Conlon NANCARROW, Studies for Player Piano, intégrale des œuvres pour piano mécanique, 5 cds Wergo, 2000.
Conlon NANCARROW, Quartets and studies, Quatuor Arditti, 1 cd Wergo, 2007, n° 6696 2.
Bibliographie
Charles AMIRKHANIAN, “Interview with Composer Conlon Nancarrow”, in Conlon Nancarrow, Selected Studies for Player Piano Soundings 4, ed. Peter Garland, Berkeley, Soundings Press, p. 7-24.
Helena BUGALLO, Selected Studies for Player Piano by Conlon Nancarrow: Sources, Working Methods, and Compositional Strategies, Ann Arbor, UMI Dissertation Services, 2004.
Clifton CALLENDER, “Formalized Accelerando: An Extension of Rhythmic Techniques in Nancarrow's Acceleration Canons”, in Perspectives of New Music, vol. 39, n° 1, 2001, p. 188-210.
Philip CARLSEN, “Nancarrow, Conlon”, in The New Grove Dictionary of American Music, ed. H. Wiley Hitchcock and Stanley Sadie. Londres, Macmillan Press, New York, Grove’s Dictionaries of Music, 1986.
Philip CARLSEN, The Player-Piano Music of Conlon Nancarrow: an Analysis of Selected Studies, I.S.A.M. Monograph No. 26. Brooklyn, Institute for Studies in American Music, 1988.
Elliott CARTER, “The Rhythmic Basis of American Music”, The Score and I.M.A. Magazine, n° 12, juin 1955, p. 27-32.
Robert COMMENDAY, “The Man Who Writes for Player Piano”, San Francisco Chronicle, 30 juin 1981.
Eric DROTT, “Conlon Nancarrow and the Technological Sublime”, in American Music, vol. 22, n° 4, hiver 2004, p. 533-563.
Michael FINNISSY, “Almeida Festival: Nancarrow and Ives”, in Tempo, nouvelle série, n° 154, septembre 1985, Cambridge, Cambridge University Press, p. 45-46.
Michael FINNISSY, [article sans titre], Tempo, nouvelle série, n° 133-134, septembre, 1980, p. 85-86.
Monika FURST-HEIDTMANN, “Conlon Nancarrow und die Emanzipation des Tempo”, Neue Zeitschrift für Musik, n° 7-8, 1989, p. 32-38.
Monika FURST-HEIDTMANN, “Conlon Nancarrow’s ‘Studies for Player Piano’/Time is the last frontier in music”, Melos n° 4, 1984, p. 104-22.
Monika FURST-HEIDTMANN, “Ich bin beim Komponieren nur meinen Wunschen gefolgt” [entretien avec Conlon Nancarrow], MusikTexte, n° 21, octobre 1987, p. 29-32.
Cole GAGNE, Tracy CARAS. “Conlon Nancarrow”, in Soundpieces: Interviews with American Composers, Metuchen, NJ, Scarecrow Press, 1982, p. 281-303.
Kyle GANN, The Music of Conlon Nancarrow, Cambridge, Cambridge University Press, 1995.
Kyle GANN, "Conlon Nancarrow: Study No. 25 for Player Piano", in Settling New Scores: Music Manuscripts from the Paul Sacher Foundation, Felix Meyer, ed. Mayence, Schott Musik International, 1998, p. 171-173.
Kyle GANN, “Conlon Nancarrow’s Tempo Tornadoes”, Village Voice, New York, 5 octobre 1993, p. 93 et 97.
Kyle GANN, “A Feast of 16 Strings”, Village Voice, New York, 4 avril 1989, p. 71.
Kyle GANN, “Private Bells”, Village Voice, New York, 14 novembre 1989, p. 89.
Kyle GANN, “Piano Rolls and Fresh Mangos”, Village Voice, New York, 2 septembre 1997, p. 68-69.
Peter GARLAND, “Conlon Nancarrow: Chronicle of a Friendship”, in America: Essays on American Music and Culture (1973-1980), Santa Fe, Soundings Press, 1982, p. 157-185.
James R. GREESON, Gretchen B. GEARHART et Conlon NANCARROW, “Conlon Nancarrow: An Arkansas Original”, The Arkansas Historical Quarterly, vol. 54, n° 4, hiver 1995, p. 457-469.
Herbert HENCK et Monika FURST-HEIDTMANN, “Neues von Nancarrow”, Neuland n° 2, 1981-1982, p. 216-217.
Herbert HENCK et Monika FURST-HEIDTMANN, “Neues von Nancarrow”, Neuland n° 3 (1983), p. 247-250.
Herbert HENCK et Monika FURST-HEIDTMANN, “Neues von Nancarrow”, Neuland n° 5, 1985, p. 297-301.
Jürgen HOCKER, “Begegnungen mit Nancarrow”, Neue Zeitschrift für Musik, 2002, 284 p.
Jan JARVLEPP, “Conlon Nancarrow’s Study #27 for Player Piano Viewed Analytically”, Perspectives of New Music, n° 23/1-2, 1983-1984, p. 218-222.
Allan KOZZIN, “Conlon Nancarrow Dies at 84; Composed for the Player Piano”, in The New York Times, 12 août 1997.
Joan LABARBARA, “The Remarkable Art of Conlon Nancarrow”, Musical America, mai 1984, p. 12-13.
Minna LEDERMAN, The Life and Death of a Small Magazine (Modern Music, 1926-1946), I.S.A.M. Monograph, n° 18, Brooklyn, Institute for Studies in American Music, 1983.
Gordon MUMMA, “Briefly About Nancarrow”, in Conlon Nancarrow, Selected Studies for Player Piano, Soundings 4, ed. Peter Garland, Berkeley, Soundings Press, 1977, p. 1-5.
Gordon MUMMA, “Nancarrow Notes”, in Walter Zimmermann, Desert Plants, Vancouver: A.R.C. Publications, 1976, p. 247-251.
Conlon NANCARROW, “Mexican Music: a Developing Nationalism”, Modern Music, n° 19/1, novembre-décembre 1941, p. 67-69.
Conlon NANCARROW, “Over the Air”, Modern Music n° 17/1, novembre-décembre 1939, p. 55 ; n° 2, janvier-février 1940, p. 115-116 ; n° 3 mars-avril 1940, p. 191-193 ; n° 4, mai-juin 1940, p. 263-265.
Conlon NANCARROW, “Unidentified Player-Piano-Roll Composition” [facsimile d'une partie du rouleau de Study No. 23], in : John Cage, Notations, West Glover, Vt., Something Else Press, 1969.
Tim PAGE, “Music: Conlon Nancarrow”, in The New York Times, 21 avril 1986.
David PLACE, [article sans titre], Computer Music Journal, vol. 7, n° 1, printemps 1983, p. 71.
Peter QUINN, [article sans titre], Tempo, New Series, n° 220, avril 2002, Cambridge, Cambridge University Press, p. 49-50.
Roger REYNOLDS, “Conlon Nancarrow: Interviews in Mexico City and San Francisco”, American Music 2/2, été 1984, p. 1-24.
Roger REYNOLDS, “Inexorable Continuities….: A Commentary on the Music of Conlon Nancarrow”, in Conlon Nancarrow, Selected Studies for Player Piano, Soundings 4, ed. Peter Garland, Berkeley, Soundings Press, 1977, p. 26-40.
John ROCKWELL, “Conlon Nancarrow: Poet of the Player Piano”, The New York Times, 28 juin 1981, p. 17-20.
Larry ROHTER, “Conlon Nancarrow, On a Roll”, The New York Times, 25 octobre 1987, section 2, p. 27.
Carter SCHOTZ, [article sans titre], Leonardo, vol. 25, n° 2, 1992, p. 231-232.
Robert K. SCHWARZ, “As Obscurity Turns to Absence, a Composer Thrives”, in The New York Times, 9 novembre 1997.
Nicolas SLONIMSKYl, “Complicated Problems – Drastic Solution”, The Christian Science Monitor, Boston, 10 novembre 1951, section B, p. 12.
Tim SOUSTER, “Conlon Nancarrow”, Neuland, n° 1-3, 1980, p. 131-133.
P. A. T. Untitled review in Music & Letters, vol. 33, n° 4, octobre 1952, Londres, Oxford University Press, p. 366.
James TENNEY, “Conlon Nancarrow’s Studies for Player Piano”, in Conlon Nancarrow, Selected Studies for Player Piano, Soundings 4, ed. Peter Garland, Berkeley, Soundings Press, 1977, p. 41-64.
Margaret E. THOMAS, “Nancarrow's Canons: Projections of Temporal and Formal Structures”, in Perspectives of New Music, vol. 38, n° 2, été 2000, p. 106-133.
Margaret E. THOMAS, Untitled review in Journal of Music Theory, vol. 41, n° 2, automne 1997, Durham, Duke University Press, p. 330-340.
John WARNABY, [article sans titre], Tempo, nouvelle série, n° 189, juin 1994, Cambridge, Cambridge University Press, p. 49-50.
(s.n), “Nancarrow Prize”, The New York Times, 1er janvier 1982.