\r\nLa première génération qui entre de plein droit dans la base est donc celle constituée par John Cage, Olivier Messiaen ou encore Elliott Carter.\r\n\u003C/p>\r\n\r\n\u003Ch3>Contenus\u003C/h3>\r\n\r\n\u003Cp style=\"text-align: justify;\">\r\nLes données sont progressivement mises à jour depuis juillet 2007, en remplacement de celles de l’ancienne version de la base, développée entre 1996 et 2001 par Marc Texier. L’information peut donc être incomplète pour certains compositeurs non encore traités : dans ce cas l’indication « ! Informations antérieures à 2002 » apparaît en haut de page. Pour tous les autres documents, la date de dernière mise à jour est indiquée en haut de page.\r\n\u003C/p>\r\n\r\n\u003Ch3>Mises à jour et nouvelles entrées\u003C/h3>\r\n\r\n\r\n\u003Cp style=\"text-align: justify;\">Les mises à jour se font compositeur par compositeur. Pour un compositeur donné, sont systématiquement revus ou créés les documents suivants :\r\n\u003C/p>\r\n\u003Cul style=\"text-align: justify;\">\r\n \u003Cli>la biographie\u003C/li>\r\n \u003Cli>le catalogue exhaustif de ses œuvres (y compris, si possible, les œuvres disparues, retirées ou posthumes)\u003C/li>\r\n \u003Cli>une liste de ressources bibliographiques, discographiques et internet,\u003C/li>\r\n \u003Cli>des éventuels documents attachés (Parcours de l’œuvre, interviews, analyses, notes de programme etc.)\u003C/li>\r\n\u003C/ul>\r\n\u003Cp style=\"text-align: justify;\">\r\nLa définition des priorités de mises à jour et nouvelles entrées des compositeurs s’opèrent suivant une méthodologie basée sur l’observation de la vie culturelle européenne :\r\n\u003C/p>\r\n\u003Cul style=\"text-align: justify;\">\r\n \u003Cli>Avant chaque saison, nous relevons les programmations à venir des principaux festivals, institutions et ensembles musicaux européens investis dans le domaine de la création musicale. Cette observation s’opère par cercles concentriques en partant de l’activité propre de l’Ircam (année n-2), puis de celle des partenaires privilégiés (année n-1) jusqu’aux grandes institutions et festivals européens de création (année n) ;\u003C/li>\r\n \u003Cli>Chaque compositeur est crédité de points en fonction de l’importance et de l’intensité de l’activité musicale le concernant. Ce classement permet de définir les priorités pour chaque trimestre ;\u003C/li>\r\n \u003Cli>Si un compositeur n’a pas obtenu assez de points pour figurer dans les priorités, il cumule ceux-ci sur le trimestre suivant ; et ainsi remonte progressivement dans la liste des priorités.\u003C/li>\r\n \u003Cli>Une fois mis à jour, les documents attachés à un compositeur sont valables trois ans, après lesquels le processus décrit ci-dessus reprend.\u003C/li>\r\n\u003C/ul>\t\r\n\r\n\u003Ch3>Erreurs ou omissions\u003C/h3>\t\r\n\t\t\t\t\r\n\u003Cp style=\"text-align: justify;\">\r\nSi la mise à jour est déjà effectuée (date postérieure à juin 2007) : nous invitons les musicologues, les compositeurs (ou leur éditeur) à nous signaler toute erreur ou omission importante. Elle sera corrigée, dans la mesure du possible, au cours du trimestre suivant. De même, nous les invitons à nous faire connaître leurs œuvres nouvelles, en mentionnant tous les éléments nécessaires à la création d’une fiche œuvre nouvelle.\r\n\u003C/p>\r\n\u003Cp style=\"text-align: justify;\">\t\t\r\nSi la mise à jour n’est pas encore effectuée (indication : « mise à jour à venir ») : Les compositeurs peuvent nous signaler des erreurs ou omissions importantes. Ces indications seront prises en compte au moment de la mise à jour à venir. Un compositeur peut également demander le retrait de sa biographie dans l’attente de la mise à jour.\r\n\u003C/p>\r\n\u003Cp style=\"text-align: justify;\">\r\nPour cela : \u003Ca href=\"mailto:brahms-contenu[at]ircam[dot]fr\">écrire\u003C/a> à l’administrateur de publication\r\n\u003C/p>\r\n",{"id":14,"url":15,"titleFr":16,"titleEn":11,"contentFr":17,"contentEn":11},"a3cd05aa-3447-487a-b4fc-213ba0f77e6b","/copyrights/","Mention Légale","La reproduction de contenus de ce site Web, en tout ou partie, est formellement interdite sans la permission écrite de l'Ircam. Les textes, images, logos, codes sources sont la propriété de l'Ircam, ou de détenteurs avec lesquels l'Ircam a négocié les droits de reproduction à sa seule fin d'utilisation dans le cadre du site Brahms. Tout contrevenant s'expose à des poursuites judiciaires. ",{"id":19,"url":20,"titleFr":21,"titleEn":11,"contentFr":22,"contentEn":11},"9162642e-ea99-48c3-8d3b-2dc2a3f8ba45","/repertoire/about/","Projet Répertoire Ircam","\u003Cp>Le Projet Répertoire Ircam est une collection d’analyses musicales en ligne d’environ 70 œuvres crées à l’Ircam et considérées comme représentatives de la culture de l’institut tant sur le plan artistique que technologique.\u003C/p>\r\n\r\n\u003Cp>Ce projet a débuté en 2006-2008 avec la création d’outils auteurs mises en œuvre par le département Interfaces Recherche/Création en collaboration avec le secteur recherche de l’institut. Les premières analyses ont été mises en ligne fin 2010 et il est prévu que la collection s’élargisse à un rythme de deux ou trois nouvelles analyse par an.\u003C/p>\r\n\r\n\u003Cp>Plusieurs objectifs sont poursuivis par ce projet :\u003C/p>\r\n\r\n\u003Cul>\r\n\t\u003Cli>faire connaître les œuvres produites à l’Ircam à un public plus large,\u003C/li>\r\n\t\u003Cli>montrer la relation entre l’idée musicale et les technologies utilisés,\u003C/li>\r\n\t\u003Cli>identifier les nouveaux éléments du vocabulaire musical qui émergent à travers ces œuvres,\u003C/li>\r\n\t\u003Cli>offrir un support d’information aux interprètes.\u003C/li>\r\n\u003C/ul>\r\n\r\n\u003Cp>Chaque analyse est structurée en trois parties :\u003C/p>\r\n\r\n\u003Col>\r\n\t\u003Cli>description générale de l’œuvre,\u003C/li>\r\n\t\u003Cli>analyse des extraits de l’œuvre avec mise en relation de l’idée musicale et de l’écriture électronique,\u003C/li>\r\n\t\u003Cli>la liste de ressources spécifiques (type de problème musical abordé, technologies utilisées, œuvres abordant le même type de problématique) et générales (biographique, historique, technique).\u003C/li>\r\n\u003C/ol>\r\n\r\n\u003Cp>Les analyses seront également mises en relation avec :\u003C/p>\r\n\r\n\u003Cul>\r\n\t\u003Cli>Brahms : une base de données encyclopédique en ligne de compositeurs de musique contemporaine de toutes les nationalités dont les œuvres ont été créées après 1945. Cette base contient actuellement environ 600 références. Pour chaque compositeur, il y a une partie biographique accompagnée des sources d’information, et une autre partie qui situe l’orientation esthétique, les phases principales et le contexte historique de l’œuvre.\u003C/li>\r\n\t\u003Cli>Images d’une œuvre : une collection des interviews filmés des compositeurs.\u003C/li>\r\n\t\u003Cli>Sidney : une base de données qui contient les éléments techniques (programmes informatiques, sons etc. ) nécessaires pour l’exécution de l’œuvre.\u003C/li>\r\n\u003C/ul>\r\n\r\n\u003Cp>A plus long terme, les analyses des nouvelles œuvres créés à l’Ircam viendront se rajouter au corpus donné dans l’annexe citée ci-dessus.\u003C/p>",{"data":24},{"personBySlug":25},{"firstName":26,"lastName":27,"privateState":28,"biographyDate":29,"resume":30,"resumeEn":31,"resources":32,"catalogueSource":33,"manualUpdateDate":34,"documents":11,"photo":35,"copyrights":37,"slug":38,"hasArticles":39,"type":40,"hasWorks":41,"works":42,"hasBiography":41,"hasWorkcourse":39,"hasAnalyses":39,"hasBooks":39,"hasMonographs":39,"hasPartitions":39,"hasFloraAudios":39,"hasAudios":39,"hasVideos":41},"Elena","Rykova","valid","2021-11-25T00:00:00.000Z","Compositrice russe née le 8 novembre 1991 à Oufa, Russie.","Russian composer born 8 November 1991 in Ufa, Russia.","\u003Ch4 id=\"liens-internet\">Liens Internet\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>Site de la compositrice : \u003Ca href=\"https://www.elenarykova.rocks/\" title=\"www.elenarykova.rocks\">www.elenarykova.rocks\u003C/a>\u003C/li>\u003Cli>SoundCloud : \u003Ca href=\"https://soundcloud.com/elenarykova\" title=\"www.soundcloud.com\">www.soundcloud.com\u003C/a>\u003C/li>\u003Cli>Chaîne YouTube : \u003Ca href=\"https://www.youtube.com/c/ElenaRykova\" title=\"www.youtube.com\">www.youtube.com\u003C/a>\u003C/li>\u003Cli>\u003Cem>\u003Ca href=\"https://uk-podcasts.co.uk/podcast/on-composition/3-elena-rykova\" title=\"on composition\">on composition\u003C/a>\u003C/em> n°8, interview pour le podcast de Oliver Thurley, 23 avril 2020.\u003C/li>\u003Cli>\u003Cem>Beyond a thought within imagination. Elena Rykova on Yoko Ono\u003C/em>, hiver 2017, Université de Harvard, \u003Ca href=\"https://issuu.com/elenarykova6/docs/beyond_a_thought_within_imagination\" title=\"lire en ligne\">lire en ligne\u003C/a>.\u003C/li>\u003Cli>Elena Rykova, « I am not only an artist, I am a woman artist and I am a woman », \u003Cem>el Compositor habla\u003C/em>, 25 décembre 2020, \u003Ca href=\"https://www.elcompositorhabla.com/es/noticias/elena-rykova_2474.zhtm\" title=\"lire en ligne\">lire en ligne\u003C/a>.\u003C/li>\u003C/ul>\n\u003Cp>(\u003Cem>liens vérifiés en mars 2022\u003C/em>).\u003C/p>\n","","2022-02-28T00:00:00.000Z",{"getUrl":36},"https://storage.ressources.ircam.fr/ressources/persons/photos/13b963d3-72c3-4f05-865d-b76c73e2cc49-thumbnail.jpeg?response-cache-control=public%2C%20max-age%3D31536000%2C%20immutable&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=ressources%2F20251002%2Fus-east-1%2Fs3%2Faws4_request&X-Amz-Date=20251002T092713Z&X-Amz-Expires=604800&X-Amz-SignedHeaders=host&X-Amz-Signature=48178ca5c50fd9af07dfba3e9ba9916862de1dfb23c714d42287d4f1041a16d0","Miri Davidovitz","elena-rykova",false,"COMPOSER",true,[43,54,64,77,88,98,111,121,132,143,153,166,177,187,195,205,215,222,231,242,252,263,271,282,290,302,311,321,326,337,346,355,360,373],{"id":44,"slug":45,"title":46,"duration":47,"publishingStartDate":48,"publishingEndDate":48,"descriptionFr":49,"descriptionEn":50,"cardDescription":49,"style":51,"styleEn":52,"editor":11,"tags":53},"161c5711-9d21-42e7-9e7a-21a3f054c8e8","on-the-shore-of-shattered-time","On the Shore of Shattered Time",5,"2021-01-01T00:00:00.000Z","pour mezzo-soprano, contre-ténor et basse","for mezzo-soprano, countertenor and bass","Musique vocale a cappella (Trio vocal)","A cappella vocal music (Voice trio)",[],{"id":55,"slug":56,"title":57,"duration":58,"publishingStartDate":48,"publishingEndDate":48,"descriptionFr":59,"descriptionEn":60,"cardDescription":59,"style":61,"styleEn":62,"editor":11,"tags":63},"71176027-0448-413c-b1ec-c3756fcda682","asymptotic-freedom-(ii)","Asymptotic Freedom (II)",50,"pour six guitares électriques préparées","for six prepared electric guitars","Musique de chambre (Sextuor et plus à cordes avec ou sans clavier)","Chamber music (Strings, 6 or more musicians, with or without keyboard)",[],{"id":65,"slug":66,"title":67,"duration":68,"publishingStartDate":69,"publishingEndDate":69,"descriptionFr":70,"descriptionEn":71,"cardDescription":70,"style":72,"styleEn":73,"editor":11,"tags":74},"b0a5efbe-fab0-4e1f-bdb2-cfe07a857d0b","study-in-yellow-and-violet","Study in Yellow and Violet",15,"2019-01-01T00:00:00.000Z","pour flûte, alto, vidéo et sons fixés","for flute, viola, video and fixed sounds","Musique de chambre (Duo bois et cordes)","Chamber music (Woodwind and string duo)",[75],{"label":76},"Électronique",{"id":78,"slug":79,"title":80,"duration":81,"publishingStartDate":69,"publishingEndDate":69,"descriptionFr":82,"descriptionEn":83,"cardDescription":82,"style":84,"styleEn":85,"editor":11,"tags":86},"7592c9b7-fd0a-471d-88a2-a1105e7c8c16","a-tight-grip","A Tight Grip",6,"pour marimba et bande magnétique","for marimba and magnetic tape","Musique soliste (sauf voix) (Percussion clavier)","Solo (excluding voice) (Keyboard percussion instruments)",[87],{"label":76},{"id":89,"slug":90,"title":91,"duration":47,"publishingStartDate":92,"publishingEndDate":92,"descriptionFr":93,"descriptionEn":94,"cardDescription":93,"style":95,"styleEn":96,"editor":11,"tags":97},"057fc734-bf17-4720-9a8c-7c39a28d57fb","zigzag-to-callisto","Zigzag to Callisto","2018-01-01T00:00:00.000Z","étude pour guitare électrique Stratocaster","a study for e-guitar (Stratocaster)","Musique soliste (sauf voix) (Guitare)","Solo (excluding voice) (Guitar)",[],{"id":99,"slug":100,"title":101,"duration":102,"publishingStartDate":103,"publishingEndDate":103,"descriptionFr":104,"descriptionEn":105,"cardDescription":104,"style":106,"styleEn":107,"editor":11,"tags":108},"0dc39100-000d-43b2-a091-6fe56e3cd7bf","life-expectancy.-experience-1.-the-sun.","Life expectancy. Experience #1. The Sun.",12,"2015-01-01T00:00:00.000Z","pour sept astro-performeurs avec des masques","for seven astro-performers with masks","Musique de chambre (Sextuor et plus non spécifié)","Chamber music (Unspecified instruments, 6 or more musicians)",[109],{"label":110},"Performance",{"id":112,"slug":113,"title":114,"duration":115,"publishingStartDate":103,"publishingEndDate":103,"descriptionFr":116,"descriptionEn":117,"cardDescription":116,"style":118,"styleEn":119,"editor":11,"tags":120},"6a35d884-c5f3-417e-b771-3ef9292b08d5","101percent-mind-uploading","101% mind uploading",10,"pour trois performers à l'intérieur d'un piano, objets et percussion","for three performers inside a piano, objects and percussion","Musique de chambre (Autre trio de diverses familles)","Chamber music (Trio with diverse instruments)",[],{"id":122,"slug":123,"title":124,"duration":115,"publishingStartDate":125,"publishingEndDate":125,"descriptionFr":126,"descriptionEn":127,"cardDescription":126,"style":128,"styleEn":129,"editor":11,"tags":130},"9587abf0-94fc-41cf-b3fe-45f541f83adc","marionette","Marionette","2014-01-01T00:00:00.000Z","pour violon amplifié","for amplified violin","Musique soliste (sauf voix) (Violon)","Solo (excluding voice) (Violin)",[131],{"label":76},{"id":133,"slug":134,"title":135,"duration":136,"publishingStartDate":137,"publishingEndDate":137,"descriptionFr":138,"descriptionEn":139,"cardDescription":138,"style":140,"styleEn":141,"editor":11,"tags":142},"c36fd5ec-8503-4db7-b6e7-f26eede738a5","typewriteryk","TypewritERyk",7,"2013-01-01T00:00:00.000Z","trio pour flûte, clarinette et accordéon","trio for flute, clarinet and accordion","Musique de chambre (Trio de bois et clavier)","Chamber music (Woodwind and keyboard trio)",[],{"id":144,"slug":145,"title":146,"duration":147,"publishingStartDate":137,"publishingEndDate":137,"descriptionFr":148,"descriptionEn":149,"cardDescription":148,"style":150,"styleEn":151,"editor":11,"tags":152},"8f54bb22-6a7a-4f9d-ae99-941b3bd8ba4b","alone-against-the-wall","Alone against the wall",17,"pour flûte, clarinette, hautbois, piano, percussion, violon, violoncelle et objets","for flute, clarinet, oboe, piano, percussion, violin, cello and objects","Musique de chambre (Sextuor et plus vent, clavier, percussion, cordes)","Chamber music (Winds, keyboard, percussion, and strings - 6 or more musicians)",[],{"id":154,"slug":155,"title":156,"duration":157,"publishingStartDate":158,"publishingEndDate":158,"descriptionFr":159,"descriptionEn":160,"cardDescription":159,"style":161,"styleEn":162,"editor":11,"tags":163},"d082f338-4e9d-4e06-96a5-f929fae1ed6e","the-mirror-of-galadriel","The Mirror of Galadriel",0,"2012-01-01T00:00:00.000Z","performance musicale pour table de ping-pong, pommes de pain, deux performeurs, projection \u003Ci>live\u003C/i> et amplification","musical performance for ping-pong table, pine cones, two performers, live projection and amplification","Effectif non spécifié (Effectif non spécifié)","Unspecified instrumentation (Unspecified instrumentation)",[164,165],{"label":76},{"label":110},{"id":167,"slug":168,"title":169,"duration":115,"publishingStartDate":170,"publishingEndDate":170,"descriptionFr":171,"descriptionEn":172,"cardDescription":171,"style":173,"styleEn":174,"editor":11,"tags":175},"ee196cd2-9b71-47b1-ae63-c46390020c65","cryptic-thingness","Cryptic Thingness","2016-01-01T00:00:00.000Z","pièce électroacoustique stéréo (avec possibilité d'une diffusion multi-canal)","stereo electroacoustic piece (with the possibility of multi-channel broadcasting)","Musique électronique / sur support / instruments mécaniques (Musique électronique / sur support / instruments mécaniques)","Electronic music / fixed media / mechanical musical instruments (Electronic music / fixed media / mechanical musical instruments)",[176],{"label":76},{"id":178,"slug":179,"title":180,"duration":115,"publishingStartDate":170,"publishingEndDate":170,"descriptionFr":181,"descriptionEn":182,"cardDescription":181,"style":183,"styleEn":184,"editor":11,"tags":185},"419cf379-7196-44a9-aa09-c7bc5e745519","you-exist-and-i-am-an-illusion","You exist and I am an illusion","duo pour caisse claire préparée, violoncelle préparé et amplification","duet for prepared snare drum, prepared cello and amplification","Musique de chambre (Autre duo)","Chamber music (Other duo)",[186],{"label":76},{"id":188,"slug":189,"title":190,"duration":115,"publishingStartDate":103,"publishingEndDate":103,"descriptionFr":191,"descriptionEn":192,"cardDescription":191,"style":183,"styleEn":184,"editor":11,"tags":193},"4e6171fc-7363-4885-a4b2-135d0e0cfff2","bat-jamming","Bat Jamming","duo pour deux performeurs dans un piano","duet for two performers in a piano",[194],{"label":110},{"id":196,"slug":197,"title":198,"duration":81,"publishingStartDate":125,"publishingEndDate":125,"descriptionFr":199,"descriptionEn":200,"cardDescription":199,"style":201,"styleEn":202,"editor":11,"tags":203},"59a86e48-1535-473c-b8bb-50f04ad0d33b","a-blink-of-the-evanescent-smile","a blink of the evanescent smile","trio pour instruments préparés et amplification","trio for prepared instruments and amplification","Musique de chambre (Autre trio à cordes)","Chamber music (Non-standard string trio)",[204],{"label":76},{"id":206,"slug":207,"title":208,"duration":209,"publishingStartDate":137,"publishingEndDate":137,"descriptionFr":210,"descriptionEn":211,"cardDescription":210,"style":212,"styleEn":213,"editor":11,"tags":214},"f0de1377-698a-4181-835b-10ab09abe8a3","stop-at-the-next-cloud-or-i'll-turn-into-a-scorpion","Stop at the next cloud or I’ll turn into a scorpion",8,"pour cinq instrumentistes, objets et écran pliable","for five players, objects and folding screen","Musique de chambre (Autre quintette de diverses familles)","Chamber music (Other quintet with diverse instrumentation)",[],{"id":216,"slug":217,"title":218,"duration":11,"publishingStartDate":137,"publishingEndDate":137,"descriptionFr":219,"descriptionEn":220,"cardDescription":219,"style":106,"styleEn":107,"editor":11,"tags":221},"4ef90881-acc7-4ddc-9791-26c01df2561f","quest-2","Quest#","pour 6 à 9 instruments chromatiques non-spécifiés","for 6 to 9 non-specified chromatic instruments",[],{"id":223,"slug":224,"title":225,"duration":81,"publishingStartDate":137,"publishingEndDate":137,"descriptionFr":226,"descriptionEn":227,"cardDescription":226,"style":228,"styleEn":229,"editor":11,"tags":230},"e5f3025f-f7ea-4b85-a9bc-04bcb6a4ef1f","purple-haze","Purple Haze","pour accordéon","for accordion","Musique soliste (sauf voix) (Accordéon ou autres aérophones)","Solo (excluding voice) (Accordion and other aerophone instruments)",[],{"id":232,"slug":233,"title":234,"duration":235,"publishingStartDate":48,"publishingEndDate":48,"descriptionFr":236,"descriptionEn":237,"cardDescription":236,"style":238,"styleEn":239,"editor":11,"tags":240},"1178184a-b112-490d-92ee-dabe832ead61","x-is-where-i-am","X is where I am",11,"pour ensemble amplifié","for amplified ensemble","Musique vocale et instrument(s) (1 voix soliste et ensemble jusqu'à 9 instruments)","Vocal music and instrument(s) (Solo voice and ensemble of up to 9 instruments)",[241],{"label":76},{"id":243,"slug":244,"title":245,"duration":102,"publishingStartDate":48,"publishingEndDate":48,"descriptionFr":246,"descriptionEn":247,"cardDescription":246,"style":248,"styleEn":249,"editor":11,"tags":250},"8c9aa08f-53b2-4940-9426-b0769b9a2a1d","an-hourglass-on-a-spine-axis","An Hourglass on a Spine Axis","pour flûte basse, saxophone alto, piano, percussion, objets et sons fixés","for bass flute, alto saxophone, piano, percussion, objects and fixed sounds","Musique de chambre (Quatuor à vent, percussion et clavier)","Chamber music (Wind, percussion and keyboard quartet)",[251],{"label":76},{"id":253,"slug":254,"title":255,"duration":102,"publishingStartDate":256,"publishingEndDate":256,"descriptionFr":257,"descriptionEn":258,"cardDescription":257,"style":259,"styleEn":260,"editor":11,"tags":261},"72097f0e-e9e3-4e08-ac71-81b84ecf1f0a","a-cow-in-the-backyard","A Cow in the Backyard","2020-01-01T00:00:00.000Z","pour ensemble, sons fixés et animation","for ensemble, fixed sounds and animation","Musique instrumentale d'ensemble (Ensemble instrumental mixte \"toutes familles\")","Instrumental ensemble music (Mixed instrumental ensemble with instruments from all families)",[262],{"label":76},{"id":264,"slug":265,"title":266,"duration":147,"publishingStartDate":69,"publishingEndDate":69,"descriptionFr":267,"descriptionEn":268,"cardDescription":267,"style":161,"styleEn":162,"editor":11,"tags":269},"11331830-ed84-4a55-8ac8-3e2d2b4d5d4e","leaves-in-marble","Leaves in Marble","pour cinq performeurs, deux assistants, sons fixés et amplification","for five performers, two assistants, fixed sounds and amplification",[270],{"label":76},{"id":272,"slug":273,"title":274,"duration":275,"publishingStartDate":69,"publishingEndDate":69,"descriptionFr":276,"descriptionEn":277,"cardDescription":276,"style":278,"styleEn":279,"editor":11,"tags":280},"98ac0726-1266-4d6e-949e-36bd349501c1","silenced","Silenced",18,"trio pour deux timbales, assistant et électronique","trio for two timpani, assistant and electronics","Musique de chambre (Trio de percussions)","Chamber music (Percussion trio)",[281],{"label":76},{"id":283,"slug":284,"title":285,"duration":136,"publishingStartDate":92,"publishingEndDate":92,"descriptionFr":286,"descriptionEn":287,"cardDescription":286,"style":183,"styleEn":184,"editor":11,"tags":288},"32202d36-b28f-4420-823d-ebb071bebc08","a-message-from-a-world-in-which-we-are-absent","A message from a world in which we are absent","une performance musicale pour contrebasse, percussion, ingénieur du son et sons fixés","a musical performance for double bass, percussion, sound engineer and fixed sounds",[289],{"label":76},{"id":291,"slug":292,"title":293,"duration":294,"publishingStartDate":92,"publishingEndDate":92,"descriptionFr":295,"descriptionEn":296,"cardDescription":295,"style":161,"styleEn":162,"editor":11,"tags":297},"80e5bb3c-3d74-4b9e-91a8-2f6513a11bd6","si-hay-monster","Sí Hay MONSTER",30,"un happening / installation / performance musicale pour sept performeurs avec instruments, objets, masques, amplification et bande","a happening / installation / musical performance for seven performers with instruments, objects, masks, amplification and tape",[298,299,300],{"label":76},{"label":110},{"label":301},"Installation",{"id":303,"slug":304,"title":305,"duration":136,"publishingStartDate":306,"publishingEndDate":306,"descriptionFr":307,"descriptionEn":308,"cardDescription":307,"style":212,"styleEn":213,"editor":11,"tags":309},"e9ad2c8a-c1b0-4102-a0a8-00cdf4d3d31c","subito-dodo","Subito Dodo","2017-01-01T00:00:00.000Z","pour cinq instrumentistes, table préparée, objets trouvés, percussion et amplification","for five instrumentalists, prepared table, found objects, percussion and amplification",[310],{"label":76},{"id":312,"slug":313,"title":314,"duration":102,"publishingStartDate":170,"publishingEndDate":170,"descriptionFr":315,"descriptionEn":316,"cardDescription":315,"style":317,"styleEn":318,"editor":11,"tags":319},"581bea6f-4c11-483e-8ce3-ab00a11de717","life-expectancy.-experience-2.-your-moon.","Life expectancy. Experience #2. Your Moon.","trio pour instruments préparés et amplificateur pour guitare électrique","trio for prepared instruments and amplifier for electric guitar","Musique de chambre (Trio à percussion et cordes)","Chamber music (Percussion and string trio)",[320],{"label":76},{"id":322,"slug":323,"title":324,"duration":102,"publishingStartDate":256,"publishingEndDate":256,"descriptionFr":59,"descriptionEn":60,"cardDescription":59,"style":61,"styleEn":62,"editor":11,"tags":325},"716bac85-c567-4cbb-b5d9-1f3e765ccbfd","asymptotic-freedom-(i)","Asymptotic Freedom (I)",[],{"id":327,"slug":328,"title":329,"duration":330,"publishingStartDate":306,"publishingEndDate":306,"descriptionFr":331,"descriptionEn":332,"cardDescription":331,"style":333,"styleEn":334,"editor":11,"tags":335},"4eeed5b6-ec53-4d7d-950a-dd4727f6aed3","cositas-diminutas","Cositas Diminutas",25,"pièce pour intérieur de piano soliste avec objets et amplification","piece for solo piano interior with objects and amplification","Musique soliste (sauf voix) (Piano solo)","Solo (excluding voice) (Solo piano)",[336],{"label":76},{"id":338,"slug":339,"title":340,"duration":157,"publishingStartDate":170,"publishingEndDate":306,"descriptionFr":341,"descriptionEn":342,"cardDescription":341,"style":161,"styleEn":162,"editor":11,"tags":343},"13d406d4-12cf-4aea-bb7c-6dbc09debc3f","music-boards","Music Boards","installation interactive","interactive installation",[344,345],{"label":76},{"label":301},{"id":347,"slug":348,"title":349,"duration":157,"publishingStartDate":170,"publishingEndDate":306,"descriptionFr":350,"descriptionEn":351,"cardDescription":350,"style":161,"styleEn":162,"editor":11,"tags":352},"91131db4-6ae5-4c96-b4cc-9212ce8df13e","under-construction-2","Under Construction","installation interdisciplinaire, animation et son","interdisciplinary installation, animation and sound",[353,354],{"label":76},{"label":301},{"id":356,"slug":357,"title":358,"duration":157,"publishingStartDate":306,"publishingEndDate":306,"descriptionFr":33,"descriptionEn":33,"cardDescription":33,"style":161,"styleEn":162,"editor":11,"tags":359},"29ccd926-7c50-413c-a340-5ec2db960223","clay-instruments","Clay Instruments",[],{"id":361,"slug":362,"title":363,"duration":364,"publishingStartDate":365,"publishingEndDate":365,"descriptionFr":366,"descriptionEn":367,"cardDescription":366,"style":368,"styleEn":369,"editor":370,"tags":371},"18802d31-01b9-4c49-9a71-0cdc0621e5b6","in-the-presence-of-absence","In the Presence of Absence",13,"2022-01-01T00:00:00.000Z","pour clarinette, accordéon, piano, violon, violoncelle, amplification et électronique","for clarinet, accordion, piano, violin, cello, amplification and electronics","Musique de chambre (Quintette à vents, clavier et cordes)","Chamber music (Wind, keyboard and string quintet)","édition du compositeur",[372],{"label":76},{"id":374,"slug":375,"title":376,"duration":102,"publishingStartDate":306,"publishingEndDate":306,"descriptionFr":377,"descriptionEn":378,"cardDescription":377,"style":379,"styleEn":380,"editor":11,"tags":381},"d6e4f388-ab1f-4abd-8a6b-dce4e365988c","thousand-splinters-of-a-human-eye","Thousand Splinters of a Human Eye","pièce de théâtre musical pour cinq instruments à vent et cinq chanteurs, une bicyclette et des lumières","musical theater piece for five wind instruments and five singers, a bicycle and lights","Musique vocale et instrument(s) (2 voix solistes ou plus et ensemble jusqu'à 9 instruments)","Vocal music and instrument(s) (2 solo voices or more and ensemble of up to 9 instruments)",[382,383],{"label":76},{"label":384},"Scénique",["Reactive",386],{"$si18n:cached-locale-configs":387,"$si18n:resolved-locale":392,"$snuxt-seo-utils:routeRules":393,"$ssite-config":394},{"fr":388,"en":390},{"fallbacks":389,"cacheable":41},[],{"fallbacks":391,"cacheable":41},[],"en",{"head":-1,"seoMeta":-1},{"_priority":395,"currentLocale":399,"defaultLocale":400,"description":401,"env":402,"name":403,"url":404},{"name":396,"env":397,"url":398,"description":396,"defaultLocale":398,"currentLocale":398},-3,-15,-2,"en-US","fr-FR","Ressources IRCAM est une plateforme de ressources musicales et sonores, développée par l'IRCAM, pour les artistes, les chercheurs et les passionnés de musique.","production","Ressources IRCAM","https://ressources.ircam.fr",["Set"],["ShallowReactive",407],{"/composer/elena-rykova/works":-1,"flat pages":-1},"/en/composer/elena-rykova/worksByDate"]