© Sylvia GomesDaniele Ghisi
Compositeur italien né le 30 juin 1984 à Trescore Balneario.
Do you notice a mistake?
16 results
A Max Library for Musical Notation and Computer-Aided Composition
Computer Music Journal, 2015, Narrowing the Gap between Symbol and Signal, 39 (2), pp.11-27.
Discrete phase retrieval in musical structures
Journal of Mathematics and Music, 2011, 5 (2), pp.99-116.
Z-relation and homometry in musical distributions
Journal of Mathematics and Music, 2011, 5 (2), pp.83-98.
Programming in style with bach
14th International Symposium on Computer Music Multidisciplinary Research, Mitsuko Aramaki, Richard Kronland-Martinet Sølvi Ystad, Oct 2019, Marseille, France.
Extending bach: A Family of Libraries for Real-time Computer-assisted Composition in Max
Journal of New Music Research, 2016, Interactive Composition, 46,
Dynamic Computer-Aided Orchestration in Practice with Orchidea
Computer Music Journal, 2023, 45 (4), pp.40-56.
Recreating Gérard Grisey’s Vortex Temporum with cage
International Computer Music Conference, Sep 2016, Utrecht, Netherlands.
Recreating Ge ́rard Grisey’s Vortex Temporum with cage
ICMC 2016 42nd International Computer Music Conference, Sep 2016, Utrecht, Netherlands.
Real-Time Corpus-Based Concatenative Synthesis for Symbolic Notation
TENOR Conference, May 2016, Cambridge, United Kingdom.
Representation of Musical Structures and Processes in Simplicial Chord Spaces
Computer Music Journal, 2015, 39 (3), pp.9 - 24.
Spatial Transformations in Simplicial Chord Spaces
Proceedings ICMC|SMC|2014, Sep 2014, Athens, Greece. pp.1112-1119.
Programming in style with bach (extended version)
14th International Symposium on Computer Music Multidisciplinary Research, Richard Kronland-Martinet; Sølvi Ystad; Mitsuko Aramaki, Oct 2019, Marseille, France. pp.257-278,
Fine-tuned Control of Concatenative Synthesis with CataRT Using the bach Library for Max
International Computer Music Conference (ICMC), Sep 2014, Athens, Greece. pp.1-1.
PROGRAMMER EN MAX AVEC bell
Journées d'informatique musicale (JIM) 2020, Oct 2020, Strasbourg (en virtuel), France.
Music across music : towards a corpus-based, interactive computer-aided composition
Concatenative Synthesis via Chord-Based Segmentation for 'An Experiment with Time
International Computer Music Conference, Sep 2016, Utrecht, Netherlands.
Do you notice a mistake?