\r\nLa première génération qui entre de plein droit dans la base est donc celle constituée par John Cage, Olivier Messiaen ou encore Elliott Carter.\r\n\u003C/p>\r\n\r\n\u003Ch3>Contenus\u003C/h3>\r\n\r\n\u003Cp style=\"text-align: justify;\">\r\nLes données sont progressivement mises à jour depuis juillet 2007, en remplacement de celles de l’ancienne version de la base, développée entre 1996 et 2001 par Marc Texier. L’information peut donc être incomplète pour certains compositeurs non encore traités : dans ce cas l’indication « ! Informations antérieures à 2002 » apparaît en haut de page. Pour tous les autres documents, la date de dernière mise à jour est indiquée en haut de page.\r\n\u003C/p>\r\n\r\n\u003Ch3>Mises à jour et nouvelles entrées\u003C/h3>\r\n\r\n\r\n\u003Cp style=\"text-align: justify;\">Les mises à jour se font compositeur par compositeur. Pour un compositeur donné, sont systématiquement revus ou créés les documents suivants :\r\n\u003C/p>\r\n\u003Cul style=\"text-align: justify;\">\r\n \u003Cli>la biographie\u003C/li>\r\n \u003Cli>le catalogue exhaustif de ses œuvres (y compris, si possible, les œuvres disparues, retirées ou posthumes)\u003C/li>\r\n \u003Cli>une liste de ressources bibliographiques, discographiques et internet,\u003C/li>\r\n \u003Cli>des éventuels documents attachés (Parcours de l’œuvre, interviews, analyses, notes de programme etc.)\u003C/li>\r\n\u003C/ul>\r\n\u003Cp style=\"text-align: justify;\">\r\nLa définition des priorités de mises à jour et nouvelles entrées des compositeurs s’opèrent suivant une méthodologie basée sur l’observation de la vie culturelle européenne :\r\n\u003C/p>\r\n\u003Cul style=\"text-align: justify;\">\r\n \u003Cli>Avant chaque saison, nous relevons les programmations à venir des principaux festivals, institutions et ensembles musicaux européens investis dans le domaine de la création musicale. Cette observation s’opère par cercles concentriques en partant de l’activité propre de l’Ircam (année n-2), puis de celle des partenaires privilégiés (année n-1) jusqu’aux grandes institutions et festivals européens de création (année n) ;\u003C/li>\r\n \u003Cli>Chaque compositeur est crédité de points en fonction de l’importance et de l’intensité de l’activité musicale le concernant. Ce classement permet de définir les priorités pour chaque trimestre ;\u003C/li>\r\n \u003Cli>Si un compositeur n’a pas obtenu assez de points pour figurer dans les priorités, il cumule ceux-ci sur le trimestre suivant ; et ainsi remonte progressivement dans la liste des priorités.\u003C/li>\r\n \u003Cli>Une fois mis à jour, les documents attachés à un compositeur sont valables trois ans, après lesquels le processus décrit ci-dessus reprend.\u003C/li>\r\n\u003C/ul>\t\r\n\r\n\u003Ch3>Erreurs ou omissions\u003C/h3>\t\r\n\t\t\t\t\r\n\u003Cp style=\"text-align: justify;\">\r\nSi la mise à jour est déjà effectuée (date postérieure à juin 2007) : nous invitons les musicologues, les compositeurs (ou leur éditeur) à nous signaler toute erreur ou omission importante. Elle sera corrigée, dans la mesure du possible, au cours du trimestre suivant. De même, nous les invitons à nous faire connaître leurs œuvres nouvelles, en mentionnant tous les éléments nécessaires à la création d’une fiche œuvre nouvelle.\r\n\u003C/p>\r\n\u003Cp style=\"text-align: justify;\">\t\t\r\nSi la mise à jour n’est pas encore effectuée (indication : « mise à jour à venir ») : Les compositeurs peuvent nous signaler des erreurs ou omissions importantes. Ces indications seront prises en compte au moment de la mise à jour à venir. Un compositeur peut également demander le retrait de sa biographie dans l’attente de la mise à jour.\r\n\u003C/p>\r\n\u003Cp style=\"text-align: justify;\">\r\nPour cela : \u003Ca href=\"mailto:brahms-contenu[at]ircam[dot]fr\">écrire\u003C/a> à l’administrateur de publication\r\n\u003C/p>\r\n",{"id":14,"url":15,"titleFr":16,"titleEn":11,"contentFr":17,"contentEn":11},"a3cd05aa-3447-487a-b4fc-213ba0f77e6b","/copyrights/","Mention Légale","La reproduction de contenus de ce site Web, en tout ou partie, est formellement interdite sans la permission écrite de l'Ircam. Les textes, images, logos, codes sources sont la propriété de l'Ircam, ou de détenteurs avec lesquels l'Ircam a négocié les droits de reproduction à sa seule fin d'utilisation dans le cadre du site Brahms. Tout contrevenant s'expose à des poursuites judiciaires. ",{"id":19,"url":20,"titleFr":21,"titleEn":11,"contentFr":22,"contentEn":11},"9162642e-ea99-48c3-8d3b-2dc2a3f8ba45","/repertoire/about/","Projet Répertoire Ircam","\u003Cp>Le Projet Répertoire Ircam est une collection d’analyses musicales en ligne d’environ 70 œuvres crées à l’Ircam et considérées comme représentatives de la culture de l’institut tant sur le plan artistique que technologique.\u003C/p>\r\n\r\n\u003Cp>Ce projet a débuté en 2006-2008 avec la création d’outils auteurs mises en œuvre par le département Interfaces Recherche/Création en collaboration avec le secteur recherche de l’institut. Les premières analyses ont été mises en ligne fin 2010 et il est prévu que la collection s’élargisse à un rythme de deux ou trois nouvelles analyse par an.\u003C/p>\r\n\r\n\u003Cp>Plusieurs objectifs sont poursuivis par ce projet :\u003C/p>\r\n\r\n\u003Cul>\r\n\t\u003Cli>faire connaître les œuvres produites à l’Ircam à un public plus large,\u003C/li>\r\n\t\u003Cli>montrer la relation entre l’idée musicale et les technologies utilisés,\u003C/li>\r\n\t\u003Cli>identifier les nouveaux éléments du vocabulaire musical qui émergent à travers ces œuvres,\u003C/li>\r\n\t\u003Cli>offrir un support d’information aux interprètes.\u003C/li>\r\n\u003C/ul>\r\n\r\n\u003Cp>Chaque analyse est structurée en trois parties :\u003C/p>\r\n\r\n\u003Col>\r\n\t\u003Cli>description générale de l’œuvre,\u003C/li>\r\n\t\u003Cli>analyse des extraits de l’œuvre avec mise en relation de l’idée musicale et de l’écriture électronique,\u003C/li>\r\n\t\u003Cli>la liste de ressources spécifiques (type de problème musical abordé, technologies utilisées, œuvres abordant le même type de problématique) et générales (biographique, historique, technique).\u003C/li>\r\n\u003C/ol>\r\n\r\n\u003Cp>Les analyses seront également mises en relation avec :\u003C/p>\r\n\r\n\u003Cul>\r\n\t\u003Cli>Brahms : une base de données encyclopédique en ligne de compositeurs de musique contemporaine de toutes les nationalités dont les œuvres ont été créées après 1945. Cette base contient actuellement environ 600 références. Pour chaque compositeur, il y a une partie biographique accompagnée des sources d’information, et une autre partie qui situe l’orientation esthétique, les phases principales et le contexte historique de l’œuvre.\u003C/li>\r\n\t\u003Cli>Images d’une œuvre : une collection des interviews filmés des compositeurs.\u003C/li>\r\n\t\u003Cli>Sidney : une base de données qui contient les éléments techniques (programmes informatiques, sons etc. ) nécessaires pour l’exécution de l’œuvre.\u003C/li>\r\n\u003C/ul>\r\n\r\n\u003Cp>A plus long terme, les analyses des nouvelles œuvres créés à l’Ircam viendront se rajouter au corpus donné dans l’annexe citée ci-dessus.\u003C/p>",{"data":24},{"personBySlug":25},{"firstName":26,"lastName":27,"privateState":28,"biographyDate":11,"resume":29,"resumeEn":30,"resources":31,"catalogueSource":32,"manualUpdateDate":33,"documents":11,"photo":34,"copyrights":36,"slug":37,"hasArticles":38,"type":39,"hasWorks":38,"works":40,"hasBiography":38,"hasWorkcourse":38,"hasAnalyses":38,"hasBooks":671,"hasMonographs":671,"hasPartitions":671,"hasFloraAudios":671,"hasAudios":38,"hasVideos":38},"Pierre","Boulez","valid","Compositeur et chef d'orchestre français né le 26 mars 1925 à Montbrison, Loire, mort le 5 janvier 2016 à Baden-Baden, Allemagne.","French composer and conductor born 26 March 1925 in Montbrison (Loire); died 5 January 2016 in Baden-Baden, Germany.","\u003Ch4 id=\"liens-internet\">Liens Internet\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>« \u003Ca href=\"https://metaclassique.com/321a-repondre/\">Répondre\u003C/a> » et « \u003Ca href=\"https://metaclassique.com/321b-confronter/\">Confronter\u003C/a> », émissions #321a et #321b de \u003Cem>Métaclassique\u003C/em> par David Christoffel, 26 mars 2025.\u003C/li>\u003Cli>Site internet officiel du \u003Ca href=\"https://pierreboulez.org/\">centenaire de Pierre Boulez\u003C/a>.\u003C/li>\u003C/ul>\n\u003Cp>\u003Cem>(liens vérifiés en avril 2025).\u003C/em>\u003C/p>\n\u003Ch4 id=\"-crits-et-entretiens-de-boulez\">Écrits et entretiens de Boulez\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>Pierre BOULEZ, \u003Cem>Penser la musique aujourd’hui\u003C/em>, Mainz-Paris, Schott-Éditions Denoël-Gonthier, 1964 ; éd. orig., \u003Cem>Musikdenken heute\u003C/em> 1, \u003Cem>Darmstädter Beiträge zur Neuen Musik\u003C/em>, n° 5, 1963.\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>Relevés d’apprenti\u003C/em>, Paule Thévenin (éd.), Paris, Éditions du Seuil, 1966.\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>Par volonté et par hasard\u003C/em>. \u003Cem>Entretiens avec Célestin Deliège\u003C/em>, Paris, éditions du Seuil, 1975.\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>Points de repère\u003C/em>, Jean-Jacques Nattiez (éd.), Paris, Christian Bourgois/éditions du Seuil, 1981 ; 2\u003Csup>e\u003C/sup> éd., 1985.\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>Orientations\u003C/em>, Jean-Jacques Nattiez (éd.), Londres, Faber, 1986.\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>Jalons (pour une décennie)\u003C/em>, Jean-Jacques Nattiez (éd.), Paris, Christian Bourgois éditeur, 1989 ; éd. augmentée, Boulez 2005b.\u003C/li>\u003Cli>Pierre BOULEZ et John CAGE, \u003Cem>Correspondance et documents\u003C/em>, Jean-Jacques Nattiez (éd.), Winterthur, Amadeus, 1989 ; nouvelle éd., Robert Piencikowski (éd.), Mayence, Schott, 2002.\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>Points de repère. I. Imaginer\u003C/em>, Jean-Jacques Nattiez et Sophie Galaise (éd.), Paris, Christian Bourgois éditeur, 1995.\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>L'écriture du geste : entretiens avec Cécile Gilly sur la direction d’orchestre\u003C/em>, Paris, Christian Bourgois éditeur, 2002.\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>Regards sur autrui, Points de repères II\u003C/em>, J.-J. Nattiez and S. Galaise (éd.), Paris, Christian Bourgois éditeur, 2005.\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>Leçons de musique : Points de repères III\u003C/em>, Jean-Jacques Nattiez (éd.) ; préfaces de Jean-Jacques Nattiez, Michel Foucault et Jonathan Goldman, Paris, Christian Bourgois éditeur, 2005.\u003C/li>\u003Cli>Pierre BOULEZ, Bruno SERROU, \u003Cem>Entretiens : 1983-2013\u003C/em>, Château-Gontier, éditions Aedam Musicae, coll. « Musiques du XX\u003Csup>e\u003C/sup> siècle », 2017.\u003C/li>\u003Cli>François MEÏMOUN, \u003Cem>Entretien avec Pierre Boulez - La naissance d'un compositeur\u003C/em>, Château-Gontier, éditions Aedam Musicae, coll. « Musiques du XX\u003Csup>e\u003C/sup> siècle », 2010.\u003C/li>\u003Cli>Rocco DI PIETRO, \u003Cem>Dialogues with Boulez\u003C/em>, Lanham, Scarecrow Press, 2001.\u003C/li>\u003Cli>Véronique PUCHALA, \u003Cem>Pierre Boulez. À voix nue\u003C/em>, entretiens, Symétrie, 2008.\u003C/li>\u003Cli>Jean VERMEIL, \u003Cem>Conversations de Pierre Boulez sur la direction d’orchestre\u003C/em>, Paris, Plume, 1989.\u003C/li>\u003C/ul>\n\u003Ch4 id=\"-crits-sur-boulez\">Écrits sur Boulez\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>Jesus AGUILA, \u003Cem>Le Domaine musical : Pierre Boulez et vingt ans de création contemporaine\u003C/em>, Paris, Fayard, 1992.\u003C/li>\u003Cli>Philippe ALBÈRA (éd.), \u003Cem>Pli selon pli de Pierre Boulez. Entretien et études\u003C/em>, éditions Contrechamps, Genève, 2003.\u003C/li>\u003Cli>Gerald BENNETT, «The early works», in Glock (éd.), 1986, op. cit., p. 41-84.\u003C/li>\u003Cli>Damien BONNEC, \u003Cem>Pierre Boulez et Stéphane Mallarmé : essai d'une herméneutique comparée\u003C/em>, thèse à l'Université Rennes 2, 2019.\u003C/li>\u003Cli>Georgina BORN, \u003Cem>Rationalizing Culture: IRCAM, Boulez and the Institutionalization of the Musical Avant-Garde\u003C/em>, Berkeley, University of California Press, 1995.\u003C/li>\u003Cli>Mary BREATNACH, \u003Cem>Boulez and Mallarmé: a Study in Poetic Influence\u003C/em>, Aldershot-Brookfield, Scolar Press-Ashgate, 1996.\u003C/li>\u003Cli>Edward CAMPBELL, \u003Cem>Boulez and Expression: A Deleuzoguattarian Approach\u003C/em>, diss. University of Edinburgh, 2000.\u003C/li>\u003Cli>Edward CAMPBELL, Peter O'Hagan (éds.), \u003Cem>Pierre Boulez Studies\u003C/em>, Cambridge, Cambridge University Press, 2016.\u003C/li>\u003Cli>Rosanna DALMONTE, \u003Cem>P. Boulez, S. Mallarmé: convergenze di poetica\u003C/em>, V. Di Stefano (éd.), Bologna, Cooperativa Libraria Universitaria, 1978.\u003C/li>\u003Cli>Pascal DECROUPET et Jean-Louis LELEU (éd.) \u003Cem>Pierre Boulez. Techniques d’écriture et enjeux esthétiques\u003C/em>, Geneva, Contrechamps, 2006.\u003C/li>\u003Cli>Barbara DOBRETSBERGER, \u003Cem>Première und Deuxième Sonate von Pierre Boulez. Phänomene strukturalistischen Denkens\u003C/em>, Frankfurt, Peter Lang, 2005.\u003C/li>\u003Cli>Laurent DOUSSON, \u003Cem>Une manière de penser et de sentir : Essai sur Pierre Boulez. Suivi d'un entretien avec Pierre Boulez\u003C/em>, Rennes, Presses universitaires de Rennes, 2017.\u003C/li>\u003Cli>Jorge FERNÁNDEZ GUERRA, \u003Cem>Pierre Boulez\u003C/em>, Madrid, Circulo de Bellas Artes, 1985.\u003C/li>\u003Cli>Wolfgang FINK (éd.), \u003Cem>Boulez 2000, London Symphony Orchestra\u003C/em>, Cologne, Wienand Verlag, 2000.\u003C/li>\u003Cli>Sophie GALAISE, \u003Cem>Les écrits et la carrière de Pierre Boulez : catalogue et chronologie\u003C/em>, thèse à l’Université de Montréal, 2001.\u003C/li>\u003Cli>Alain GALLIARI (sous la direction de), \u003Cem>Catalogue de l'œuvre de Pierre Boulez\u003C/em>, Paris : Cité de la musique-Philharmonie de Paris, coll. « Écrits de compositeurs », 2025.\u003C/li>\u003Cli>William GLOCK (éd.), \u003Cem>Pierre Boulez. A Symposium\u003C/em>, Londres, Eulenburg Books, 1986.\u003C/li>\u003Cli>Jonathan GOLDMAN, \u003Cem>Analyzing Pierre Boulez: notes on Anthèmes, for solo violin. Creating a Labyrinth out of another Labyrinth\u003C/em>, diss. Université de Montréal, 1999.\u003C/li>\u003Cli>Jonathan GOLDMAN, \u003Cem>Exploding/Fixed: Form as Opposition in the Writings and Later Works of Pierre Boulez\u003C/em>, thèse à l’Université de Montréal, 2006.\u003C/li>\u003Cli>Jonathan GOLDMAN, Jean-Jacques NATTIEZ, François NICOLAS, \u003Cem>La pensée de Pierre Boulez à travers ses écrits\u003C/em>, éd. Delatour, Paris, 2010.\u003C/li>\u003Cli>Martin GRABOW, \u003Cem>Erfindung - Recycling - Neukomposition : Untersuchungen zur inneren Verflochtenheit des Lebenswerks von Pierre Boulez am Beispiel der 'notations'\u003C/em>, Hildesheim, Georg Olms Verlag, 2016.\u003C/li>\u003Cli>Paul GRIFFITHS, \u003Cem>Boulez, Oxford Studies of Composers\u003C/em>, vol. XVI, London, Oxford University Press, 1978.\u003C/li>\u003Cli>Erling E. GULDBRANDSEN, \u003Cem>Tradisjon og tradisjonsbrudd. En studie i Pierre Boulez: Pli selon pli - portrait de Mallarmé\u003C/em>, diss. University of Oslo, 1995 ; réédité, Acta Humaniora 23, Universitetsforlaget, 1997.\u003C/li>\u003Cli>Josef HÄUSLER (éd.), \u003Cem>Pierre Boulez: eine Festschrift zum 60. Geburtstag am 26. März 1985\u003C/em>, Vienna, Universal Editions, 1985.\u003C/li>\u003Cli>Theo HIRSBRUNNER, \u003Cem>Pierre Boulez und sein Werk\u003C/em>, Laaber, Laaber Verlag, 1985.\u003C/li>\u003Cli>Dominique JAMEUX, \u003Cem>Boulez\u003C/em>, Paris, Fayard, 1985.\u003C/li>\u003Cli>Lev KOBLYAKOV, \u003Cem>Pierre Boulez: a World of Harmony\u003C/em>. New York, Harwood Academic Publishers, 1990.\u003C/li>\u003Cli>György LIGETI, «Pierre Boulez. Entscheidung und Automatik in der \u003Cem>Structure Ia\u003C/em>», \u003Cem>Die Reihe\u003C/em>, n° 4, 1958, p. 38-63, 1957 ; trad. angl., « Pierre Boulez. Decision and automatism in \u003Cem>Structure Ia\u003C/em> », \u003Cem>Die Reihe\u003C/em>, n° 4, 1959, p. 36-62.\u003C/li>\u003Cli>François MEÏMOUN, \u003Cem>La construction du langage musical de Pierre Boulez : "la Première Sonate" pour piano\u003C/em>, Château-Gontier, Editions AEDAM Musicae, 2019.\u003C/li>\u003Cli>Christian MERLIN, \u003Cem>Pierre Boulez\u003C/em>, Paris, fayard, 2019.\u003C/li>\u003Cli>Olivier MESTON, \u003Cem>Éclat de Pierre Boulez\u003C/em>, Paris, Michel de Maule, 2001.\u003C/li>\u003Cli>Heinz-Klaus METZGER et Rainer RIEHN (éd.), « \u003Cem>Pierre Boulez\u003C/em> »\u003Cem>, Musik-Konzepte\u003C/em>, n° 89-90, Munich, Text + Kritik, 1995.\u003C/li>\u003Cli>Heinz-Klaus METZGER et Rainer RIEHN (éd.), «\u003Cem>Pierre Boulez II\u003C/em>»\u003Cem>, Musik-Konzepte\u003C/em>, n° 96, Munich, Text + Kritik, 1997.\u003C/li>\u003Cli>Jean-Jacques NATTIEZ, «\u003Cem>Répons\u003C/em> et la crise de la ‘communication’ musicale contemporaine », in \u003Cem>InHarmoniques\u003C/em>, n° 2, 1987, p. 193-210 ; révisé sous titre « Boulez à l’âge postmoderne : le temps de \u003Cem>Répons\u003C/em> », in Id., \u003Cem>Le Combat de Chronos et d’Orphée: essais\u003C/em>, Paris, Christian Bourgois éditeur, 1993, p. 159-214.\u003C/li>\u003Cli>Peter O’HAGAN, \u003Cem>Sur Incises de Pierre Boulez\u003C/em>, Genève, Contrechamps, 2021.\u003C/li>\u003Cli>Joan PEYSER, \u003Cem>Boulez: Composer, Conductor, Enigma\u003C/em>, New York, Schirmer Books, 1976.\u003C/li>\u003Cli>Joan PEYSER, \u003Cem>To Boulez and Beyond: Music in Europe Since the Rite of Spring\u003C/em>, New York, Billboard Books, 1999.\u003C/li>\u003Cli>Robert PIENCIKOWSKI, « \u003Cem>Assez lent, suspendu, comme imprévisible\u003C/em> : quelques aperçus sur les travaux d’approche d’\u003Cem>Eclat\u003C/em>», \u003Cem>Genesis\u003C/em>, n° 4, 1993, p. 51-67.\u003C/li>\u003Cli>\u003Cem>Répons-Boulez\u003C/em>, Actes Sud-Papiers, Paris, 1988.\u003C/li>\u003Cli>Claude SAMUEL (éd.), \u003Cem>Éclats-Boulez\u003C/em>, Paris, Éditions du Centre Pompidou, 1986 ; nouvelle éd., \u003Cem>Boulez-Eclats\u003C/em> 2002, Paris, Mémoire du Livre, 2002.\u003C/li>\u003Cli>Jacques SCHERER, \u003Cem>Le « Livre » de Mallarmé: premières recherches sur des documents inédits\u003C/em>, Paris, Gallimard, 1957 ; éd. augmentée, 1978.\u003C/li>\u003Cli>Ulrich SIEGELE, \u003Cem>Zwei Kommentare zum Marteau sans Maître von Pierre Boulez\u003C/em>, Neuhausen-Stuttgart, Hänssler Verlag, 1979.\u003C/li>\u003Cli>Peter F. STACEY, \u003Cem>Boulez and the Modern Concept\u003C/em>, Lincoln, University of Nebraska Press-Aldershot, Scholar Press, 1987.\u003C/li>\u003Cli>Manfred STAHNKE, \u003Cem>Struktur und Ästhetik bei Boulez. Untersuchungen zum Formanten ‘Trope’ der dritten Klaviersonate\u003C/em>, Hamburg, Hamburger Beitrage zur Musikwissens-chaft-Karl Dieter Wagner, 1979.\u003C/li>\u003Cli>Nicholas TOOTH, \u003Cem>Pierre Boulez\u003C/em>, Troisième Sonate pour piano, Melbourne, University of Melbourne Press, 1983.\u003C/li>\u003C/ul>\n\u003Ch4 id=\"discographie-s-lective\">Discographie sélective\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>Pierre BOULEZ, \u003Cem>Livre pour quatuor\u003C/em>, Quatuor Diotima, 1 CD PentaTone, 2025, PTC5187360.\u003C/li>\u003Cli>Pierre BOULEZ, « Composer Conductor Enigma », 4 CD Él/Cherry Red, 2022, ACME362CDX.\u003C/li>\u003Cli>Pierre BOULEZ, « The Conductor: Complete Recordings On Deutsche Grammophon And Decca », 84 CD & 4 Blu-ray Deutsche Grammophon, 2022, 486 0915.\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>Le Marteau sans Maître\u003C/em>, dans « Boulez / Manoury. Le Marteau sans Maître - B-Partita », Ensemble Orchestral Contemporain, direction : Daniel Kawka, 1 Cd Col Legno, 2019, WWE 1CD 20447.\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>Notation I, Notation\u003C/em> \u003Cem>II, Notation III, Notation IV\u003C/em>, dans « Sinfonia / Notations I-IV / La Valse », 1 cd Seattle Symphony Media, 2018, SSM1018.\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>Dérive 2\u003C/em> ; \u003Cem>Dialogue de l'ombre double\u003C/em> ; \u003Cem>Mémoriale\u003C/em> ; \u003Cem>Le Marteau sans Maître\u003C/em> ; \u003Cem>Anthèmes 2\u003C/em> ; \u003Cem>Messagesquisse\u003C/em>, West-Eastern Divan Orchestra, Daniel Barenboim : direction, dans « Hommage à Boulez », 1 cd Deutsche Grammophon, 2017.\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>Dérive 1, Troisième Sonate, Fragment d'une Ébauche\u003C/em>, Prague Modern, direction : Pascal Gallois, dans « Arnold Schoenberg / Pierre Boulez », 1 cd Stradivarius, 2017, STR 37088.\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>Anthems I\u003C/em>, violon : Irvine Arditti, dans « Caprices », 1 cd Aeon, 2017, AECD 1755.\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>Mémoriale\u003C/em> ; \u003Cem>Dérive 1\u003C/em> ; \u003Cem>Dérive 2\u003C/em>, Ensemble Orchestral Contemporain, direction : Daniel Kawka, 1 cd Naïve, 2012.\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>Le marteau sans maître\u003C/em> ; \u003Cem>Dérive 1\u003C/em> et \u003Cem>2\u003C/em>, Ensemble intercontemporain, direction : Pierre Boulez, 1 cd Deutsche Grammophon, coll. 20-21, 2005.\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>The three piano sonatas\u003C/em>, Paavali Jumppanen, 1 cd Deutsche Grammophon, coll. 20-21, 2005.\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>Rituel in memoriam Maderna\u003C/em> ; \u003Cem>Notations I\u003C/em> ;\u003Cem>Notations\u003C/em> \u003Cem>VII\u003C/em> ;\u003Cem>Notations\u003C/em> \u003Cem>IV\u003C/em> ;\u003Cem>Notations\u003C/em> \u003Cem>III\u003C/em> ;\u003Cem>Notations\u003C/em> \u003Cem>II\u003C/em>, Orchestre national de Lyon, direction : David Robertson, 1 cd Naïve, 2003, MO 782163.\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>Pli selon pli\u003C/em>, Christine Schäfer, Ensemble intercontemporain, direction : Pierre Boulez, 1 cd Deutsche Grammophon, coll. 20-21, 2002.\u003C/li>\u003Cli>Pierre BOULEZ, « …explosante-fixe… » :* \u003Cem>Douze notations\u003C/em> ; \u003Cem>Structures pour deux pianos\u003C/em> ; \u003Cem>…explosante-fixe…\u003C/em>, Pierre-Laurent Aimard : piano, Laurent Boffard, Sophie Cherrier, Emmanuelle Ophèle, Pierre-André Valade, Andrew Gerzso, Ensemble intercontemporain, direction : Pierre Boulez, 1 cd Deutsche Grammophon, coll. 20-21, 2005 (réédition de Deutsche Grammophon, 1995).\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>Sur Incises\u003C/em> ; \u003Cem>Messagesquisse\u003C/em> ; \u003Cem>Anthème 2\u003C/em>, Jean-Guihen Queyras, Hae-Sun Kang, Pierre Boulez, 1 cd Deutsche Grammophon, coll. 20-21, 2000 (réédition en 2007).\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>Structures pour deux pianos\u003C/em>, premier et deuxième livre, Alfons et Aloys Kontarsky : piano, 1 cd Wergo, 1992, WER 6011-2.\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>Sonatine pour flûte et piano\u003C/em> ; \u003Cem>Sonate pour piano n° 1\u003C/em> ; \u003Cem>Dérive-Mémoriale\u003C/em> ; \u003Cem>Dialogue de l'ombre double\u003C/em> ; \u003Cem>cummings ist der Dichter\u003C/em>, Pierre-Laurent Aimard, Sophie Cherrier, Alain Damiens, BBC Singers, Ensemble intercontemporain, direction : Pierre Boulez, 1 cd Apex, 2003 (réédition du cd 2292-45648-2, 1991).\u003C/li>\u003Cli>Pierre BOULEZ,I. \u003Cem>Rituel in Memoriam Maderna\u003C/em> ; II. \u003Cem>Eclat /\u003C/em> \u003Cem>Multiples\u003C/em>, BBC Symphony Orchestra (I), Ensemble intercontemporain (II), direction : Pierre Boulez, 1 cd Sony, 1990, SMK 45839.\u003C/li>\u003Cli>Pierre BOULEZ,\u003Cem>Rituel in Memoriam Maderna\u003C/em> ; \u003Cem>Messagesquisse\u003C/em> ; \u003Cem>Notations\u003C/em> (1, 4, 3, 2), Orchestre de Paris, direction : Daniel Barenboim, 1 cd Sony, 1990, SMK 45839.\u003C/li>\u003Cli>Pierre BOULEZ, I. \u003Cem>Pli Selon Pli\u003C/em> ; II. \u003Cem>Le Visage Nuptial\u003C/em> ; III. \u003Cem>Le Soleil Des Eaux\u003C/em> ; IV. \u003Cem>Figures\u003C/em>, Doubles, Prismes*, Phyllis Bryn-Julson, Elizabeth Laurence, BBC Singers, BBC Symphony Orchestra, direction : Pierre Boulez, 2 cd Apex, 2005 (réédition des II, III, IV du cd Erato 2292-45494-2, 1990).\u003C/li>\u003Cli>Pierre BOULEZ, I. \u003Cem>Le marteau sans maître\u003C/em> ;II. \u003Cem>Notations pour piano\u003C/em> ;III. \u003Cem>Structures pour deux pianos, livre II,\u003C/em> Elisabeth Laurence : mezzo-soprano, Ensemble intercontemporain, direction : Pierre Boulez (I), Pi-Hsien Chen (II, III), Bernhard Wambach (III), 1 cd CBS Records Masterworks, 1989, MK 42619.\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>Domaines\u003C/em>, Michel Portal, ensemble Musique Vivante, direction : Diego Masson, 1 cd Harmonia Mundi, coll. musique d'abord, 1988, HMA 195930.\u003C/li>\u003Cli>Pierre BOULEZ, I. \u003Cem>Le marteau sans maître\u003C/em> ;II. \u003Cem>Sonatine\u003C/em>, Olivier MESSIAEN, III. \u003Cem>Sept Haïkaï,\u003C/em> Jeanne Deroubaix : contralto, Severino Gazzelloni : flûte en sol, Georges Van Gucht : xylorimba, Claude Ricou : vibraphone, Jean Batigne : percussion, Anton Stingl : guitare, Serge Collot : alto (I), Jacques Castagner : flûte, Jacqueline Mefano : piano (II), Yvonne Loriod : piano, Les percussions de Strasbourg, Orchestre du Domaine musical, direction : Pierre Boulez, 1 cd Adès, n° 14.073-2.\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>Trois sonates pour piano\u003C/em>, Claude Helffer : piano, 1 cd Astrée-Auvidis, 1986, E 7716.\u003C/li>\u003Cli>Pierre BOULEZ, \u003Cem>Première Sonate pour piano\u003C/em> ; \u003Cem>Deuxième Sonate pour piano\u003C/em> ; \u003Cem>Troisième Sonate pour piano\u003C/em>, Herbert Henck : piano, 1 cd Wergo, 1985, WER 60121-50.\u003C/li>\u003C/ul>\n","","2016-01-06T00:00:00.000Z",{"getUrl":35},"https://storage.ressources.ircam.fr/ressources/persons/photos/6846ec62-9e77-47d7-b1bf-1f06059e3628-thumbnail.jpg?response-cache-control=public%2C%20max-age%3D31536000%2C%20immutable&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=ressources%2F20250921%2Fus-east-1%2Fs3%2Faws4_request&X-Amz-Date=20250921T233516Z&X-Amz-Expires=604800&X-Amz-SignedHeaders=host&X-Amz-Signature=fdce3db793e7a6ea42de51fd44dd449259eb3554f37881047b70bd6360981efd","Philippe Gontier","pierre-boulez",true,"COMPOSER",[41,53,64,75,87,98,109,121,135,147,160,170,175,187,198,204,212,222,233,239,251,263,269,279,286,297,304,314,325,334,343,353,358,365,374,385,390,396,404,412,422,432,441,452,458,467,478,488,496,503,512,522,529,536,547,552,562,568,573,580,587,596,602,614,624,632,637,645,654,666],{"id":42,"slug":43,"title":44,"duration":45,"publishingStartDate":46,"publishingEndDate":46,"descriptionFr":47,"descriptionEn":48,"cardDescription":47,"style":49,"styleEn":50,"editor":51,"tags":52},"409ba154-e8a7-49fd-b928-9dbdb44d64a5","anthemes","Anthèmes",10,"1991-01-01T00:00:00.000Z","pour violon seul","for solo violin","Musique soliste (sauf voix) (Violon)","Solo (excluding voice) (Violin)","Universal Edition",[],{"id":54,"slug":55,"title":56,"duration":57,"publishingStartDate":58,"publishingEndDate":58,"descriptionFr":59,"descriptionEn":60,"cardDescription":59,"style":61,"styleEn":62,"editor":51,"tags":63},"28e43ce0-1e39-49c3-8ea6-4875d08cb02e","cummings-ist-der-dichter","cummings ist der dichter",13,"1970-01-01T00:00:00.000Z","pour seize voix solistes et ensemble","for sixteen solo voices and ensemble","Musique vocale et instrument(s) (Chœur(s) et ensemble de plus de 25 instruments)","Vocal music and instrument(s) (Choir(s) and ensemble of more than 25 instruments)",[],{"id":65,"slug":66,"title":67,"duration":68,"publishingStartDate":69,"publishingEndDate":69,"descriptionFr":70,"descriptionEn":71,"cardDescription":70,"style":72,"styleEn":73,"editor":51,"tags":74},"d87456d7-e51a-48de-83a7-b1f0cc8f4a4e","derive-1","Dérive 1",6,"1984-01-01T00:00:00.000Z","pour six instruments","for six instruments","Musique instrumentale d'ensemble (Ensemble instrumental mixte de 5 à 9 instruments)","Instrumental ensemble music (Mixed instrumental ensemble of 5 to 9 instruments)",[],{"id":76,"slug":77,"title":78,"duration":79,"publishingStartDate":80,"publishingEndDate":81,"descriptionFr":82,"descriptionEn":83,"cardDescription":82,"style":84,"styleEn":85,"editor":51,"tags":86},"ac06441d-17e6-4c86-beb3-a4c6b4c213ad","don","Don",15,"1960-01-01T00:00:00.000Z","1962-01-01T00:00:00.000Z","pour soprano et orchestre","for soprano and orchestra","Musique vocale et instrument(s) (1 voix de femme et orchestre)","Vocal music and instrument(s) (1 female voice and orchestra)",[],{"id":88,"slug":89,"title":90,"duration":91,"publishingStartDate":92,"publishingEndDate":58,"descriptionFr":93,"descriptionEn":94,"cardDescription":93,"style":95,"styleEn":96,"editor":51,"tags":97},"26ce2329-b9fe-4249-8f5a-2393efefe8b3","eclatmultiples","Éclat/Multiples",25,"1966-01-01T00:00:00.000Z","pour orchestre","for orchestra","Musique instrumentale d'ensemble (Orchestre de chambre type \"bois par 1\")","Instrumental ensemble music (Single wind orchestra)",[],{"id":99,"slug":100,"title":101,"duration":102,"publishingStartDate":103,"publishingEndDate":103,"descriptionFr":104,"descriptionEn":105,"cardDescription":104,"style":106,"styleEn":107,"editor":51,"tags":108},"d2d93b30-b16e-4e57-bd86-0c44041c6857","improvisation-iii-sur-mallarme","Improvisation III sur Mallarmé",19,"1959-01-01T00:00:00.000Z","\u003Ci>À la nue accablante tu\u003C/i>, pour soprano et orchestre","\u003Ci>À la nue accablante tu\u003C/i>, for soprano and orchestra","Musique vocale et instrument(s) (1 voix de femme et orchestre de chambre bois par 1)","Vocal music and instrument(s) (1 female voice and single wind chamber orchestra)",[],{"id":110,"slug":111,"title":112,"duration":113,"publishingStartDate":114,"publishingEndDate":115,"descriptionFr":116,"descriptionEn":117,"cardDescription":116,"style":118,"styleEn":119,"editor":51,"tags":120},"f7785968-d7ef-4359-b5d9-26e4afd481be","incises","Incises",4,"1994-01-01T00:00:00.000Z","1995-01-01T00:00:00.000Z","pour piano","for piano","Musique soliste (sauf voix) (Piano solo)","Solo (excluding voice) (Solo piano)",[],{"id":122,"slug":123,"title":124,"duration":125,"publishingStartDate":126,"publishingEndDate":126,"descriptionFr":127,"descriptionEn":128,"cardDescription":127,"style":129,"styleEn":130,"editor":131,"tags":132},"245f3607-cb85-4c7c-8032-6174e8850496","la-symphonie-mecanique","La Symphonie mécanique",0,"1955-01-01T00:00:00.000Z","musique pour le film de Jean Mitry, pour bande magnétique","music for the film by Jean Mitry, for magnetic tape","Musique électronique / sur support / instruments mécaniques (Musique électronique / sur support / instruments mécaniques)","Electronic music / fixed media / mechanical musical instruments (Electronic music / fixed media / mechanical musical instruments)","Inédit",[133],{"label":134},"Électronique",{"id":136,"slug":137,"title":138,"duration":139,"publishingStartDate":140,"publishingEndDate":140,"descriptionFr":141,"descriptionEn":142,"cardDescription":141,"style":143,"styleEn":144,"editor":145,"tags":146},"e9e1f34c-6d2c-45a0-84c4-f96d5b08fc26","le-soleil-des-eaux","Le Soleil des eaux",9,"1947-01-01T00:00:00.000Z","pour soprano, chœur mixte et orchestre","for soprano, mixed choir and orchestra","Musique vocale et instrument(s) (1 voix de femme, chœur(s) et orchestre)","Vocal music and instrument(s) (1 female voice, choir(s) and orchestra)","Heugel",[],{"id":148,"slug":149,"title":150,"duration":151,"publishingStartDate":152,"publishingEndDate":152,"descriptionFr":153,"descriptionEn":154,"cardDescription":153,"style":155,"styleEn":156,"editor":157,"tags":158},"09a36e11-b6f5-4eb0-850d-985b67b04f92","poesie-pour-pouvoir","Poésie pour pouvoir",18,"1958-01-01T00:00:00.000Z","pour bande magnétique (récitant) et trois orchestres","for magnetic tape (narrator) and three orchestras","Musique instrumentale d'ensemble (Grand orchestre type \"bois par 3\" (ou plus))","Instrumental ensemble music (Triple wind orchestra (or larger))","partition retirée du catalogue",[159],{"label":134},{"id":161,"slug":162,"title":163,"duration":125,"publishingStartDate":164,"publishingEndDate":164,"descriptionFr":165,"descriptionEn":166,"cardDescription":165,"style":167,"styleEn":168,"editor":131,"tags":169},"aac68f2b-30c8-40a6-afe1-06e41d0a1eb0","strophes","Strophes","1957-01-01T00:00:00.000Z","pour flûte","for flute","Musique soliste (sauf voix) (Flûte)","Solo (excluding voice) (Flute)",[],{"id":171,"slug":172,"title":173,"duration":79,"publishingStartDate":103,"publishingEndDate":81,"descriptionFr":82,"descriptionEn":83,"cardDescription":82,"style":84,"styleEn":85,"editor":51,"tags":174},"7f4d0767-ce9c-473b-9eeb-c4de82c857f1","tombeau-1","Tombeau",[],{"id":176,"slug":177,"title":178,"duration":179,"publishingStartDate":180,"publishingEndDate":180,"descriptionFr":181,"descriptionEn":182,"cardDescription":181,"style":49,"styleEn":50,"editor":51,"tags":183},"0ad4d613-a018-4d49-bc73-027336601c73","anthemes-2","Anthèmes 2",21,"1997-01-01T00:00:00.000Z","pour violon et électronique","for violin and electronics",[184,185],{"label":134},{"label":186},"Ircam",{"id":188,"slug":189,"title":190,"duration":191,"publishingStartDate":192,"publishingEndDate":192,"descriptionFr":193,"descriptionEn":194,"cardDescription":193,"style":195,"styleEn":196,"editor":145,"tags":197},"b565ebb9-2cf4-4b56-bc30-7d9646930974","livre-pour-cordes","Livre pour cordes",11,"1968-01-01T00:00:00.000Z","version pour orchestre à cordes des sections I a et I b du \u003Ci>Livre pour quatuor\u003C/i>","version for string orchestra of sections I a and I b of the \u003Ci>Livre pour quatuor\u003C/i>","Musique instrumentale d'ensemble (Orchestre à cordes)","Instrumental ensemble music (String orchestra)",[],{"id":199,"slug":200,"title":201,"duration":139,"publishingStartDate":202,"publishingEndDate":202,"descriptionFr":93,"descriptionEn":94,"cardDescription":93,"style":155,"styleEn":156,"editor":51,"tags":203},"79ddec5b-6975-46f0-a30d-f4d7368079ed","notations-vii","Notations VII","1998-01-01T00:00:00.000Z",[],{"id":205,"slug":206,"title":207,"duration":113,"publishingStartDate":208,"publishingEndDate":208,"descriptionFr":209,"descriptionEn":210,"cardDescription":209,"style":72,"styleEn":73,"editor":51,"tags":211},"ea27151c-731d-4ec3-aef9-c325c5f1a5c4","pour-le-dr.-kalmus","Pour le Dr. Kalmus","1969-01-01T00:00:00.000Z","pour flûte, clarinette, alto, violoncelle et piano","for flute, clarinet, viola, cello and piano",[],{"id":213,"slug":214,"title":215,"duration":216,"publishingStartDate":217,"publishingEndDate":218,"descriptionFr":219,"descriptionEn":220,"cardDescription":219,"style":155,"styleEn":156,"editor":51,"tags":221},"b7df241b-fa7e-4221-b5dc-4b42f15a4fba","rituel-in-memoriam-bruno-maderna","Rituel in memoriam Bruno Maderna",27,"1974-01-01T00:00:00.000Z","1975-01-01T00:00:00.000Z","pour orchestre en huit groupes","for orchestra in eight groups",[],{"id":223,"slug":224,"title":225,"duration":226,"publishingStartDate":227,"publishingEndDate":227,"descriptionFr":228,"descriptionEn":229,"cardDescription":228,"style":230,"styleEn":231,"editor":51,"tags":232},"f7768b0e-b710-4dd0-8b46-dffc6ebcfa3e","structures-pour-deux-pianos-1","Structures pour deux pianos",12,"1952-01-01T00:00:00.000Z","premier livre","first book","Musique de chambre (Duo de pianos)","Chamber music (Piano duo)",[],{"id":234,"slug":235,"title":236,"duration":237,"publishingStartDate":126,"publishingEndDate":164,"descriptionFr":32,"descriptionEn":32,"cardDescription":32,"style":118,"styleEn":119,"editor":51,"tags":238},"651937c5-c95f-42f4-af86-c6478d9fc54c","troisieme-sonate-pour-piano","Troisième sonate pour piano",20,[],{"id":240,"slug":241,"title":242,"duration":243,"publishingStartDate":244,"publishingEndDate":245,"descriptionFr":246,"descriptionEn":247,"cardDescription":246,"style":248,"styleEn":249,"editor":51,"tags":250},"33695790-7e5e-47d7-9800-f8f6adcaccb0","derive-2","Dérive 2",45,"1988-01-01T00:00:00.000Z","2006-01-01T00:00:00.000Z","pour onze instruments","for eleven instruments","Musique instrumentale d'ensemble (Ensemble instrumental mixte de 10 à 25 instruments)","Instrumental ensemble music (Mixed instrumental ensemble of 10 to 25 instruments)",[],{"id":252,"slug":253,"title":254,"duration":237,"publishingStartDate":255,"publishingEndDate":255,"descriptionFr":256,"descriptionEn":257,"cardDescription":256,"style":258,"styleEn":259,"editor":51,"tags":260},"f9febd8f-a6d8-4573-ae52-038bd1cd7e76","dialogue-de-l'ombre-double-1","Dialogue de l'ombre double","1985-01-01T00:00:00.000Z","version originale pour clarinette et bande","original version for clarinet and tape","Musique soliste (sauf voix) (Clarinette)","Solo (excluding voice) (Clarinet)",[261,262],{"label":134},{"label":186},{"id":264,"slug":265,"title":266,"duration":45,"publishingStartDate":267,"publishingEndDate":267,"descriptionFr":116,"descriptionEn":117,"cardDescription":116,"style":118,"styleEn":119,"editor":51,"tags":268},"127828a4-f012-4a20-8467-cc0acce57a0d","douze-notations","Douze notations","1945-01-01T00:00:00.000Z",[],{"id":270,"slug":271,"title":272,"duration":273,"publishingStartDate":274,"publishingEndDate":274,"descriptionFr":275,"descriptionEn":276,"cardDescription":275,"style":72,"styleEn":73,"editor":157,"tags":277},"11f21b9d-a7e4-47f6-98fd-867f0428a817","...explosante-fixe...-1","...explosante-fixe...",35,"1972-01-01T00:00:00.000Z","version 1972, pour ensemble et électronique \u003Ci>live\u003C/i>","1972 version, for ensemble and live electronics",[278],{"label":134},{"id":280,"slug":281,"title":282,"duration":68,"publishingStartDate":164,"publishingEndDate":81,"descriptionFr":283,"descriptionEn":284,"cardDescription":283,"style":106,"styleEn":107,"editor":51,"tags":285},"fe5f3984-458a-458f-a824-b42dbebbf012","improvisation-i-sur-mallarme","Improvisation I sur Mallarmé","\u003Ci>Le vierge, le vivace et le bel aujourd'hui\u003C/i>, pour soprano et orchestre, dite « grande version »","\u003Ci>Le vierge, le vivace et le bel aujourd'hui\u003C/i>, for soprano and orchestra, called \"large version\"",[],{"id":287,"slug":288,"title":289,"duration":290,"publishingStartDate":291,"publishingEndDate":291,"descriptionFr":292,"descriptionEn":293,"cardDescription":292,"style":294,"styleEn":295,"editor":131,"tags":296},"d635c9c8-42c1-4c02-adff-150017dd0dc3","initiale","Initiale",2,"1987-01-01T00:00:00.000Z","fanfare pour sept instruments à vent","fanfare for seven wind instruments","Musique de chambre (Sextuor et plus à vent)","Chamber music (Winds, 6 or more musicians)",[],{"id":298,"slug":299,"title":300,"duration":125,"publishingStartDate":164,"publishingEndDate":164,"descriptionFr":301,"descriptionEn":302,"cardDescription":301,"style":129,"styleEn":130,"editor":131,"tags":303},"4d727c85-339c-4400-9c4c-4c79ea38f143","le-crepuscule-de-yang-kouei-fei","Le Crépuscule de Yang Koueï-Fei","musique pour la pièce radiophonique de Louise Fauré","music for the radio play by Louise Fauré",[],{"id":305,"slug":306,"title":307,"duration":11,"publishingStartDate":308,"publishingEndDate":308,"descriptionFr":309,"descriptionEn":310,"cardDescription":309,"style":311,"styleEn":312,"editor":131,"tags":313},"35a74975-5ea7-45eb-b099-06a5dfede882","le-visage-nuptial","Le Visage nuptial","1946-01-01T00:00:00.000Z","première version, pour soprano, contralto, deux ondes Martenot, piano et percussion","first version, for soprano, contralto, two ondes Martenot, piano and percussion","Musique vocale et instrument(s) (2 voix solistes, chœur(s) et orchestre)","Vocal music and instrument(s) (2 solo voices, choir(s) and orchestra)",[],{"id":315,"slug":316,"title":317,"duration":102,"publishingStartDate":318,"publishingEndDate":319,"descriptionFr":320,"descriptionEn":321,"cardDescription":320,"style":322,"styleEn":323,"editor":145,"tags":324},"fcf91376-08b6-4ff9-a651-dfcc96c26e02","livre-pour-quatuor","Livre pour quatuor","1948-01-01T00:00:00.000Z","1949-01-01T00:00:00.000Z","pour quatuor à cordes","for string quartet","Musique de chambre (2 violons, alto, violoncelle)","Chamber music (2 violins, viola, cello)",[],{"id":326,"slug":327,"title":328,"duration":329,"publishingStartDate":330,"publishingEndDate":330,"descriptionFr":331,"descriptionEn":332,"cardDescription":331,"style":155,"styleEn":156,"editor":51,"tags":333},"407bc854-b92f-4733-8d64-778250822735","notations-i-iv","Notations I-IV",8,"1980-01-01T00:00:00.000Z","pour grand orchestre","for large orchestra",[],{"id":335,"slug":336,"title":337,"duration":125,"publishingStartDate":227,"publishingEndDate":227,"descriptionFr":338,"descriptionEn":339,"cardDescription":338,"style":340,"styleEn":341,"editor":131,"tags":342},"2992bdb0-ed1d-466f-9f95-9f0abbf8bf64","oubli-signal-lapide","Oubli signal lapidé","pour douze voix","for twelve voices","Musique vocale a cappella (Chœur mixte a cappella)","A cappella vocal music (Mixed choir a cappella)",[],{"id":344,"slug":345,"title":346,"duration":347,"publishingStartDate":348,"publishingEndDate":349,"descriptionFr":350,"descriptionEn":351,"cardDescription":350,"style":248,"styleEn":249,"editor":157,"tags":352},"a9ce4da0-76ff-4655-a784-545d4bdc1059","polyphonie-x","Polyphonie X",16,"1950-01-01T00:00:00.000Z","1951-01-01T00:00:00.000Z","pour dix-huit instruments","for eighteen instruments",[],{"id":354,"slug":355,"title":356,"duration":139,"publishingStartDate":308,"publishingEndDate":308,"descriptionFr":116,"descriptionEn":117,"cardDescription":116,"style":118,"styleEn":119,"editor":51,"tags":357},"8558daf8-dc28-4ebc-8e28-c6951b3348f2","premiere-sonate","Première sonate",[],{"id":359,"slug":360,"title":361,"duration":125,"publishingStartDate":318,"publishingEndDate":318,"descriptionFr":362,"descriptionEn":363,"cardDescription":362,"style":230,"styleEn":231,"editor":157,"tags":364},"b36bbb43-2403-4871-bd10-d31f23ee23ae","sonate-pour-deux-pianos","Sonate pour deux pianos","révision du \u003Ci>Quatuor pour quatre ondes Martenot\u003C/i>","revision of the \u003Ci>Quatuor pour quatre Ondes Martenot\u003C/i>",[],{"id":366,"slug":367,"title":225,"duration":368,"publishingStartDate":369,"publishingEndDate":370,"descriptionFr":371,"descriptionEn":372,"cardDescription":371,"style":230,"styleEn":231,"editor":51,"tags":373},"20a350d9-8171-4483-9e29-b12b3bd65d11","structures-pour-deux-pianos",23,"1956-01-01T00:00:00.000Z","1961-01-01T00:00:00.000Z","deuxième livre","second book",[],{"id":375,"slug":376,"title":377,"duration":378,"publishingStartDate":379,"publishingEndDate":202,"descriptionFr":380,"descriptionEn":381,"cardDescription":380,"style":382,"styleEn":383,"editor":51,"tags":384},"c9f516a6-9c2e-42ee-b369-b09bc82d775e","sur-incises","sur Incises",37,"1996-01-01T00:00:00.000Z","pour trois pianos, trois harpes et trois percussions","for three pianos, three harps and three percussions","Musique instrumentale d'ensemble (Autre ensemble instrumental mixte atypique de 5 à 9 instuments)","Instrumental ensemble music (Other non-standard mixed instrumental ensemble, 5 to 9 musicians)",[],{"id":386,"slug":387,"title":388,"duration":125,"publishingStartDate":267,"publishingEndDate":267,"descriptionFr":116,"descriptionEn":117,"cardDescription":116,"style":118,"styleEn":119,"editor":157,"tags":389},"1811b1ce-153f-43ac-8c13-68af1cd16a16","trois-psalmodies","Trois Psalmodies",[],{"id":391,"slug":392,"title":393,"duration":394,"publishingStartDate":208,"publishingEndDate":208,"descriptionFr":32,"descriptionEn":32,"cardDescription":32,"style":340,"styleEn":341,"editor":51,"tags":395},"ddf30686-e543-424c-8930-22cabc96e832","uber-das-uber-ein-verschwinden","Über das, über ein verschwinden",5,[],{"id":397,"slug":398,"title":399,"duration":57,"publishingStartDate":58,"publishingEndDate":400,"descriptionFr":401,"descriptionEn":402,"cardDescription":401,"style":32,"styleEn":32,"editor":51,"tags":403},"743f3013-4b5f-42e4-bb80-c0513ebf6a5e","cummings-ist-der-dichter...","Cummings ist der Dichter...","1986-01-01T00:00:00.000Z","Version 1986","1986 version",[],{"id":405,"slug":406,"title":407,"duration":113,"publishingStartDate":349,"publishingEndDate":227,"descriptionFr":408,"descriptionEn":409,"cardDescription":408,"style":129,"styleEn":130,"editor":131,"tags":410},"c00f66a4-9af3-4e4d-8c43-6336bd4bef45","deux-etudes-de-musique-concrete","Deux études de musique concrète","pour bande magnétique","for magnetic tape",[411],{"label":134},{"id":413,"slug":414,"title":254,"duration":151,"publishingStartDate":255,"publishingEndDate":115,"descriptionFr":415,"descriptionEn":416,"cardDescription":415,"style":417,"styleEn":418,"editor":51,"tags":419},"7b65bcd4-cb2c-463e-bfd6-7d5afa78eed8","dialogue-de-l'ombre-double","version pour basson et électronique","version for bassoon and electronics","Musique soliste (sauf voix) (Basson)","Solo (excluding voice) (Bassoon)",[420,421],{"label":134},{"label":186},{"id":423,"slug":424,"title":425,"duration":426,"publishingStartDate":370,"publishingEndDate":192,"descriptionFr":427,"descriptionEn":428,"cardDescription":427,"style":429,"styleEn":430,"editor":51,"tags":431},"4f68b448-9f11-43b8-8a2b-855ced4ec1db","domaines","Domaines",30,"pour clarinette soliste et vingt et un instruments","for solo clarinet and twenty-one instruments","Musique concertante (Clarinette et ensemble de 10 à 25 instruments)","Concertant music (Clarinet and ensemble of 10 to 25 instruments)",[],{"id":433,"slug":434,"title":435,"duration":329,"publishingStartDate":436,"publishingEndDate":437,"descriptionFr":438,"descriptionEn":439,"cardDescription":438,"style":248,"styleEn":249,"editor":51,"tags":440},"30cbdd57-7f16-41b0-9fa7-262bfabc13cf","eclat","Éclat","1964-01-01T00:00:00.000Z","1965-01-01T00:00:00.000Z","pour quinze instruments","for fifteen instruments",[],{"id":442,"slug":272,"title":272,"duration":443,"publishingStartDate":46,"publishingEndDate":444,"descriptionFr":445,"descriptionEn":446,"cardDescription":445,"style":447,"styleEn":448,"editor":51,"tags":449},"defe281d-4dd7-47ec-94ff-94194571077f",36,"1993-01-01T00:00:00.000Z","pour flûte, deux flûtes solistes, ensemble et électronique","for flute, two solo flutes, ensemble and electronics","Musique concertante (3 solistes et ensemble/orchestre)","Concertant music (3 soloists and ensemble/orchestra)",[450,451],{"label":134},{"label":186},{"id":453,"slug":454,"title":455,"duration":237,"publishingStartDate":456,"publishingEndDate":436,"descriptionFr":331,"descriptionEn":332,"cardDescription":331,"style":155,"styleEn":156,"editor":131,"tags":457},"0a9c94e9-ef24-4819-a639-e3d89d783320","figures-doubles-prismes","Figures-Doubles-Prismes","1963-01-01T00:00:00.000Z",[],{"id":459,"slug":460,"title":461,"duration":226,"publishingStartDate":164,"publishingEndDate":164,"descriptionFr":462,"descriptionEn":463,"cardDescription":462,"style":464,"styleEn":465,"editor":51,"tags":466},"b7bea4d3-16d3-47c2-9555-8d38a272c712","improvisation-ii-sur-mallarme","Improvisation II sur Mallarmé","\u003Ci>Une dentelle s'abolit\u003C/i>, pour soprano et neuf instruments","\u003Ci>Une dentelle s'abolit\u003C/i>, for soprano and nine instruments","Musique vocale et instrument(s) (1 voix soliste et ensemble jusqu'à 9 instruments)","Vocal music and instrument(s) (Solo voice and ensemble of up to 9 instruments)",[],{"id":468,"slug":469,"title":470,"duration":125,"publishingStartDate":126,"publishingEndDate":126,"descriptionFr":471,"descriptionEn":472,"cardDescription":471,"style":473,"styleEn":474,"editor":131,"tags":475},"4226df26-aa86-4cbd-915a-16085c6a2fc5","l'orestie","L'Orestie","musique de scène pour la Trilogie d'Eschyle, pour voix et ensemble instrumental","stage music for Aeschylus' Trilogy, for voice and instrumental ensemble","Musique vocale et instrument(s) (Voix et/ou chœur(s) et ensemble)","Vocal music and instrument(s) (Voice(s) and/or choir(s) and ensemble)",[476],{"label":477},"Scénique",{"id":479,"slug":480,"title":481,"duration":482,"publishingStartDate":255,"publishingEndDate":255,"descriptionFr":483,"descriptionEn":484,"cardDescription":483,"style":485,"styleEn":486,"editor":51,"tags":487},"4588b7aa-3e23-4af0-beea-5bc36748e437","memoriale","Mémoriale",7,"\u003Ci>...Explosante-Fixe... Originel\u003C/i>, pour flûte solo et huit instrumentistes","\u003Ci>... Explosante-Fixe ... Originel\u003C/i>, for solo flute and eight instrumentalists","Musique concertante (Flûte et petit ensemble jusqu'à 9 instruments)","Concertant music (Flute and small ensemble up to 9 instruments)",[],{"id":489,"slug":490,"title":491,"duration":492,"publishingStartDate":164,"publishingEndDate":81,"descriptionFr":493,"descriptionEn":494,"cardDescription":493,"style":84,"styleEn":85,"editor":51,"tags":495},"b1b2126d-cd79-4492-99e4-7bc2e4bd5263","pli-selon-pli","Pli selon pli",67,"portrait de Mallarmé pour soprano et orchestre","portrait de Mallarmé for soprano and orchestra",[],{"id":497,"slug":498,"title":499,"duration":125,"publishingStartDate":267,"publishingEndDate":308,"descriptionFr":32,"descriptionEn":32,"cardDescription":32,"style":500,"styleEn":501,"editor":157,"tags":502},"696e366a-777b-43b0-8bb0-becb264867ea","quatuor-pour-quatre-ondes-martenot","Quatuor pour quatre ondes Martenot","Musique de chambre (Quatuor de claviers)","Chamber music (Keyboard quartet)",[],{"id":504,"slug":505,"title":506,"duration":226,"publishingStartDate":308,"publishingEndDate":308,"descriptionFr":507,"descriptionEn":508,"cardDescription":507,"style":509,"styleEn":510,"editor":51,"tags":511},"62060ced-2aaa-4825-a80c-3e27b8fefbf0","sonatine-1","Sonatine","pour flûte et piano","for flute and piano","Musique de chambre (Flûte et clavier)","Chamber music (Flute and keyboard)",[],{"id":513,"slug":514,"title":515,"duration":125,"publishingStartDate":140,"publishingEndDate":140,"descriptionFr":516,"descriptionEn":517,"cardDescription":516,"style":518,"styleEn":519,"editor":520,"tags":521},"100267f3-0b4e-44bb-bc71-d32d28230fd2","symphonie-concertante","Symphonie concertante","pour piano et orchestre.","for piano and orchestra.","Musique concertante (Piano et orchestre)","Concertant music (Piano and orchestra)","Inédit, manuscrit perdu",[],{"id":523,"slug":524,"title":525,"duration":125,"publishingStartDate":267,"publishingEndDate":267,"descriptionFr":32,"descriptionEn":32,"cardDescription":32,"style":526,"styleEn":527,"editor":157,"tags":528},"7c5089d1-154c-496d-9b6d-0d81dbd4b911","variations-pour-piano-main-gauche","Variations pour piano main gauche","Musique soliste (sauf voix) (Piano à une main seule)","Solo (excluding voice) (One hand piano)",[],{"id":530,"slug":531,"title":532,"duration":68,"publishingStartDate":164,"publishingEndDate":164,"descriptionFr":533,"descriptionEn":534,"cardDescription":533,"style":464,"styleEn":465,"editor":51,"tags":535},"8dd28dc5-3307-438d-bca7-7e4fa6ccf7c7","improvisation-i-sur-mallarme-1","Improvisation I sur Mallarmé ","\u003Ci>Le vierge, le vivace et le bel aujourd'hui\u003C/i>, version pour soprano et sept instrumentistes","\u003Ci>Le vierge, le vivace et le bel aujourd'hui\u003C/i>, version for soprano and seven instrumentalists",[],{"id":537,"slug":538,"title":539,"duration":482,"publishingStartDate":444,"publishingEndDate":444,"descriptionFr":540,"descriptionEn":541,"cardDescription":540,"style":542,"styleEn":543,"editor":51,"tags":544},"e6f1a931-bbfc-4721-8b2b-ac036de01d99","originel","Originel","version orchestre de \u003Ci>Mémoriale (...explosante-fixe...)\u003C/i>, pour flûte MIDI, ensemble et électronique","orchestral version of \u003Ci>Mémoriale (... explosante-fixes ...)\u003C/i>, for MIDI flute, ensemble and electronics","Musique concertante (Flûte et ensemble de 10 à 25 instruments)","Concertant music (Flute and ensemble of 10 to 25 instruments)",[545,546],{"label":134},{"label":186},{"id":548,"slug":549,"title":550,"duration":125,"publishingStartDate":69,"publishingEndDate":11,"descriptionFr":331,"descriptionEn":332,"cardDescription":331,"style":155,"styleEn":156,"editor":131,"tags":551},"05cb5a48-5c18-4c57-afe1-a6714f05dd2d","notations-v-xii","Notations V - XII",[],{"id":553,"slug":554,"title":555,"duration":125,"publishingStartDate":217,"publishingEndDate":217,"descriptionFr":556,"descriptionEn":557,"cardDescription":556,"style":558,"styleEn":559,"editor":131,"tags":560},"3e211bf6-0395-45fe-b9b4-20ec4044ad61","ainsi-parla-zarathoustra","Ainsi parla Zarathoustra","musique de scène pour voix et ensemble instrumental","stage music for voice and instrumental ensemble","Musique vocale et instrument(s) (1 voix soliste et orchestre de chambre)","Vocal music and instrument(s) (Solo voice and chamber orchestra)",[561],{"label":477},{"id":563,"slug":564,"title":425,"duration":125,"publishingStartDate":370,"publishingEndDate":192,"descriptionFr":565,"descriptionEn":566,"cardDescription":565,"style":258,"styleEn":259,"editor":51,"tags":567},"4ef51c69-26dc-466e-8502-7c35870f3e77","domaines-1","pour clarinette seule","for solo clarinet",[],{"id":569,"slug":570,"title":571,"duration":11,"publishingStartDate":164,"publishingEndDate":164,"descriptionFr":93,"descriptionEn":94,"cardDescription":93,"style":155,"styleEn":156,"editor":131,"tags":572},"58497405-3152-4d18-a982-12dd8052dab2","doubles-1","Doubles",[],{"id":574,"slug":575,"title":307,"duration":426,"publishingStartDate":255,"publishingEndDate":576,"descriptionFr":577,"descriptionEn":578,"cardDescription":577,"style":311,"styleEn":312,"editor":145,"tags":579},"cd60772c-a24f-463f-9293-47ff8cebe391","le-visage-nuptial-1994-01-01","1989-01-01T00:00:00.000Z","version définitive, pour soprano, mezzo-soprano, chœur et orchestre","final version, for soprano, mezzo-soprano, choir and orchestra",[],{"id":581,"slug":582,"title":307,"duration":583,"publishingStartDate":349,"publishingEndDate":349,"descriptionFr":584,"descriptionEn":585,"cardDescription":584,"style":311,"styleEn":312,"editor":145,"tags":586},"9ca79388-6546-4187-b249-08a34c90254f","le-visage-nuptial-1",22,"deuxième version, pour soprano, contralto, chœur de femmes et orchestre","second version, for soprano, contralto, women's choir and orchestra",[],{"id":588,"slug":589,"title":590,"duration":11,"publishingStartDate":81,"publishingEndDate":436,"descriptionFr":591,"descriptionEn":592,"cardDescription":591,"style":593,"styleEn":594,"editor":131,"tags":595},"1dab3e18-c733-496f-bed4-5190b3d9baf4","marges","Marges","pour ensemble de percussion (esquisses)","for percussion ensemble (sketches)","Musique instrumentale d'ensemble (Ensemble de percussions)","Instrumental ensemble music (Percussion ensemble)",[],{"id":597,"slug":598,"title":599,"duration":226,"publishingStartDate":600,"publishingEndDate":600,"descriptionFr":116,"descriptionEn":117,"cardDescription":116,"style":118,"styleEn":119,"editor":51,"tags":601},"8725bfc2-6f93-4ded-be73-a1603101124b","une-page-d'ephemeride","Une page d'éphéméride","2005-01-01T00:00:00.000Z",[],{"id":603,"slug":604,"title":178,"duration":605,"publishingStartDate":606,"publishingEndDate":606,"descriptionFr":607,"descriptionEn":608,"cardDescription":607,"style":609,"styleEn":610,"editor":51,"tags":611},"c59878a8-cd2e-48ea-b89b-25780e2e13ee","anthemes-2-1",24,"2008-01-01T00:00:00.000Z","version pour alto et électronique \u003Ci>live\u003C/i>","version for viola and live electronics","Musique soliste (sauf voix) (Alto)","Solo (excluding voice) (Viola)",[612,613],{"label":134},{"label":186},{"id":615,"slug":616,"title":617,"duration":11,"publishingStartDate":618,"publishingEndDate":618,"descriptionFr":619,"descriptionEn":620,"cardDescription":619,"style":621,"styleEn":622,"editor":51,"tags":623},"836ebdcf-bb1b-4a66-8ffd-cd211f365966","messagesquisse-2000-01-01","Messagesquisse","2000-01-01T00:00:00.000Z","version pour alto solo et six altos","version for solo viola and six violas","Musique concertante (Alto et petit ensemble jusqu'à 9 instruments)","Concertant music (Viola and small ensemble up to 9 instruments)",[],{"id":625,"slug":626,"title":617,"duration":329,"publishingStartDate":627,"publishingEndDate":627,"descriptionFr":628,"descriptionEn":629,"cardDescription":628,"style":609,"styleEn":610,"editor":51,"tags":630},"7e74fe95-834a-4f75-b347-9692bfcf13a0","messagesquisse-1","2016-01-01T00:00:00.000Z","version pour alto et bande","version for viola and tape",[631],{"label":134},{"id":633,"slug":634,"title":635,"duration":426,"publishingStartDate":291,"publishingEndDate":291,"descriptionFr":116,"descriptionEn":117,"cardDescription":116,"style":118,"styleEn":119,"editor":51,"tags":636},"d03ff97f-fb20-4f96-a0ae-ace517a7b6eb","fragment-d'une-ebauche","Fragment d'une ébauche",[],{"id":638,"slug":639,"title":640,"duration":273,"publishingStartDate":641,"publishingEndDate":641,"descriptionFr":642,"descriptionEn":643,"cardDescription":642,"style":464,"styleEn":465,"editor":51,"tags":644},"a02e07be-7c31-4686-a78b-bb056aba4b8a","le-marteau-sans-maitre","Le Marteau sans maître","1954-01-01T00:00:00.000Z","pour voix d'alto et six instruments","for contralto voice and six instruments",[],{"id":646,"slug":647,"title":617,"duration":482,"publishingStartDate":648,"publishingEndDate":648,"descriptionFr":649,"descriptionEn":650,"cardDescription":649,"style":651,"styleEn":652,"editor":51,"tags":653},"101096cd-50ec-4bd8-a119-bc05d5b3f34e","messagesquisse","1976-01-01T00:00:00.000Z","pour violoncelle solo et six violoncelles, sur le nom de Paul Sacher","for solo cello and six cellos, named after Paul Sacher","Musique concertante (Violoncelle et petit ensemble jusqu'à 9 instruments)","Concertant music (Cello and small ensemble up to 9 instruments)",[],{"id":655,"slug":656,"title":657,"duration":243,"publishingStartDate":658,"publishingEndDate":69,"descriptionFr":659,"descriptionEn":660,"cardDescription":659,"style":661,"styleEn":662,"editor":51,"tags":663},"aae54c9c-3dd9-4a8e-a408-a962757b2181","repons-1","Répons","1981-01-01T00:00:00.000Z","pour six solistes, ensemble de chambre, sons électroniques et électronique en direct","for six soloists, chamber ensemble, electronic sounds and live electronics","Musique concertante (4 solistes ou plus et ensemble/orchestre)","Concertant music (4 or more soloists and ensemble/orchestra)",[664,665],{"label":134},{"label":186},{"id":667,"slug":668,"title":669,"duration":426,"publishingStartDate":140,"publishingEndDate":140,"descriptionFr":116,"descriptionEn":117,"cardDescription":116,"style":118,"styleEn":119,"editor":145,"tags":670},"83778762-b772-4909-8239-57bf10d68da8","deuxieme-sonate","Deuxième Sonate",[],false,["Reactive",673],{"$si18n:cached-locale-configs":674,"$si18n:resolved-locale":32,"$snuxt-seo-utils:routeRules":679,"$ssite-config":680},{"fr":675,"en":677},{"fallbacks":676,"cacheable":38},[],{"fallbacks":678,"cacheable":38},[],{"head":-1,"seoMeta":-1},{"_priority":681,"currentLocale":685,"defaultLocale":685,"description":686,"env":687,"name":688,"url":689},{"name":682,"env":683,"url":684,"description":682,"defaultLocale":684,"currentLocale":684},-3,-15,-2,"fr-FR","Ressources IRCAM est une plateforme de ressources musicales et sonores, développée par l'IRCAM, pour les artistes, les chercheurs et les passionnés de musique.","production","Ressources IRCAM","https://ressources.ircam.fr",["Set"],["ShallowReactive",692],{"/composer/pierre-boulez/works":-1,"flat pages":-1},"/fr/composer/pierre-boulez/worksbykind"]