019).\u003C/em>\u003C/li>\u003C/ul>\n","","2024-06-14T00:00:00.000Z",{"getUrl":35},"https://storage.ressources.ircam.fr/ressources/persons/photos/e345c3d5-adc2-48f7-a111-77b094ed09c1-thumbnail.jpg?response-cache-control=public%2C%20max-age%3D31536000%2C%20immutable&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=ressources%2F20250922%2Fus-east-1%2Fs3%2Faws4_request&X-Amz-Date=20250922T085219Z&X-Amz-Expires=604800&X-Amz-SignedHeaders=host&X-Amz-Signature=5c7e62a7c9118fd0daf6ff82195f42e24c8619cfc8a70d1665a15f1f1f20170c","archivio Luigi Nono","luigi-nono",false,"COMPOSER",true,[42,55,67,77,92,104,115,125,137,148,159,166,179,187,195,202,210,217,228,239,250,261,271,282,292,300,312,323,332,341,353,360,369,377,385,394,405,415,423,429,441,452,463,472,481,488,499,509,518,526,533,542,552,561,568,577,583,592,598,609,617,628,635,645,653,658,665,675,680,688,697,707],{"id":43,"slug":44,"title":45,"duration":46,"publishingStartDate":47,"publishingEndDate":48,"descriptionFr":49,"descriptionEn":50,"cardDescription":49,"style":51,"styleEn":52,"editor":53,"tags":54},"5952162a-5ac7-485e-abd3-057ed1ccbcba","a-carlo-scarpa-architetto-ai-suoi-infiniti-possibili","A Carlo Scarpa architetto, ai suoi infiniti possibili",8,"1984-01-01T00:00:00.000Z","1985-01-01T00:00:00.000Z","pour orchestre à microintervalles","for microinterval orchestra","Musique instrumentale d'ensemble (Grand orchestre type \"bois par 3\" (ou plus))","Instrumental ensemble music (Triple wind orchestra (or larger))","Ricordi",[],{"id":56,"slug":57,"title":58,"duration":59,"publishingStartDate":60,"publishingEndDate":60,"descriptionFr":61,"descriptionEn":62,"cardDescription":61,"style":63,"styleEn":64,"editor":65,"tags":66},"40460569-651a-4f2e-98e4-9307c6985b10","canti-di-vita-e-d'amore","Canti di vita e d'amore",18,"1962-01-01T00:00:00.000Z","\u003Ci>sul Ponte di Hiroshima\u003C/i>, pour soprano, ténor et orchestre","\u003Ci>sul Ponte di Hiroshima\u003C/i>, for soprano, tenor and orchestra","Musique vocale et instrument(s) (2 voix solistes ou plus et orchestre)","Vocal music and instrument(s) (2 solo voices or more and orchestra)","Ars Viva",[],{"id":68,"slug":69,"title":70,"duration":46,"publishingStartDate":71,"publishingEndDate":71,"descriptionFr":72,"descriptionEn":73,"cardDescription":72,"style":74,"styleEn":75,"editor":65,"tags":76},"12ed45cd-3da3-4a3c-9f5a-c3f0609de9c3","la-terra-e-la-compagna","La Terra e la compagna","1957-01-01T00:00:00.000Z","chants d'après Cesare Pavese pour soprano, ténor, chœur mixte et instruments","songs after Cesare Pavese for soprano, tenor, mixed choir and instruments","Musique vocale et instrument(s) (2 voix solistes, chœur(s) et orchestre)","Vocal music and instrument(s) (2 solo voices, choir(s) and orchestra)",[],{"id":78,"slug":79,"title":80,"duration":81,"publishingStartDate":82,"publishingEndDate":82,"descriptionFr":83,"descriptionEn":84,"cardDescription":83,"style":85,"styleEn":86,"editor":53,"tags":87},"34f2638b-5eaf-4f96-920c-dd16e04d8c21","al-gran-sole-carico-d'amore","Al gran sole carico d'amore",95,"1974-01-01T00:00:00.000Z","action scénique en deux parties pour solistes, petit chœur, grand chœur, orchestre et bande magnétique","two-part stage action for soloists, small choir, large choir, orchestra and tape","Musique vocale et instrument(s) (3 voix solistes ou plus, chœur(s) et orchestre)","Vocal music and instrument(s) (3 solo voices or more, choir(s) and orchestra)",[88,90],{"label":89},"Électronique",{"label":91},"Scénique",{"id":93,"slug":94,"title":95,"duration":96,"publishingStartDate":97,"publishingEndDate":97,"descriptionFr":98,"descriptionEn":99,"cardDescription":98,"style":100,"styleEn":101,"editor":53,"tags":102},"251b6140-f8e2-48cf-a175-48eb6090a645","musica-manifesto-n.-1:-un-volto-e-del-mare","Musica-Manifesto n. 1: Un volto e del mare",17,"1969-01-01T00:00:00.000Z","pour deux voix de femme et bande magnétique","for two female voices and magnetic tape","Musique vocale a cappella (Duo vocal)","A cappella vocal music (Voice duet)",[103],{"label":89},{"id":105,"slug":106,"title":107,"duration":108,"publishingStartDate":97,"publishingEndDate":97,"descriptionFr":109,"descriptionEn":110,"cardDescription":109,"style":111,"styleEn":112,"editor":53,"tags":113},"944d95a9-9e1d-4fff-8a01-84bc5ad0d55b","musica-per-manzu","Musica per Manzù",20,"musique du film \u003Ci>Pace e guerra\u003C/i>, pour bande magnétique","music from the film \u003Ci>Pace e guerra\u003C/i>, for magnetic tape","Musique électronique / sur support / instruments mécaniques (Musique électronique / sur support / instruments mécaniques)","Electronic music / fixed media / mechanical musical instruments (Electronic music / fixed media / mechanical musical instruments)",[114],{"label":89},{"id":116,"slug":117,"title":118,"duration":119,"publishingStartDate":120,"publishingEndDate":120,"descriptionFr":121,"descriptionEn":122,"cardDescription":121,"style":51,"styleEn":52,"editor":53,"tags":123},"fecbf5fb-c89f-4cf4-bd9a-452bc89fa0c9","per-bastiana-tai-yang-cheng","Per Bastiana - Tai-Yang Cheng",15,"1967-01-01T00:00:00.000Z","pour bande magnétique et trois groupes instrumentaux","for magnetic tape and three instrument groups",[124],{"label":89},{"id":126,"slug":127,"title":128,"duration":129,"publishingStartDate":130,"publishingEndDate":130,"descriptionFr":131,"descriptionEn":132,"cardDescription":131,"style":133,"styleEn":134,"editor":53,"tags":135},"5936ebd4-73e1-43fb-abf2-704aeee51a12","quando-stanno-morendo.-diaro-polacco-n.-2","Quando stanno morendo. Diaro polacco n. 2",35,"1982-01-01T00:00:00.000Z","pour quatre voix de femmes, flûte, violoncelle et électronique","for four female voices, flute, cello and electronics","Musique vocale et instrument(s) (2 voix solistes ou plus et ensemble jusqu'à 9 instruments)","Vocal music and instrument(s) (2 solo voices or more and ensemble of up to 9 instruments)",[136],{"label":89},{"id":138,"slug":139,"title":140,"duration":141,"publishingStartDate":142,"publishingEndDate":142,"descriptionFr":143,"descriptionEn":144,"cardDescription":143,"style":145,"styleEn":146,"editor":65,"tags":147},"0197be51-7c6f-4636-a9b2-ec66baac5005","sara-dolce-tacere","Sarà Dolce Tacere",10,"1960-01-01T00:00:00.000Z","chant pour huit voix solistes","song for eight solo voices","Musique vocale a cappella (5 voix solistes et plus)","A cappella vocal music (5 or more solo voices)",[],{"id":149,"slug":150,"title":151,"duration":152,"publishingStartDate":153,"publishingEndDate":153,"descriptionFr":154,"descriptionEn":155,"cardDescription":154,"style":156,"styleEn":157,"editor":53,"tags":158},"a92b69a1-f423-46c8-9210-8a7448408874","variazioni-canoniche-sulla-serie-dell'op.-41-di-arnold-schoenberg","Variazioni canoniche sulla serie dell'op. 41 di Arnold Schoenberg ",21,"1950-01-01T00:00:00.000Z","pour orchestre","for orchestra","Musique instrumentale d'ensemble (Orchestre type \"bois par 2\")","Instrumental ensemble music (Double wind orchestra)",[],{"id":160,"slug":161,"title":162,"duration":163,"publishingStartDate":164,"publishingEndDate":164,"descriptionFr":32,"descriptionEn":32,"cardDescription":32,"style":51,"styleEn":52,"editor":65,"tags":165},"8fcb094a-907a-4226-b950-4ca55f5a501b","composizione-per-orchestra","Composizione per orchestra",14,"1951-01-01T00:00:00.000Z",[],{"id":167,"slug":168,"title":169,"duration":170,"publishingStartDate":171,"publishingEndDate":172,"descriptionFr":173,"descriptionEn":174,"cardDescription":173,"style":175,"styleEn":176,"editor":53,"tags":177},"79fd645f-320e-4855-b2bb-75e6466ddcde","das-atmende-klarsein-fragmente","Das atmende Klarsein, Fragmente",43,"1981-01-01T00:00:00.000Z","1983-01-01T00:00:00.000Z","pour flûte basse, bande magnétique, et électronique \u003Ci>ad libitum\u003C/i>","for bass flute, magnetic tape, and electronics \u003Ci>ad libitum\u003C/i>","Musique soliste (sauf voix) (Flûte)","Solo (excluding voice) (Flute)",[178],{"label":89},{"id":180,"slug":181,"title":182,"duration":59,"publishingStartDate":183,"publishingEndDate":183,"descriptionFr":184,"descriptionEn":185,"cardDescription":184,"style":51,"styleEn":52,"editor":65,"tags":186},"d44b3a15-a300-49d5-a5b9-60b0d64986e7","der-rote-mantel-1","Der Rote Mantel","1954-01-01T00:00:00.000Z","suite de concert pour orchestre","concert suite for orchestra",[],{"id":188,"slug":189,"title":190,"duration":108,"publishingStartDate":120,"publishingEndDate":120,"descriptionFr":191,"descriptionEn":192,"cardDescription":191,"style":111,"styleEn":112,"editor":53,"tags":193},"9bb8f647-2e1e-4d11-8209-c3e1a5f4960b","contrappunto-dialettico-alla-mente","Contrappunto dialettico alla mente","pour bande magnétique","for magnetic tape",[194],{"label":89},{"id":196,"slug":197,"title":198,"duration":199,"publishingStartDate":200,"publishingEndDate":200,"descriptionFr":154,"descriptionEn":155,"cardDescription":154,"style":51,"styleEn":52,"editor":65,"tags":201},"726615f2-c88a-447f-b5bc-95cc1e83518f","due-espressioni","Due Espressioni",12,"1953-01-01T00:00:00.000Z",[],{"id":203,"slug":204,"title":205,"duration":199,"publishingStartDate":164,"publishingEndDate":206,"descriptionFr":207,"descriptionEn":208,"cardDescription":207,"style":74,"styleEn":75,"editor":65,"tags":209},"0c5b4c79-3150-4c1b-88a0-ba3179eca6fb","espana-en-el-corazon","España en el corazon","1952-01-01T00:00:00.000Z","trois études pour soprano, baryton, chœur parlé et instruments","three studies for soprano, baritone, spoken choir and instruments",[],{"id":211,"slug":212,"title":213,"duration":214,"publishingStartDate":82,"publishingEndDate":82,"descriptionFr":191,"descriptionEn":192,"cardDescription":191,"style":111,"styleEn":112,"editor":53,"tags":215},"f35fe68e-78c4-4f64-9943-cb43afef3799","fur-paul-dessau","Für Paul Dessau",7,[216],{"label":89},{"id":218,"slug":219,"title":220,"duration":221,"publishingStartDate":222,"publishingEndDate":222,"descriptionFr":223,"descriptionEn":224,"cardDescription":223,"style":225,"styleEn":226,"editor":53,"tags":227},"8223b45b-57a7-4f05-8a0d-88300dd23545","\"hay-que-caminar\"orchester-des-wdr-koln-sonando","\"Hay que caminar\"Orchester des WDR Köln , soñando",28,"1989-01-01T00:00:00.000Z","pour deux violons","for two violins","Musique de chambre (Duo de violons)","Chamber music (Violin duo)",[],{"id":229,"slug":230,"title":231,"duration":96,"publishingStartDate":232,"publishingEndDate":232,"descriptionFr":233,"descriptionEn":234,"cardDescription":233,"style":235,"styleEn":236,"editor":53,"tags":237},"b7a10fff-108f-489c-99b8-d65091d0471d","la-fabbrica-illuminata","La Fabbrica illuminata","1964-01-01T00:00:00.000Z","pour soprano et bande magnétique","for soprano and magnetic tape","Musique vocale a cappella (Soprano)","A cappella vocal music (Soprano)",[238],{"label":89},{"id":240,"slug":241,"title":242,"duration":243,"publishingStartDate":142,"publishingEndDate":244,"descriptionFr":245,"descriptionEn":246,"cardDescription":245,"style":85,"styleEn":86,"editor":65,"tags":247},"9281aeb5-79ab-43f6-9f77-2cfa43b08dde","intolleranza-1960","Intolleranza 1960",80,"1970-01-01T00:00:00.000Z","action en deux tableaux d'après une idée d'Angelo Maria Ripellino","action in two tableaux based on an idea by Angelo Maria Ripellino",[248,249],{"label":89},{"label":91},{"id":251,"slug":252,"title":253,"duration":254,"publishingStartDate":97,"publishingEndDate":244,"descriptionFr":255,"descriptionEn":256,"cardDescription":255,"style":257,"styleEn":258,"editor":53,"tags":259},"a0860d77-e9a8-4618-982a-f64f84f94424","y-entonces-comprendio","Y entonces comprendió",32,"pour bande magnétique, six voix de femmes et chœur","for magnetic tape, six female voices and choir","Musique vocale a cappella (4 solistes ou plus et chœur(s))","A cappella vocal music (4 or more solo voices and choir(s))",[260],{"label":89},{"id":262,"slug":263,"title":264,"duration":265,"publishingStartDate":266,"publishingEndDate":266,"descriptionFr":267,"descriptionEn":268,"cardDescription":267,"style":133,"styleEn":134,"editor":53,"tags":269},"b78e0606-21c0-4147-af37-46c7eaa51825","a-floresta-e-jovem-e-cheja-de-vida","A floresta é jovem e cheja de vida",40,"1966-01-01T00:00:00.000Z","pour trois récitants, soprano, clarinette, plaque de cuivre et bande magnétique","for three narrators, soprano, clarinet, brass plate and magnetic tape",[270],{"label":89},{"id":272,"slug":273,"title":274,"duration":275,"publishingStartDate":171,"publishingEndDate":171,"descriptionFr":276,"descriptionEn":277,"cardDescription":276,"style":278,"styleEn":279,"editor":53,"tags":280},"3062b242-71f3-4692-926d-8568d6d6dea9","io-frammento-dal-prometeo","Io, frammento dal Prometeo",70,"pour trois sopranos, petit chœur, flûte basse, clarinette contrebasse et électronique","for three sopranos, small choir, bass flute, contrabass clarinet and electronics","Musique vocale et instrument(s) (Voix soliste(s), chœur(s) et ensemble jusqu'à 9 instruments)","Vocal music and instrument(s) (Solo voice(s), choir(s) and ensemble of up to 9 instruments)",[281],{"label":89},{"id":283,"slug":284,"title":285,"duration":141,"publishingStartDate":48,"publishingEndDate":48,"descriptionFr":286,"descriptionEn":287,"cardDescription":286,"style":288,"styleEn":289,"editor":53,"tags":290},"b4f5d13d-b4b7-42ed-aa93-365e64ccef2f","a-pierre.-dell'azzurro-silenzio-inquietum","A Pierre. Dell'azzurro silenzio, inquietum","pour flûte basse, clarinette contrebasse et électronique","for bass flute, contrabass clarinet and electronics","Musique de chambre (Duo de bois)","Chamber music (Woodwind duo)",[291],{"label":89},{"id":293,"slug":294,"title":295,"duration":141,"publishingStartDate":60,"publishingEndDate":296,"descriptionFr":297,"descriptionEn":298,"cardDescription":297,"style":278,"styleEn":279,"editor":65,"tags":299},"fe80c70c-3a94-49ab-b3da-d8f8f9ddcd63","canciones-a-guiomar","Canciones a Guiomar","1963-01-01T00:00:00.000Z","pour soprano solo, chœur de femmes à six voix et instruments","for solo soprano, six-part female choir and instruments",[],{"id":301,"slug":302,"title":303,"duration":304,"publishingStartDate":305,"publishingEndDate":305,"descriptionFr":306,"descriptionEn":307,"cardDescription":306,"style":308,"styleEn":309,"editor":53,"tags":310},"7fa339d6-72dc-48d8-93d6-8f8c723d5538","como-una-ola-de-fuerza-y-luz","Como una ola de fuerza y luz",30,"1971-01-01T00:00:00.000Z","pour soprano, piano, orchestre et bande magnétique","for soprano, piano, orchestra and tape","Musique vocale et instrument(s) (Voix soliste(s), instrument(s) soliste(s) et orchestre)","Vocal music and instrument(s) (Solo voice(s), solo instrument(s) and orchestra)",[311],{"label":89},{"id":313,"slug":314,"title":315,"duration":59,"publishingStartDate":316,"publishingEndDate":316,"descriptionFr":317,"descriptionEn":318,"cardDescription":317,"style":319,"styleEn":320,"editor":53,"tags":321},"83ab7b85-7b02-4a4e-ae4c-be861ad69b60","con-luigi-dallapiccola","Con Luigi Dallapiccola","1979-01-01T00:00:00.000Z","pour six percussions et électronique \u003Ci>live\u003C/i>","for six percussions and live electronics","Musique de chambre (Sextuor et plus de percussions)","Chamber music (6 or more percussionnists)",[322],{"label":89},{"id":324,"slug":325,"title":326,"duration":46,"publishingStartDate":130,"publishingEndDate":130,"descriptionFr":327,"descriptionEn":328,"cardDescription":327,"style":329,"styleEn":330,"editor":53,"tags":331},"92f877f7-272f-42b7-a0e1-17e9e4726077","donde-estas-hermano","¿Dónde estás hermano? ","pour quatre voix de femmes","for four female voices","Musique vocale a cappella (Quatuor vocal)","A cappella vocal music (Voice quartet)",[],{"id":333,"slug":334,"title":335,"duration":336,"publishingStartDate":164,"publishingEndDate":200,"descriptionFr":32,"descriptionEn":32,"cardDescription":32,"style":337,"styleEn":338,"editor":339,"tags":340},"3abde3c2-4b64-4793-8377-84ca66d34012","epitaffio-a-federico-garcia-lorca","Epitaffio a Federico Garcia Lorca",0,"Effectif non spécifié (Effectif non spécifié)","Unspecified instrumentation (Unspecified instrumentation)","pas d'éditeur",[],{"id":342,"slug":343,"title":344,"duration":345,"publishingStartDate":346,"publishingEndDate":171,"descriptionFr":347,"descriptionEn":348,"cardDescription":347,"style":349,"styleEn":350,"editor":53,"tags":351},"e8002a98-00c6-44c6-bc4d-90a7042db82e","das-atmende-klarsein","Das atmende Klarsein",45,"1980-01-01T00:00:00.000Z","pour flûte basse, petit chœur et électronique \u003Ci>live\u003C/i>","for bass flute, small choir and live electronics","Musique vocale et instrument(s) (Chœur(s) et vent)","Vocal music and instrument(s) (Choir(s) and wind instrument)",[352],{"label":89},{"id":354,"slug":355,"title":182,"duration":129,"publishingStartDate":183,"publishingEndDate":183,"descriptionFr":356,"descriptionEn":357,"cardDescription":356,"style":74,"styleEn":75,"editor":65,"tags":358},"8ed54039-5e9d-4e16-8329-11340b7ce4ec","der-rote-mantel","ballet en trois tableaux de Tatiana Gsovski d'après \u003Ci>Don Perlimplin\u003C/i> de Federico García Lorca, pour soprano, baryton, chœur et orchestre","ballet in three tableaux by Tatiana Gsovski after \u003Ci>Don Perlimplin\u003C/i> by Federico García Lorca, for soprano, baritone, choir and orchestra",[359],{"label":91},{"id":361,"slug":362,"title":363,"duration":265,"publishingStartDate":316,"publishingEndDate":346,"descriptionFr":364,"descriptionEn":365,"cardDescription":364,"style":366,"styleEn":367,"editor":53,"tags":368},"c67da628-830c-43e9-8f22-1d6e93c4f288","fragmente-stille-an-diotima","Fragmente-Stille, an Diotima","pour quatuor à cordes","for string quartet","Musique de chambre (2 violons, alto, violoncelle)","Chamber music (2 violins, viola, cello)",[],{"id":370,"slug":371,"title":372,"duration":170,"publishingStartDate":172,"publishingEndDate":172,"descriptionFr":373,"descriptionEn":374,"cardDescription":373,"style":133,"styleEn":134,"editor":53,"tags":375},"22bca5e0-4f2a-48e2-946f-12a118167dc4","guai-ai-gelidi-mostri","Guai ai gelidi mostri","pour deux contraltos, six instrumentistes et bande magnétique","for two contraltos, six instrumentalists and magnetic tape",[376],{"label":89},{"id":378,"slug":379,"title":380,"duration":221,"publishingStartDate":381,"publishingEndDate":381,"descriptionFr":382,"descriptionEn":383,"cardDescription":382,"style":85,"styleEn":86,"editor":65,"tags":384},"0d45e7b3-9c85-414d-82d8-a90c21a950e5","il-canto-sospeso","Il Canto Sospeso","1956-01-01T00:00:00.000Z","pour soprano, alto, ténor, chœur mixte et orchestre","for soprano, alto, tenor, mixed choir and orchestra",[],{"id":386,"slug":387,"title":388,"duration":59,"publishingStartDate":97,"publishingEndDate":97,"descriptionFr":389,"descriptionEn":390,"cardDescription":389,"style":391,"styleEn":392,"editor":65,"tags":393},"8b0ef2ec-f9bd-470f-8f19-45fade1d4bb2","intolleranza-1960-(suite-da-concerto)","Intolleranza 1960 (suite da concerto)","pour soprano, chœur et orchestre","for soprano, choir and orchestra","Musique vocale et instrument(s) (1 voix de femme, chœur(s) et orchestre)","Vocal music and instrument(s) (1 female voice, choir(s) and orchestra)",[],{"id":395,"slug":396,"title":397,"duration":345,"publishingStartDate":398,"publishingEndDate":398,"descriptionFr":399,"descriptionEn":400,"cardDescription":399,"style":401,"styleEn":402,"editor":53,"tags":403},"fa5f5e63-48f6-42cb-a6c2-7617004d7bf4","la-lontananza-nostalgica-utopica-futura","La lontananza nostalgica utopica futura","1988-01-01T00:00:00.000Z","\u003Ci>Madrigale a più \"Caminantes\" con Gidon Kremer\u003C/i>, pour violon solo et huit bandes magnétiques","\u003Ci>Madrigale a più \"Caminantes\" con Gidon Kremer\u003C/i>, for solo violin and eight magnetic tapes","Musique soliste (sauf voix) (Violon)","Solo (excluding voice) (Violin)",[404],{"label":89},{"id":406,"slug":407,"title":408,"duration":409,"publishingStartDate":183,"publishingEndDate":183,"descriptionFr":410,"descriptionEn":411,"cardDescription":410,"style":412,"styleEn":413,"editor":65,"tags":414},"1bf0f782-acf2-4228-88c4-8dd573116758","liebeslied","Liebeslied",5,"pour chœur mixte et instruments","for mixed choir and instruments","Musique vocale et instrument(s) (Chœur(s) et ensemble jusqu'à 9 instruments)","Vocal music and instrument(s) (Choir(s) and ensemble of up to 9 instruments)",[],{"id":416,"slug":417,"title":418,"duration":119,"publishingStartDate":419,"publishingEndDate":419,"descriptionFr":191,"descriptionEn":192,"cardDescription":191,"style":111,"styleEn":112,"editor":53,"tags":420},"8d1ecd0c-48a7-4ae3-bb27-ea28340c6874","musik-zu-\"die-ermittlung\"-von-peter-weiss","Musik zu \"Die Ermittlung\" von Peter Weiss ","1965-01-01T00:00:00.000Z",[421,422],{"label":89},{"label":91},{"id":424,"slug":425,"title":426,"duration":409,"publishingStartDate":142,"publishingEndDate":142,"descriptionFr":191,"descriptionEn":192,"cardDescription":191,"style":111,"styleEn":112,"editor":53,"tags":427},"e0f72a8e-15b4-4184-b4fb-20e271008810","omaggio-a-emilio-vedova","Omaggio a Emilio Vedova",[428],{"label":89},{"id":430,"slug":431,"title":432,"duration":433,"publishingStartDate":434,"publishingEndDate":434,"descriptionFr":435,"descriptionEn":436,"cardDescription":435,"style":437,"styleEn":438,"editor":53,"tags":439},"212d74a8-83ca-485b-8ac3-d4acd41b9a03","post-prae-ludium-per-donau","Post-Prae-ludium per Donau",13,"1987-01-01T00:00:00.000Z","pour tuba et électronique \u003Ci>live\u003C/i>","for tuba and live electronics","Musique soliste (sauf voix) (Tuba)","Solo (excluding voice) (Tuba)",[440],{"label":89},{"id":442,"slug":443,"title":444,"duration":265,"publishingStartDate":445,"publishingEndDate":445,"descriptionFr":446,"descriptionEn":447,"cardDescription":446,"style":448,"styleEn":449,"editor":53,"tags":450},"f3b54154-d593-45a4-9a34-c449300b7031","risonanze-erranti.-liederzyklus-a-massimo-cacciari","Risonanze erranti. Liederzyklus a Massimo Cacciari","1986-01-01T00:00:00.000Z","pour mezzo-soprano, flûte basse, tuba, percussions et électronique","for mezzo-soprano, bass flute, tuba, percussion and electronics","Musique vocale et instrument(s) (1 voix soliste et ensemble jusqu'à 9 instruments)","Vocal music and instrument(s) (Solo voice and ensemble of up to 9 instruments)",[451],{"label":89},{"id":453,"slug":454,"title":455,"duration":163,"publishingStartDate":456,"publishingEndDate":456,"descriptionFr":457,"descriptionEn":458,"cardDescription":457,"style":459,"styleEn":460,"editor":53,"tags":461},"fd2721a7-9814-41a5-98bc-52bdd25b4393","...sofferte-onde-serene...","...sofferte onde serene...","1976-01-01T00:00:00.000Z","pour piano et bande magnétique","for piano and magnetic tape","Musique soliste (sauf voix) (Piano solo)","Solo (excluding voice) (Solo piano)",[462],{"label":89},{"id":464,"slug":465,"title":466,"duration":199,"publishingStartDate":206,"publishingEndDate":200,"descriptionFr":467,"descriptionEn":468,"cardDescription":467,"style":469,"styleEn":470,"editor":65,"tags":471},"bba1dfef-e1fe-4bc3-99d0-33ed025d3d7e","y-su-sangre-ya-viene-cantando","Y su sangre ya viene cantando","pour flûte et petit orchestre","for flute and small orchestra","Musique concertante (Flûte et orchestre de chambre)","Concertant music (Flute and chamber orchestra)",[],{"id":473,"slug":474,"title":475,"duration":476,"publishingStartDate":477,"publishingEndDate":477,"descriptionFr":32,"descriptionEn":32,"cardDescription":32,"style":478,"styleEn":479,"editor":65,"tags":480},"a80a5d3f-caf4-45fe-bef9-372e4f277fa1","canti-per-13","Canti per 13",11,"1955-01-01T00:00:00.000Z","Musique instrumentale d'ensemble (Ensemble instrumental mixte de 10 à 25 instruments)","Instrumental ensemble music (Mixed instrumental ensemble of 10 to 25 instruments)",[],{"id":482,"slug":483,"title":484,"duration":163,"publishingStartDate":485,"publishingEndDate":419,"descriptionFr":486,"descriptionEn":486,"cardDescription":486,"style":51,"styleEn":52,"editor":65,"tags":487},"f5844aa8-6e96-440f-b5cc-ad58507cd8ca","composizione-per-orchestra-n-2","Composizione per orchestra n° 2","1959-01-01T00:00:00.000Z","\u003Ci>Diaro Polacco '58\u003C/i>",[],{"id":489,"slug":490,"title":491,"duration":492,"publishingStartDate":445,"publishingEndDate":434,"descriptionFr":493,"descriptionEn":494,"cardDescription":493,"style":495,"styleEn":496,"editor":53,"tags":497},"2a94176a-3bcb-4d4a-96ab-f4885997f280","caminantes...-ayacucho","Caminantes... Ayacucho",42,"pour contralto, flûte basse, orgue, deux chœurs, orchestre en trois groupes et électronique","for contralto, bass flute, organ, two choirs, three-group orchestra and electronics","Musique vocale et instrument(s) (Voix soliste(s), instrument(s) soliste(s), chœur(s) et orchestre)","Vocal music and instrument(s) (Solo voice(s), solo instrument(s), choir(s) and orchestra)",[498],{"label":89},{"id":500,"slug":501,"title":502,"duration":199,"publishingStartDate":503,"publishingEndDate":503,"descriptionFr":504,"descriptionEn":505,"cardDescription":504,"style":506,"styleEn":507,"editor":65,"tags":508},"c231691a-2584-4b2b-b77a-fb917c70aeab","cori-di-didone","Cori di Didone","1958-01-01T00:00:00.000Z","pour chœur mixte et percussions","for mixed choir and percussion","Musique vocale et instrument(s) (Chœur(s) et percussion)","Vocal music and instrument(s) (Choir(s) and percussion)",[],{"id":510,"slug":511,"title":512,"duration":304,"publishingStartDate":434,"publishingEndDate":434,"descriptionFr":513,"descriptionEn":514,"cardDescription":513,"style":133,"styleEn":134,"editor":515,"tags":516},"4bfcf5e4-6ade-459d-96b4-57761be5770f","decouvrir-la-subversion","Découvrir la subversion","\u003Ci>Hommage à Edmond Jabès\u003C/i>, pour contralto, basse, récitante, flûte, tuba, cor et électronique \u003Ci>live\u003C/i>","\u003Ci>Hommage à Edmond Jabès\u003C/i>, for contralto, bass, narrator, flute, tuba, horn and live electronics","partition retirée du catalogue",[517],{"label":89},{"id":519,"slug":520,"title":521,"duration":141,"publishingStartDate":60,"publishingEndDate":60,"descriptionFr":522,"descriptionEn":523,"cardDescription":522,"style":235,"styleEn":236,"editor":524,"tags":525},"893b8d23-4c04-4583-a8c2-783fc54b567e","djamila-boupacha","Djamila Boupacha","pour soprano solo","for solo soprano","Schott",[],{"id":527,"slug":528,"title":529,"duration":221,"publishingStartDate":305,"publishingEndDate":305,"descriptionFr":530,"descriptionEn":531,"cardDescription":530,"style":391,"styleEn":392,"editor":53,"tags":532},"01b3becc-e562-4ce0-a339-c854440ee8f5","ein-gespenst-geht-um-in-der-welt","Ein Gespenst geht um in der Welt","pour soprano solo, chœur et orchestre","for solo soprano, choir and orchestra",[],{"id":534,"slug":535,"title":536,"duration":537,"publishingStartDate":456,"publishingEndDate":456,"descriptionFr":538,"descriptionEn":539,"cardDescription":538,"style":85,"styleEn":86,"editor":53,"tags":540},"675e79e6-0a0a-4360-b39f-3454d38fccf3","al-gran-sole-carico-d'amore-(frammenti)","Al gran sole carico d'amore (frammenti)",55,"pour solistes, chœur, orchestre et bande magnétique","for soloists, choir, orchestra and tape",[541],{"label":89},{"id":543,"slug":544,"title":545,"duration":546,"publishingStartDate":142,"publishingEndDate":142,"descriptionFr":547,"descriptionEn":548,"cardDescription":547,"style":549,"styleEn":550,"editor":65,"tags":551},"b318155e-1268-4105-8dd0-4080a1c4ea81","ha-venido","Ha Venido",6,"\u003Ci>canciones para Silvia\u003C/i>, pour soprano solo et chœur de six sopranos","\u003Ci>canciones para Silvia\u003C/i>, for solo soprano and choir of six sopranos","Musique vocale a cappella (1 voix soliste et chœur(s))","A cappella vocal music (Solo voice and choir(s))",[],{"id":553,"slug":554,"title":555,"duration":59,"publishingStartDate":206,"publishingEndDate":200,"descriptionFr":556,"descriptionEn":557,"cardDescription":556,"style":558,"styleEn":559,"editor":65,"tags":560},"66b93a2a-cf36-4e2a-858b-44ad4143736b","momento.-romance-de-la-guardia-civil-espanola","Momento. Romance de la guardia civil española","pour récitante, chœur parlé et orchestre","for narrator, spoken choir and orchestra","Musique vocale et instrument(s) (1 voix autre, chœur(s) et orchestre)","Vocal music and instrument(s) (1 voice (other), choir(s) and orchestra)",[],{"id":562,"slug":563,"title":564,"duration":214,"publishingStartDate":477,"publishingEndDate":477,"descriptionFr":565,"descriptionEn":566,"cardDescription":565,"style":478,"styleEn":479,"editor":65,"tags":567},"3441099c-9e9d-4d8d-946c-e83c93d08c0a","incontri","Incontri","pour vingt-quatre instruments","for twenty-four instruments",[],{"id":569,"slug":570,"title":571,"duration":433,"publishingStartDate":183,"publishingEndDate":183,"descriptionFr":572,"descriptionEn":573,"cardDescription":572,"style":574,"styleEn":575,"editor":65,"tags":576},"35c6a559-b920-4559-84aa-1187e52409e2","la-victoire-de-guernica","La Victoire de Guernica","chants d'après Paul Eluard pour chœur mixte et orchestre","songs after Paul Eluard for mixed choir and orchestra","Musique vocale et instrument(s) (Chœur mixte et orchestre)","Vocal music and instrument(s) (Mixed choir and orchestra)",[],{"id":578,"slug":579,"title":580,"duration":59,"publishingStartDate":97,"publishingEndDate":97,"descriptionFr":191,"descriptionEn":192,"cardDescription":191,"style":111,"styleEn":112,"editor":53,"tags":581},"d98ceafe-716c-4cf3-85d0-e055eeef1536","musica-manifesto-n.-1:-non-consumiamo-marx","Musica-Manifesto n. 1: Non consumiamo Marx",[582],{"label":89},{"id":584,"slug":585,"title":586,"duration":59,"publishingStartDate":153,"publishingEndDate":164,"descriptionFr":587,"descriptionEn":588,"cardDescription":587,"style":589,"styleEn":590,"editor":524,"tags":591},"e99f8fdf-7109-47a3-9f40-82e661ce5639","polifonica-monodica-ritmica","Polifonica-Monodica-Ritmica","pour six instruments et percussion","for six instruments and percussion","Musique instrumentale d'ensemble (Autre ensemble instrumental mixte atypique de 5 à 9 instuments)","Instrumental ensemble music (Other non-standard mixed instrumental ensemble, 5 to 9 musicians)",[],{"id":593,"slug":594,"title":595,"duration":476,"publishingStartDate":266,"publishingEndDate":266,"descriptionFr":191,"descriptionEn":192,"cardDescription":191,"style":111,"styleEn":112,"editor":53,"tags":596},"674fd201-d2ab-401f-b1c5-6de136112da2","ricorda-cosa-ti-hanno-fatto-in-auschwitz","Ricorda cosa ti hanno fatto in Auschwitz",[597],{"label":89},{"id":599,"slug":600,"title":601,"duration":602,"publishingStartDate":434,"publishingEndDate":434,"descriptionFr":603,"descriptionEn":604,"cardDescription":603,"style":605,"styleEn":606,"editor":53,"tags":607},"d9e99feb-dc48-4481-8fb6-61f64cea30ba","no-hay-caminos-hay-que-caminar...-andrei-tarkovski","No hay caminos, hay que caminar... Andrei Tarkovski",25,"pour sept chœurs [groupes orchestraux] ","for seven choirs [orchestral groups]","Musique instrumentale d'ensemble (Ensemble instrumental mixte de plus de 25 instruments)","Instrumental ensemble music (Mixed instrumental ensemble of more than 25 instruments)",[608],{"label":89},{"id":610,"slug":611,"title":612,"duration":119,"publishingStartDate":398,"publishingEndDate":398,"descriptionFr":613,"descriptionEn":614,"cardDescription":613,"style":175,"styleEn":176,"editor":515,"tags":615},"6711e0b3-24e6-487e-8723-b800a5217896","post-prae-ludium-baab-arr","Post-Prae-Ludium BAAB-ARR","pour piccolo et électronique \u003Ci>live\u003C/i>","for piccolo and live electronics",[616],{"label":89},{"id":618,"slug":619,"title":620,"duration":621,"publishingStartDate":622,"publishingEndDate":623,"descriptionFr":624,"descriptionEn":625,"cardDescription":624,"style":412,"styleEn":413,"editor":626,"tags":627},"8b5bf697-d393-4d58-9e09-e6503605e261","ai-dioscuri","Ai Dioscuri",4,"1948-01-01T00:00:00.000Z","1949-01-01T00:00:00.000Z","pour chœur et instruments","for choir and instruments","Rai Trade",[],{"id":629,"slug":630,"title":631,"duration":96,"publishingStartDate":244,"publishingEndDate":244,"descriptionFr":632,"descriptionEn":633,"cardDescription":632,"style":85,"styleEn":86,"editor":515,"tags":634},"89b88e26-1c27-4d56-84d4-ab4f33b54aca","voci-destroying-muros","Voci destroying muros","pour voix de femme et orchestre","for female voice and orchestra",[],{"id":636,"slug":637,"title":638,"duration":639,"publishingStartDate":171,"publishingEndDate":47,"descriptionFr":640,"descriptionEn":641,"cardDescription":640,"style":495,"styleEn":496,"editor":53,"tags":642},"9c318def-f6d7-4384-a045-8697e57a6bf2","prometeo","Prometeo",135,"\u003Ci>tragedia dell'ascolto\u003C/i>, pour solistes vocaux et instrumentaux, chœur, orchestre et électronique \u003Ci>live\u003C/i>","\u003Ci>tragedia dell'ascolto\u003C/i>, for vocal and instrumental soloists, choir, orchestra and live electronics",[643,644],{"label":89},{"label":91},{"id":646,"slug":647,"title":648,"duration":59,"publishingStartDate":172,"publishingEndDate":172,"descriptionFr":649,"descriptionEn":650,"cardDescription":649,"style":448,"styleEn":449,"editor":53,"tags":651},"a5fcde58-fb7f-470e-8065-ace7ea42ec57","omaggio-a-gyorgy-kurtag","Omaggio a György Kurtág","pour contralto, flûte, clarinette, tuba et électronique \u003Ci>live\u003C/i>","for contralto, flute, clarinet, tuba and live electronics",[652],{"label":89},{"id":654,"slug":655,"title":656,"duration":46,"publishingStartDate":622,"publishingEndDate":623,"descriptionFr":624,"descriptionEn":625,"cardDescription":624,"style":412,"styleEn":413,"editor":626,"tags":657},"cba795d4-237f-43a8-b5d5-15d577176ad5","due-liriche-greche","Due liriche greche",[],{"id":659,"slug":660,"title":661,"duration":141,"publishingStartDate":164,"publishingEndDate":164,"descriptionFr":662,"descriptionEn":663,"cardDescription":662,"style":63,"styleEn":64,"editor":626,"tags":664},"d487a76a-c82c-4f0e-81f9-30878d0d9a6e","julius-fucik","Julius Fucik","pour deux récitants et orchestre (première partie, inachevé)","for two reciters and orchestra (first part, unfinished)",[],{"id":666,"slug":667,"title":668,"duration":336,"publishingStartDate":503,"publishingEndDate":503,"descriptionFr":669,"descriptionEn":670,"cardDescription":669,"style":671,"styleEn":672,"editor":673,"tags":674},"24aa58d2-d66d-4ac4-9dcc-efb855fb4e6d","piccola-gala-notturna-veneziana-in-onore-dei-60-anni-di-heinrich-strobel","Piccola gala notturna veneziana in onore dei 60 anni di Heinrich Strobel","pour quatorze instruments","for fourteen instruments","Musique instrumentale d'ensemble (Autre ensemble instrumental mixte atypique de 10 ou plus instruments)","Instrumental ensemble music (Other non-standard mixed instrumental ensemble, more than 10 musicians)","Inédit",[],{"id":676,"slug":677,"title":678,"duration":336,"publishingStartDate":622,"publishingEndDate":623,"descriptionFr":624,"descriptionEn":625,"cardDescription":624,"style":412,"styleEn":413,"editor":626,"tags":679},"b0908927-62b0-4534-a8ab-940e7fe41a5f","la-stella-mattutina","La stella mattutina",[],{"id":681,"slug":682,"title":683,"duration":304,"publishingStartDate":183,"publishingEndDate":183,"descriptionFr":684,"descriptionEn":685,"cardDescription":684,"style":448,"styleEn":449,"editor":626,"tags":686},"13717bde-7224-40bb-9b07-3d541a2e3f88","musiche-di-scena-per-\"come-vi-piace\"-di-william-shakespeare","Musiche di scena per \"Come vi piace\" di William Shakespeare","pour baryton et cinq instruments","for baritone and five instruments",[687],{"label":91},{"id":689,"slug":690,"title":691,"duration":46,"publishingStartDate":232,"publishingEndDate":232,"descriptionFr":692,"descriptionEn":693,"cardDescription":692,"style":694,"styleEn":695,"editor":524,"tags":696},"4a76ae40-0301-48e8-be4a-3b7c9fe03511","da-un-diario-italiano","Da un diario italiano","pour deux chœurs","for two choirs","Musique vocale a cappella (2 chœurs a cappella)","A cappella vocal music (2 a cappella choirs)",[],{"id":698,"slug":699,"title":700,"duration":336,"publishingStartDate":701,"publishingEndDate":701,"descriptionFr":702,"descriptionEn":703,"cardDescription":702,"style":704,"styleEn":705,"editor":673,"tags":706},"047c0692-b9c7-4339-9796-f5c11da14f08","siamo-la-gioventu-del-vietnam","Siamo la gioventù del Vietnam","1973-01-01T00:00:00.000Z","pour chœur à une voix","for one-voice choir","Musique vocale a cappella (Chœur mixte monodique)","A cappella vocal music (Mixed unison choir)",[],{"id":708,"slug":709,"title":710,"duration":119,"publishingStartDate":71,"publishingEndDate":71,"descriptionFr":711,"descriptionEn":712,"cardDescription":711,"style":713,"styleEn":714,"editor":65,"tags":715},"b7cfc4a0-68eb-4a25-93db-ac7bb2eb1c4e","varianti","Varianti","musique pour violon solo, cordes et vents","music for solo violin, strings and winds","Musique concertante (Violon et orchestre de chambre)","Concertant music (Violin and chamber orchestra)",[],["Reactive",717],{"$si18n:cached-locale-configs":718,"$si18n:resolved-locale":723,"$snuxt-seo-utils:routeRules":724,"$ssite-config":725},{"fr":719,"en":721},{"fallbacks":720,"cacheable":40},[],{"fallbacks":722,"cacheable":40},[],"en",{"head":-1,"seoMeta":-1},{"_priority":726,"currentLocale":730,"defaultLocale":731,"description":732,"env":733,"name":734,"url":735},{"name":727,"env":728,"url":729,"description":727,"defaultLocale":729,"currentLocale":729},-3,-15,-2,"en-US","fr-FR","Ressources IRCAM est une plateforme de ressources musicales et sonores, développée par l'IRCAM, pour les artistes, les chercheurs et les passionnés de musique.","production","Ressources IRCAM","https://ressources.ircam.fr",["Set"],["ShallowReactive",738],{"/composer/luigi-nono/works":-1,"flat pages":-1},"/en/composer/luigi-nono/worksbydate"]