\r\nLa première génération qui entre de plein droit dans la base est donc celle constituée par John Cage, Olivier Messiaen ou encore Elliott Carter.\r\n\u003C/p>\r\n\r\n\u003Ch3>Contenus\u003C/h3>\r\n\r\n\u003Cp style=\"text-align: justify;\">\r\nLes données sont progressivement mises à jour depuis juillet 2007, en remplacement de celles de l’ancienne version de la base, développée entre 1996 et 2001 par Marc Texier. L’information peut donc être incomplète pour certains compositeurs non encore traités : dans ce cas l’indication « ! Informations antérieures à 2002 » apparaît en haut de page. Pour tous les autres documents, la date de dernière mise à jour est indiquée en haut de page.\r\n\u003C/p>\r\n\r\n\u003Ch3>Mises à jour et nouvelles entrées\u003C/h3>\r\n\r\n\r\n\u003Cp style=\"text-align: justify;\">Les mises à jour se font compositeur par compositeur. Pour un compositeur donné, sont systématiquement revus ou créés les documents suivants :\r\n\u003C/p>\r\n\u003Cul style=\"text-align: justify;\">\r\n \u003Cli>la biographie\u003C/li>\r\n \u003Cli>le catalogue exhaustif de ses œuvres (y compris, si possible, les œuvres disparues, retirées ou posthumes)\u003C/li>\r\n \u003Cli>une liste de ressources bibliographiques, discographiques et internet,\u003C/li>\r\n \u003Cli>des éventuels documents attachés (Parcours de l’œuvre, interviews, analyses, notes de programme etc.)\u003C/li>\r\n\u003C/ul>\r\n\u003Cp style=\"text-align: justify;\">\r\nLa définition des priorités de mises à jour et nouvelles entrées des compositeurs s’opèrent suivant une méthodologie basée sur l’observation de la vie culturelle européenne :\r\n\u003C/p>\r\n\u003Cul style=\"text-align: justify;\">\r\n \u003Cli>Avant chaque saison, nous relevons les programmations à venir des principaux festivals, institutions et ensembles musicaux européens investis dans le domaine de la création musicale. Cette observation s’opère par cercles concentriques en partant de l’activité propre de l’Ircam (année n-2), puis de celle des partenaires privilégiés (année n-1) jusqu’aux grandes institutions et festivals européens de création (année n) ;\u003C/li>\r\n \u003Cli>Chaque compositeur est crédité de points en fonction de l’importance et de l’intensité de l’activité musicale le concernant. Ce classement permet de définir les priorités pour chaque trimestre ;\u003C/li>\r\n \u003Cli>Si un compositeur n’a pas obtenu assez de points pour figurer dans les priorités, il cumule ceux-ci sur le trimestre suivant ; et ainsi remonte progressivement dans la liste des priorités.\u003C/li>\r\n \u003Cli>Une fois mis à jour, les documents attachés à un compositeur sont valables trois ans, après lesquels le processus décrit ci-dessus reprend.\u003C/li>\r\n\u003C/ul>\t\r\n\r\n\u003Ch3>Erreurs ou omissions\u003C/h3>\t\r\n\t\t\t\t\r\n\u003Cp style=\"text-align: justify;\">\r\nSi la mise à jour est déjà effectuée (date postérieure à juin 2007) : nous invitons les musicologues, les compositeurs (ou leur éditeur) à nous signaler toute erreur ou omission importante. Elle sera corrigée, dans la mesure du possible, au cours du trimestre suivant. De même, nous les invitons à nous faire connaître leurs œuvres nouvelles, en mentionnant tous les éléments nécessaires à la création d’une fiche œuvre nouvelle.\r\n\u003C/p>\r\n\u003Cp style=\"text-align: justify;\">\t\t\r\nSi la mise à jour n’est pas encore effectuée (indication : « mise à jour à venir ») : Les compositeurs peuvent nous signaler des erreurs ou omissions importantes. Ces indications seront prises en compte au moment de la mise à jour à venir. Un compositeur peut également demander le retrait de sa biographie dans l’attente de la mise à jour.\r\n\u003C/p>\r\n\u003Cp style=\"text-align: justify;\">\r\nPour cela : \u003Ca href=\"mailto:brahms-contenu[at]ircam[dot]fr\">écrire\u003C/a> à l’administrateur de publication\r\n\u003C/p>\r\n",{"id":14,"url":15,"titleFr":16,"titleEn":11,"contentFr":17,"contentEn":11},"a3cd05aa-3447-487a-b4fc-213ba0f77e6b","/copyrights/","Mention Légale","La reproduction de contenus de ce site Web, en tout ou partie, est formellement interdite sans la permission écrite de l'Ircam. Les textes, images, logos, codes sources sont la propriété de l'Ircam, ou de détenteurs avec lesquels l'Ircam a négocié les droits de reproduction à sa seule fin d'utilisation dans le cadre du site Brahms. Tout contrevenant s'expose à des poursuites judiciaires. ",{"id":19,"url":20,"titleFr":21,"titleEn":11,"contentFr":22,"contentEn":11},"9162642e-ea99-48c3-8d3b-2dc2a3f8ba45","/repertoire/about/","Projet Répertoire Ircam","\u003Cp>Le Projet Répertoire Ircam est une collection d’analyses musicales en ligne d’environ 70 œuvres crées à l’Ircam et considérées comme représentatives de la culture de l’institut tant sur le plan artistique que technologique.\u003C/p>\r\n\r\n\u003Cp>Ce projet a débuté en 2006-2008 avec la création d’outils auteurs mises en œuvre par le département Interfaces Recherche/Création en collaboration avec le secteur recherche de l’institut. Les premières analyses ont été mises en ligne fin 2010 et il est prévu que la collection s’élargisse à un rythme de deux ou trois nouvelles analyse par an.\u003C/p>\r\n\r\n\u003Cp>Plusieurs objectifs sont poursuivis par ce projet :\u003C/p>\r\n\r\n\u003Cul>\r\n\t\u003Cli>faire connaître les œuvres produites à l’Ircam à un public plus large,\u003C/li>\r\n\t\u003Cli>montrer la relation entre l’idée musicale et les technologies utilisés,\u003C/li>\r\n\t\u003Cli>identifier les nouveaux éléments du vocabulaire musical qui émergent à travers ces œuvres,\u003C/li>\r\n\t\u003Cli>offrir un support d’information aux interprètes.\u003C/li>\r\n\u003C/ul>\r\n\r\n\u003Cp>Chaque analyse est structurée en trois parties :\u003C/p>\r\n\r\n\u003Col>\r\n\t\u003Cli>description générale de l’œuvre,\u003C/li>\r\n\t\u003Cli>analyse des extraits de l’œuvre avec mise en relation de l’idée musicale et de l’écriture électronique,\u003C/li>\r\n\t\u003Cli>la liste de ressources spécifiques (type de problème musical abordé, technologies utilisées, œuvres abordant le même type de problématique) et générales (biographique, historique, technique).\u003C/li>\r\n\u003C/ol>\r\n\r\n\u003Cp>Les analyses seront également mises en relation avec :\u003C/p>\r\n\r\n\u003Cul>\r\n\t\u003Cli>Brahms : une base de données encyclopédique en ligne de compositeurs de musique contemporaine de toutes les nationalités dont les œuvres ont été créées après 1945. Cette base contient actuellement environ 600 références. Pour chaque compositeur, il y a une partie biographique accompagnée des sources d’information, et une autre partie qui situe l’orientation esthétique, les phases principales et le contexte historique de l’œuvre.\u003C/li>\r\n\t\u003Cli>Images d’une œuvre : une collection des interviews filmés des compositeurs.\u003C/li>\r\n\t\u003Cli>Sidney : une base de données qui contient les éléments techniques (programmes informatiques, sons etc. ) nécessaires pour l’exécution de l’œuvre.\u003C/li>\r\n\u003C/ul>\r\n\r\n\u003Cp>A plus long terme, les analyses des nouvelles œuvres créés à l’Ircam viendront se rajouter au corpus donné dans l’annexe citée ci-dessus.\u003C/p>",{"data":24},{"personBySlug":25},{"firstName":26,"lastName":27,"privateState":28,"biographyDate":29,"resume":30,"resumeEn":31,"resources":32,"catalogueSource":33,"manualUpdateDate":34,"documents":11,"photo":35,"copyrights":37,"slug":38,"hasArticles":39,"type":40,"hasWorks":41,"works":42,"hasBiography":41,"hasWorkcourse":41,"hasAnalyses":39,"hasBooks":39,"hasMonographs":39,"hasPartitions":39,"hasFloraAudios":39,"hasAudios":41,"hasVideos":39},"Hans","Zender","valid","2014-05-06T00:00:00.000Z","Compositeur et chef d'orchestre allemand né le 22 novembre 1936 à Wiesbaden et mort le 23 octobre 2019 à Meersburg, Allemagne.","German composer and conductor born 22 November 1936 in Wiesbaden, died 23 October 2019 in Meersburg, Germany.","\u003Ch4 id=\"bibliographie\">Bibliographie\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>Nicholas COOK, Peter JOHNSON, Hans ZENDER, \u003Cem>Theory into practice: Composition, performance and the listening experience\u003C/em>, Leuven University Press, Collected writings of the Orpheus Intitute, 1999, 119 pages.\u003C/li>\u003Cli>Stefan DREES, « Des Widerspenstigen Zähmung – Hans Zenders Auseinandersetzung mit Hugo Ball in \u003Cem>Cabaret Voltaire\u003C/em> » (2001-2002), in Musik- Konzepte Sonderband XI/ 2013, pp. 23-46.\u003C/li>\u003Cli>Marik FROIDEFOND, Pierre MICHEL, Jörn Peter HIEKEL, \u003Cem>Unité-Pluralité, La musique de Hans Zender\u003C/em>, Actes du colloque de Strasbourg 2012, éditions Hermann, collection « GREAM », 2015.\u003C/li>\u003Cli>Franz GERHARDT, « Gegenstrebige Harmonik. Über Hans Zenders harmonisches Ordnungssystem », in Jörn Peter HIEKEL, Orientierungen. Wege im Pluralismus der Gegenwartsmusik (Veröffentlichungen des Instituts für Neue Musik und Musikerziehung, vol. 47), Mayence, Schott, 2007.\u003C/li>\u003Cli>Wilffried GRUHN, article « Hans Zender », in Komponisten der Gegenwart (KDG), 12\u003Csup>e \u003C/sup>édition, juillet 1997.\u003C/li>\u003Cli>Werner GRÜNZWEIG, Jörn Peter HIEKEL et Anouk JESCHKE, \u003Cem>Hans Zender – Vielstimmig in sich,Hofheim\u003C/em>, Wolke, 2008.\u003C/li>\u003Cli>Franziska THRON, \u003Cem>Aspekte des Musikdenkens Hans Zenders – Musiktheoretische und philosophische Hintergründe\u003C/em>, Saarbrücken, VDM Verlag Dr. Müller, 2008.\u003C/li>\u003Cli>Robert HASEGAWA, « \u003Cem>Gegenstrebige\u003C/em> \u003Cem>Harmonik\u003C/em> in the Music of Hans Zender », \u003Cem>Perspectives of new music\u003C/em>, 49 (hiver 2011) n°1, pp. 207-234.\u003C/li>\u003Cli>Håvard HENGE, « Musik als Gedicht-Kritik – Hans Zenders \u003Cem>Hölderlin\u003C/em> \u003Cem>lesen I\u003C/em> (1979) », in Musik- Konzepte Sonderband XI/ 2013, pp. 47-55.\u003C/li>\u003Cli>Jörn Peter HIEKEL, article « Hans Zender », in Musik in Geschichte und Gegenwart (MGG), vol. 17 (Vin-Z), p. 1430-1432.\u003C/li>\u003Cli>Jörn Peter HIEKEL, « Einfachheit, Erstaunen und Widersprüchlichkeit. Tendenzen kultureller Entgrenzung in der Musik von Hans Zender », in Christian UTZ, \u003Cem>Musik\u003C/em> \u003Cem>und Globalisierung.\u003C/em> \u003Cem>Zwischen kultureller Homogenisierung und kultureller Differenz\u003C/em>, Saarbrücken, Pfau Verlag, 2007, p. 79-94.\u003C/li>\u003Cli>Pierre MICHEL, « Analyse einiger früher Werke Hans Zenders der Jahre zwischen 1963 und 1978 unter besonderer Berücksichtigung rhythmischer und formaler Fragen », in Musik-Konzepte Sonderband XI/ 2013, pp.56-69.\u003C/li>\u003Cli>Rainer NONNENMANN, « Pluralismus als Schicksal. Der Komponist, dirigent un musiktheoretiker Hans Zender und die Darmstädter Ferienkurse », in \u003Cem>MusikTexte\u003C/em> n°164, février 2020, p.55-61\u003C/li>\u003Cli>Rainer PETERS, « Eine klingende Archäologie des Bewusstseins. Hans Zenders Logos Fragmente decken die geistigen Grundlagen unserer Zivilisation auf », \u003Cem>Neue Zeitschrift für Musik\u003C/em>, n°174, 2013, pp. 44-49.\u003C/li>\u003Cli>Peter REVERS, « Hans Zender : \u003Cem>Furin\u003C/em> \u003Cem>No Kyô\u003C/em> », in Wolfgang GRATZER, \u003Cem>Nähe\u003C/em> \u003Cem>und Distanz. Nachgedachte Musik der Gegenwart\u003C/em>, Hofheim, Wolke, 1996, pp. 213-222.\u003C/li>\u003Cli>Dörte SCHMIDT, « Wegkarte für Orpheus? Historische und kulturelle Fremdheit in \u003Cem>Chief Joseph\u003C/em> von Hans Zender », in Jörn Peter HIEKEL, \u003Cem>Orientierungen. Wege im Pluralismus der Gegenwartsmusik\u003C/em>, (Veröffentlichungen des Instituts für Neue Musik und Musikerziehung Darmstadt, Band 47), Mayence, Schott 2007, pp. 151-160.\u003C/li>\u003Cli>Ulrich TADDAY, \u003Cem>Hans Zender\u003C/em>, Musik-Konzepte Sonderband*,* Munich, 2013.\u003C/li>\u003Cli>Volker WACKER, « Hans Zenders Oper \u003Cem>Stephen Clima*\u003Cem>x\u003C/em>\u003C/em>.*Betrachtungen und Aspekte », in \u003Cem>Musiktheater im 20. Jahrhundert\u003C/em>, « Hamburger Jahrbuch für Musikwissenschaft » (10), Hambourg, Laaber, 1988, pp. 239-258.\u003C/li>\u003Cli>Martin ZENCK, « Zahl, Zeit und Ziel – Hans Zender hört, spielt und liest für seine “Re-Composition” Beethovens \u003Cem>33 Veränderungen über einen Walzer von Anton Diabelli\u003C/em> », in Musik-Konzepte Sonderband XI/ 2013, pp.106-129.\u003C/li>\u003Cli>Hans ZENDER, \u003Cem>Wir steigen niemals in denselben Fluß\u003C/em>, ed.Herder, Freibur, 126 pages.\u003C/li>\u003Cli>Hans ZENDER, \u003Cem>Die Sinne denken\u003C/em>. \u003Cem>Texte zur Musik 1975-2003\u003C/em> (édité par J-P. Hiekel), Wiesbaden, Breitkopf & Härtel, 2004. (voir notamment : “Gegenstrebige Harmonik”)\u003C/li>\u003Cli>Hans ZENDER, \u003Cem>Vergleich der rhythmischen Entwicklung der neuen Musik mit dem rhythmischen Denken des 14./15. Jahrhunderts in besonderem Hinblick auf die Anwendung der Isorhythmie bei Fortner\u003C/em> ; Examensarbeit Musikhochschule Freiburg, 1955.\u003C/li>\u003Cli>Hans ZENDER, « Messiaen et l’esprit "haïku" », traduction française in « Hommage à Olivier Messiaen », Programme de la Cité de la Musique, 3-5 décembre 1998, pages 19 à 29, traduction française de Hélène Chen-Ménissier. L’original de 1992 est intitulé : « Messiaen und das Haiku-Denken », repris dans \u003Cem>Die Sinne denken\u003C/em>, pp. 47-52.\u003C/li>\u003Cli>Hans ZENDER, « Wegekarte für Orpheus ? Über nichtlineare Codes der Musik beim Abstieg in ihre Unterwelt », article de 1999 repris dans \u003Cem>Die Sinne denken\u003C/em>, p. 89-94.\u003C/li>\u003Cli>Hans ZENDER, « Gegenstrebige Harmonik », 2000/2002, in \u003Cem>Die Sinne denken\u003C/em>, pp. 95-135. \u003C/li>\u003Cli>Hans ZENDER, « Zu meinem Zyklus \u003Cem>Hölderlin lesen\u003C/em> », in Dorothea REDEPENNING/Joachim STEINHEUER, \u003Cem>Mnemosyne – Zeit und Gedächtnis in der Neuen Musik\u003C/em>, Saarbrücken, Pfau, 2006, pp. 26-40.\u003C/li>\u003Cli>Hans ZENDER, « Das Eigene und das Fremde - Gedanken zur meiner Oper \u003Cem>Chief\u003C/em> \u003Cem>Joseph\u003C/em>”, in Christian UTZ, \u003Cem>Musik und Globalisierung. Zwischen kultureller Homogenisierung und kultureller Differenz\u003C/em>, Saarbrücken, Pfau Verlag, 2007, pp. 95-102. Repris dans le recueil \u003Cem>Waches\u003C/em> \u003Cem>Hören\u003C/em>, voir ci-après.\u003C/li>\u003Cli>Hans ZENDER, « Was ist spirituelle Musik? »\u003Cem>,\u003C/em> \u003Cem>Sinnbildungen\u003C/em>\u003Cem>.\u003C/em> \u003Cem>Spiritualität in der Musik heute\u003C/em>, Jörn Peter Hiekel (éd.), Mayence, Veröffentlichungen des Instituts für Neue Musik und Musikerziehung Darmstadt, vol. 48, 2008.\u003C/li>\u003Cli>Hanz ZENDER, « Verschiedene Wege, über Wahrnehmung zu sprechen », in: \u003Cem>Hören & Denken. Neue Musik und Philosophie,\u003C/em> édité par Marion Demuth et Jörn Peter Hiekel, Mayence : Schott Music 2011, pp. 107-111.\u003C/li>\u003Cli>Hans ZENDER, « Zimmermann, l’alternative », in Pierre MICHEL, Heribert HENRICH et Philippe ALBÈRA, \u003Cem>Regards croisés sur Bernd Alois Zimmermann\u003C/em>, Actes du colloque de Strasbourg 2010, Genève, Contrechamps, 2012, pp. 15-20.\u003C/li>\u003Cli>Hans ZENDER, « Ein Heer von Gestalten – Hans Zender im Gespräch mit Johannes Picht », in Notice du CD Hans ZENDER \u003Cem>33 Veränderungen über 33 Veränderungen\u003C/em>, Ensemble Modern Medien/HR2 Kultur, EMCD –020, 2013.\u003C/li>\u003Cli>Hans ZENDER, \u003Cem>Waches\u003C/em> \u003Cem>Hören – Über Musik\u003C/em>, édité par Jörn Peter HIEKEL, Munich, Carl Hanser Verlag, 2014. Ce nouveau recueil comprend plusieurs textes récents parmi lesquels : « Musik verstehen », « Ausgehend von Hölderlin », « Logos-Fragmente », « Spirituelle Musik », « Musik-Sprache-Logos ».\u003C/li>\u003Cli>Hans ZENDER, \u003Cem>Essais sur la musique\u003C/em>, (édités par Pierre Michel et Philippe Albéra, traduits par Martin Kaltenecker et Maryse Staiber), Genève, Contrechamps, 2016.\u003C/li>\u003Cli>Numéro spécial de la revue “Neue Zeitschrift für Musik”, 6, November-Dezember 2011.\u003C/li>\u003Cli>\u003Cem>Vom\u003C/em> \u003Cem>Zusammenspiel des Denkens und der Töne.\u003C/em> \u003Cem>Zum\u003C/em> \u003Cem>Komponieren Hans Zenders\u003C/em>, in Neue Zeitschrift für Musik, H. 6/2011, pp. 20–23.\u003C/li>\u003Cli>« À propos de la musique de Hans Zender », in \u003Cem>Hans Zender\u003C/em>, Wiesbaden, Breitkopf & Härtel, 2012, traduction française : GB Consulting.\u003C/li>\u003Cli>\u003Cem>« Der logische Verstand ist unfähig, die Welt als Gesamtheit zu erfassen\u003C/em> \u003Cem>». Die Ausfaltung von Widersprüchlichkeiten in Hans Zenders Musiktheaterwerken,\u003C/em> in \u003Cem>Hans Zender,\u003C/em> \u003Cem>Munich,\u003C/em> Musik-Konzepte, 2013, pp. 70–91.\u003C/li>\u003C/ul>\n\u003Ch4 id=\"discographie\">Discographie\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>Hans ZENDER, Dialog mit Haydn / Issei no Kyo / Nanzen no Kyo, Bundesjungenorchester, Hans Zender (dir.), WDR Sinfonieorchester Koeln, Johannes Kalitzke (dir.), CD WERGO 73392, 2017.\u003C/li>\u003Cli>Hans ZENDER, \u003Cem>33 Veränderungen über 33 Veränderungen\u003C/em>, Ensemble Modern, Hans Zender (dir.), CD Ensemble Modern Medien 2013, EMCD–020.\u003C/li>\u003Cli>Hans ZENDER, \u003Cem>logos-fragmente (Canto IX)\u003C/em>, SWR Vokalensemble Stuttgart, SWR Sinfonieorchester Baden-Baden und Freiburg, Emilio Pomàrico (dir.), CD WERGO 67652, 2013.\u003C/li>\u003Cli>Hans ZENDER, \u003Cem>Cabaret Voltaire, Mnemosyne – Hölderlin lesen IV\u003C/em>, Klangforum Wien, Salome Kammer (voix), Hans Zender (dir.), CD Kairos 0012522, 2006.\u003C/li>\u003Cli>Hans ZENDER , \u003Cem>Shir\u003C/em> \u003Cem>Hasirim- Lied der Lieder (Canto VIII),\u003C/em> Sinfonieorchester Baden-Baden und Freiburg, SWR-Vokalensemble Stuttgart , Sylvain Cambreling (dir.), CD Kairos 0012612, 2006.\u003C/li>\u003Cli>Hans ZENDER, \u003Cem>Schubert-Chöre I-IV\u003C/em>, Chor, Bamberger Symphoniker, Jonathan Nott (dir.), CD Tudor 7131, 2004.\u003C/li>\u003Cli>Hans ZENDER, \u003Cem>Schuberts\u003C/em> \u003Cem>Winterreise\u003C/em>, Klangforum Wien, Christoph Prégardien (ténor), Sylvain Cambreling (dir.), CD Kairos 0012002, 2002.\u003C/li>\u003Cli>Hans ZENDER, \u003Cem>Music to hear, Litanei, Muji no kyō, Fūrin no kyō,\u003C/em> Klangforum Wien, Hans Zender (dir.), CD Kairos 0012262KAI, 2001.\u003C/li>\u003Cli>Hans ZENDER, \u003Cem>Lo-Shu II, II, II et VII\u003C/em>, musikFabrik, Helen Bledsoe (flûte), Hans Zender (dir.), CDD cpo 999 771-2, 2001.\u003C/li>\u003Cli>Hans ZENDER, \u003Cem>Hölderlin\u003C/em> \u003Cem>lesen I-III\u003C/em>, Arditti Sting Quartet, Salome Kammer (voix), CD Auvidis Montaigne, MO 782094, 1999.\u003C/li>\u003Cli>Hans ZENDER, \u003Cem>Schuberts\u003C/em>Winterreise, Ensemble Modern, Hans Peter Blochwitz (ténor), Hans Zender (dir.), CD RCA-Victor Red Seal, 1995.\u003C/li>\u003C/ul>\n\u003Ch4 id=\"liens-internet\">Liens Internet\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>Éditions Boosey & Hawkes, \u003Ca href=\"http://www.boosey.com/pages/cr/composer/composer_main.asp?composerid=2725\">http://www.boosey.com\u003C/a> \u003C/li>\u003Cli>Éditions Breitkopf & Härtel, \u003Ca href=\"https://www.breitkopf.com/composer/1104/hans-zender\">http://www.breitkopf.com\u003C/a> \u003C/li>\u003Cli>Universal Edition, \u003Ca href=\"http://www.universaledition.com/truman/en_templates/paste.php3?template=werk_list&komp_uid=797\">http://www.universaledition.com\u003C/a>\u003Ca href=\"http://www.universaledition.com/hans-zender-797\"> \u003C/a>\u003C/li>\u003Cli>UTV(atelier-concert Hans Zender autour du cycle Lo-Shu), Labex GREAM/Université de Strasbourg*,* \u003Ca href=\"http://utv.unistra.fr/video.php?id_video=434\">http://utv.unistra.fr/video.php?id_video=434\u003C/a>\u003C/li>\u003C/ul>\n\u003Cp>\u003Cem>(liens vérifiés en février 2020)\u003C/em>\u003C/p>\n","","2020-02-04T00:00:00.000Z",{"getUrl":36},"https://storage.ressources.ircam.fr/ressources/persons/photos/545ad569-e2e2-43eb-8f77-62473ba29745-thumbnail.jpg?response-cache-control=public%2C%20max-age%3D31536000%2C%20immutable&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=ressources%2F20251002%2Fus-east-1%2Fs3%2Faws4_request&X-Amz-Date=20251002T032436Z&X-Amz-Expires=604800&X-Amz-SignedHeaders=host&X-Amz-Signature=6f046eb33d8d8b03a4fa95090a34299d8e59054455ecf02b2e47311d60dddf60","Melisande Bernsee, B&H","hans-zender",false,"COMPOSER",true,[43,55,67,77,89,98,111,122,132,143,151,162,172,183,192,202,213,223,232,245,254,265,276,286,298,307,317,326,338,348,359,370,379,388,397,407,414,422,429,439,445,455,465,475,485,493,505,513,520,530,540,549,559,566,576,585,594,602,612,621,629,639,648,653,658,665,672,682,687,696,706,716,726,736,745,752],{"id":44,"slug":45,"title":46,"duration":47,"publishingStartDate":48,"publishingEndDate":48,"descriptionFr":49,"descriptionEn":50,"cardDescription":49,"style":51,"styleEn":52,"editor":53,"tags":54},"fb2a0ff9-03a0-45a5-9d8b-78ff270ff0be","die-wuste-hat-zwolf-ding'","Die Wüste hat zwölf Ding'",10,"1985-01-01T00:00:00.000Z","pour contralto et orchestre","for contralto and orchestra","Musique vocale et instrument(s) (1 voix de femme et orchestre de chambre bois par 1)","Vocal music and instrument(s) (1 female voice and single wind chamber orchestra)","Universal Edition",[],{"id":56,"slug":57,"title":58,"duration":59,"publishingStartDate":60,"publishingEndDate":60,"descriptionFr":61,"descriptionEn":62,"cardDescription":61,"style":63,"styleEn":64,"editor":65,"tags":66},"2fe3d830-fc61-4f9a-9be3-29af59e9cc0f","furin-no-kyo-1989-01-01","Fûrin No Kyô",18,"1989-01-01T00:00:00.000Z","pour soprano et ensemble","for soprano and ensemble","Musique vocale et instrument(s) (Voix soliste(s), instrument(s) soliste(s) et ensemble de 10 instruments minimum)","Vocal music and instrument(s) (Solo voice(s), solo instrument(s) and ensemble of 10 instruments or more)","Breitkopf & Härtel",[],{"id":68,"slug":69,"title":70,"duration":71,"publishingStartDate":72,"publishingEndDate":72,"descriptionFr":61,"descriptionEn":62,"cardDescription":61,"style":73,"styleEn":74,"editor":75,"tags":76},"a816ba49-7315-4af8-b5c7-cb8ee39adc90","les-sirenes-chantent-quand-la-raison-s'endort","Les Sirènes chantent quand la raison s'endort",6,"1966-01-01T00:00:00.000Z","Musique vocale et instrument(s) (1 voix soliste et ensemble jusqu'à 9 instruments)","Vocal music and instrument(s) (Solo voice and ensemble of up to 9 instruments)","Boosey & Hawkes",[],{"id":78,"slug":79,"title":80,"duration":81,"publishingStartDate":82,"publishingEndDate":82,"descriptionFr":83,"descriptionEn":84,"cardDescription":83,"style":85,"styleEn":86,"editor":87,"tags":88},"411534b5-9844-4680-a1a6-e8ce532bb1eb","lo-shu-ii","Lo Shu II",11,"1979-01-01T00:00:00.000Z","Mondschrift, pour flûte","Mondschrift, for flute","Musique soliste (sauf voix) (Flûte)","Solo (excluding voice) (Flute)","Bote & Bock",[],{"id":90,"slug":91,"title":92,"duration":93,"publishingStartDate":94,"publishingEndDate":94,"descriptionFr":95,"descriptionEn":96,"cardDescription":95,"style":73,"styleEn":74,"editor":87,"tags":97},"04642685-000f-46ca-b68e-bc747c017a42","kantate-nach-worten-von-meister-eckhart","Kantate nach Worten von Meister Eckhart",15,"1980-01-01T00:00:00.000Z","pour voix d'alto, flûte, violoncelle et clavecin","for contralto voice, flute, cello and harpsichord",[],{"id":99,"slug":100,"title":101,"duration":102,"publishingStartDate":103,"publishingEndDate":103,"descriptionFr":104,"descriptionEn":105,"cardDescription":104,"style":106,"styleEn":107,"editor":75,"tags":108},"347600b2-c737-46f6-bde3-cef8a99b83dd","canto-iii","Canto III",16,"1968-01-01T00:00:00.000Z","pour soprano, ténor, baryton, ensemble et électronique \u003Ci>live\u003C/i>","for soprano, tenor, baritone, ensemble and live electronics","Musique vocale et instrument(s) (2 voix solistes ou plus et ensemble jusqu'à 9 instruments)","Vocal music and instrument(s) (2 solo voices or more and ensemble of up to 9 instruments)",[109],{"label":110},"Électronique",{"id":112,"slug":113,"title":114,"duration":115,"publishingStartDate":116,"publishingEndDate":116,"descriptionFr":117,"descriptionEn":118,"cardDescription":117,"style":119,"styleEn":120,"editor":75,"tags":121},"4fe76fc1-e1b7-4642-a956-e638b44ce0a9","cinq-haiku-(lo-shu-iv)","Cinq Haïku (Lo-Shu IV)",14,"1982-01-01T00:00:00.000Z","pour flûte et orchestre à cordes","for flute and string orchestra","Musique concertante (Flûte et orchestre de chambre)","Concertant music (Flute and chamber orchestra)",[],{"id":123,"slug":124,"title":125,"duration":126,"publishingStartDate":72,"publishingEndDate":72,"descriptionFr":127,"descriptionEn":128,"cardDescription":127,"style":129,"styleEn":130,"editor":87,"tags":131},"d8474869-d80b-4b1e-b9a0-7ee2527f256e","trifolium","Trifolium",9,"pour flûte, violoncelle et piano","for flute, cello and piano","Musique de chambre (Trio à vent, clavier et cordes)","Chamber music (Wind, keyboard and string trio)",[],{"id":133,"slug":134,"title":135,"duration":136,"publishingStartDate":137,"publishingEndDate":137,"descriptionFr":138,"descriptionEn":139,"cardDescription":138,"style":140,"styleEn":141,"editor":75,"tags":142},"fca3212e-19c1-4bd2-a11f-3fb15f02ef49","zeitstrome","Zeitströme",17,"1974-01-01T00:00:00.000Z","pour orchestre","for orchestra","Musique instrumentale d'ensemble (Grand orchestre type \"bois par 3\" (ou plus))","Instrumental ensemble music (Triple wind orchestra (or larger))",[],{"id":144,"slug":145,"title":146,"duration":59,"publishingStartDate":147,"publishingEndDate":147,"descriptionFr":61,"descriptionEn":62,"cardDescription":61,"style":148,"styleEn":149,"editor":75,"tags":150},"0fddc612-80aa-44b8-91c6-6f8438f8d28e","vexilla-regis","Vexilla Regis","1964-01-01T00:00:00.000Z","Musique vocale et instrument(s) (1 voix soliste et ensemble de 10 à 25 instruments)","Vocal music and instrument(s) (Solo voice and ensemble of 10 to 25 instruments)",[],{"id":152,"slug":153,"title":154,"duration":71,"publishingStartDate":155,"publishingEndDate":155,"descriptionFr":156,"descriptionEn":157,"cardDescription":156,"style":158,"styleEn":159,"editor":75,"tags":160},"bacdd4f4-7970-4164-ab71-a8746e299118","bremen-wodu","Bremen Wodu","1967-01-01T00:00:00.000Z","pour sons électroniques","for electronic sounds","Musique électronique / sur support / instruments mécaniques (Musique électronique / sur support / instruments mécaniques)","Electronic music / fixed media / mechanical musical instruments (Electronic music / fixed media / mechanical musical instruments)",[161],{"label":110},{"id":163,"slug":164,"title":165,"duration":166,"publishingStartDate":155,"publishingEndDate":155,"descriptionFr":167,"descriptionEn":168,"cardDescription":167,"style":169,"styleEn":170,"editor":75,"tags":171},"35327cd9-ab30-48d4-9056-537fc33c960f","canto-ii","Canto II",12,"pour soprano, chœur et orchestre","for soprano, choir and orchestra","Musique vocale et instrument(s) (1 voix de femme, chœur(s) et orchestre)","Vocal music and instrument(s) (1 female voice, choir(s) and orchestra)",[],{"id":173,"slug":174,"title":175,"duration":176,"publishingStartDate":177,"publishingEndDate":177,"descriptionFr":178,"descriptionEn":179,"cardDescription":178,"style":180,"styleEn":181,"editor":65,"tags":182},"4001690c-bb2c-46c5-b9cf-f0fb65447e72","claude-debussy-:-cinq-preludes","Claude Debussy : Cinq Préludes",13,"1991-01-01T00:00:00.000Z","arrangement pour orchestre de chambre","arrangement for chamber orchestra","Musique instrumentale d'ensemble (Orchestre type \"bois par 2\")","Instrumental ensemble music (Double wind orchestra)",[],{"id":184,"slug":185,"title":186,"duration":187,"publishingStartDate":188,"publishingEndDate":188,"descriptionFr":189,"descriptionEn":190,"cardDescription":189,"style":158,"styleEn":159,"editor":75,"tags":191},"410330ca-e109-4084-9191-3fd97b8eceeb","elemente","Elemente",25,"1976-01-01T00:00:00.000Z","pour bande magnétique","for magnetic tape",[],{"id":193,"slug":194,"title":195,"duration":93,"publishingStartDate":196,"publishingEndDate":137,"descriptionFr":197,"descriptionEn":198,"cardDescription":197,"style":199,"styleEn":200,"editor":75,"tags":201},"ddcd3355-3c5c-4392-b2f6-f4d0cc59a155","canto-v","Canto V","1972-01-01T00:00:00.000Z","pour voix et percussion ad lib.","for voices and percussion ad lib.","Musique vocale a cappella (Chœur mixte a cappella)","A cappella vocal music (Mixed choir a cappella)",[],{"id":203,"slug":204,"title":205,"duration":187,"publishingStartDate":206,"publishingEndDate":206,"descriptionFr":207,"descriptionEn":208,"cardDescription":207,"style":209,"styleEn":210,"editor":65,"tags":211},"b29aa965-dc5e-4ef9-ba32-d8557d2745a0","holderlin-lesen-ii","Hölderlin Lesen II","1987-01-01T00:00:00.000Z","pour récitant, alto et électroacoustique","for narrator, viola and electroacoustics","Musique vocale et instrument(s) (Voix soliste(s) et cordes)","Vocal music and instrument(s) (Solo voice(s) and strings)",[212],{"label":110},{"id":214,"slug":215,"title":216,"duration":93,"publishingStartDate":217,"publishingEndDate":217,"descriptionFr":218,"descriptionEn":219,"cardDescription":218,"style":220,"styleEn":221,"editor":87,"tags":222},"dd5ece46-1ab7-4f75-ad2e-95065159de20","lo-shu-i","Lo Shu I","1977-01-01T00:00:00.000Z","pour ensemble mixte (de 3 à 9 instrumentistes)","for mixed ensemble (from 3 to 9 instrumentalists)","Musique instrumentale d'ensemble (Ensemble instrumental mixte \"toutes familles\")","Instrumental ensemble music (Mixed instrumental ensemble with instruments from all families)",[],{"id":224,"slug":225,"title":226,"duration":102,"publishingStartDate":60,"publishingEndDate":60,"descriptionFr":227,"descriptionEn":228,"cardDescription":227,"style":229,"styleEn":230,"editor":65,"tags":231},"10e0eefe-c3a1-4a5a-962b-8bba989af88a","lo-shu-vi","Lo-Shu VI","cinq haïkus, pour flûte et violoncelle","five haikus, for flute and cello","Musique de chambre (Duo bois et cordes)","Chamber music (Woodwind and string duo)",[],{"id":233,"slug":234,"title":235,"duration":236,"publishingStartDate":82,"publishingEndDate":237,"descriptionFr":238,"descriptionEn":239,"cardDescription":238,"style":240,"styleEn":241,"editor":53,"tags":242},"988eb889-f56e-4e0e-9b0c-9801d5cc171f","stephen-climax","Stephen Climax",150,"1984-01-01T00:00:00.000Z","Opéra en trois actes","Opera in three acts","Musique vocale et instrument(s) (3 voix solistes ou plus, chœur(s) et orchestre)","Vocal music and instrument(s) (3 solo voices or more, choir(s) and orchestra)",[243],{"label":244},"Scénique",{"id":246,"slug":247,"title":248,"duration":102,"publishingStartDate":147,"publishingEndDate":147,"descriptionFr":249,"descriptionEn":250,"cardDescription":249,"style":251,"styleEn":252,"editor":87,"tags":253},"d8b2dc9b-4c1f-465d-ab72-9ecb48256279","quartet-1","Quartet","pour flûte, violoncelle, piano et percussion","for flute, cello, piano and percussion","Musique de chambre (Quatuor à vent, percussion, clavier et cordes)","Chamber music (Wind, percussion, keyboard and string quartet)",[],{"id":255,"slug":256,"title":257,"duration":81,"publishingStartDate":258,"publishingEndDate":60,"descriptionFr":259,"descriptionEn":260,"cardDescription":259,"style":261,"styleEn":262,"editor":65,"tags":263},"413e72c2-08ae-4d82-9110-ee1fb926f917","animula","Animula","1988-01-01T00:00:00.000Z","pour flûte, chœur de femmes et ensemble","for flute, women's choir and ensemble","Musique vocale et instrument(s) (Instrument(s) soliste(s), chœur(s) et ensemble de 10 instruments minimum)","Vocal music and instrument(s) (Solo instrument(s), choir(s) and ensemble of 10 instruments or more)",[264],{"label":110},{"id":266,"slug":267,"title":268,"duration":269,"publishingStartDate":270,"publishingEndDate":270,"descriptionFr":271,"descriptionEn":272,"cardDescription":271,"style":273,"styleEn":274,"editor":75,"tags":275},"a66f94aa-1255-4f94-bb8b-cf3ca72e0a75","canto-i","Canto I",7,"1965-01-01T00:00:00.000Z","pour chœur, flûte, piano, pecussion et cordes","for choir, flute, piano, pecussion and strings","Musique vocale et instrument(s) (Chœur mixte et orchestre de chambre)","Vocal music and instrument(s) (Mixed choir and chamber orchestra)",[],{"id":277,"slug":278,"title":279,"duration":280,"publishingStartDate":116,"publishingEndDate":116,"descriptionFr":281,"descriptionEn":282,"cardDescription":281,"style":283,"styleEn":284,"editor":87,"tags":285},"1c4cedfa-dfb1-4d94-a072-d7c724a3a201","dialog-mit-haydn","Dialog mit Haydn",22,"pour 2 pianos et 3 groupes orchestraux","for 2 pianos and 3 orchestral groups","Musique concertante (2 claviers et ensemble/orchestre)","Concertant music (2 keyboards and ensemble/orchestra)",[],{"id":287,"slug":288,"title":289,"duration":290,"publishingStartDate":60,"publishingEndDate":177,"descriptionFr":291,"descriptionEn":292,"cardDescription":291,"style":293,"styleEn":294,"editor":65,"tags":295},"e3b73f29-671c-4b85-ba60-8a40ea4c7a06","don-quijote-de-la-mancha","Don Quijote de la Mancha",165,"31 aventures théâtrales, pour 11 voix solistes et ensemble","31 theatrical adventures, for 11 solo voices and ensemble","Musique vocale et instrument(s) (2 voix solistes ou plus et ensemble de 10 à 25 instruments)","Vocal music and instrument(s) (2 solo voices or more and ensemble of 10 to 25 instruments)",[296,297],{"label":110},{"label":244},{"id":299,"slug":300,"title":301,"duration":302,"publishingStartDate":303,"publishingEndDate":196,"descriptionFr":304,"descriptionEn":305,"cardDescription":304,"style":293,"styleEn":294,"editor":75,"tags":306},"ce13a350-07d0-463d-8299-fd06d521b058","canto-iv","Canto IV",24,"1969-01-01T00:00:00.000Z","pour 16 voix et 16 instruments","for 16 voices and 16 instruments",[],{"id":308,"slug":309,"title":310,"duration":311,"publishingStartDate":82,"publishingEndDate":82,"descriptionFr":312,"descriptionEn":313,"cardDescription":312,"style":314,"styleEn":315,"editor":87,"tags":316},"9327739e-d240-4d23-a838-2935c603bc97","holderlin-lesen-i","Hölderlin Lesen I",20,"pour quatuor à cordes et récitant ad libitum","for string quartet and reciter ad libitum","Musique de chambre (2 violons, alto, violoncelle)","Chamber music (2 violins, viola, cello)",[],{"id":318,"slug":319,"title":320,"duration":102,"publishingStartDate":188,"publishingEndDate":188,"descriptionFr":321,"descriptionEn":322,"cardDescription":321,"style":323,"styleEn":324,"editor":75,"tags":325},"505e56aa-90f5-482e-b3f7-797954cd6a9a","litanei","Litanei","pour 3 violoncelles","for 3 cellos","Musique de chambre (Autre trio à cordes)","Chamber music (Non-standard string trio)",[],{"id":327,"slug":328,"title":329,"duration":311,"publishingStartDate":82,"publishingEndDate":82,"descriptionFr":330,"descriptionEn":331,"cardDescription":330,"style":332,"styleEn":333,"editor":87,"tags":334},"3fbda4d6-9120-4e95-9ac9-8bcee0900e4d","lo-shu-iii","Lo-Shu III","pour flûte, ensemble et électronique","for flute, ensemble and electronics","Musique concertante (Flûte et ensemble de 10 à 25 instruments)","Concertant music (Flute and ensemble of 10 to 25 instruments)",[335,336],{"label":110},{"label":337},"Ircam",{"id":339,"slug":340,"title":341,"duration":280,"publishingStartDate":342,"publishingEndDate":342,"descriptionFr":343,"descriptionEn":344,"cardDescription":343,"style":345,"styleEn":346,"editor":65,"tags":347},"5ec198f3-ed7e-40d5-b403-4ad3c97c557f","nanzen-no-kyo","Nanzen No Kyo","1992-01-01T00:00:00.000Z","Canto VII, pour chœur et orchestre","Canto VII, for choir and orchestra","Musique vocale et instrument(s) (Chœur mixte et orchestre)","Vocal music and instrument(s) (Mixed choir and orchestra)",[],{"id":349,"slug":350,"title":351,"duration":352,"publishingStartDate":353,"publishingEndDate":353,"descriptionFr":354,"descriptionEn":355,"cardDescription":354,"style":356,"styleEn":357,"editor":65,"tags":358},"0c57e47b-7667-400c-be94-0fa415feb91e","schuberts-'winterreise'","Schuberts 'Winterreise'",85,"1993-01-01T00:00:00.000Z","Eine komponierte Interpretation, pour ténor et ensemble","Eine komponierte Interpretation, for tenor and ensemble","Musique vocale et instrument(s) (1 voix d'homme et orchestre)","Vocal music and instrument(s) (1 male voice and orchestra)",[],{"id":360,"slug":361,"title":362,"duration":363,"publishingStartDate":364,"publishingEndDate":364,"descriptionFr":365,"descriptionEn":366,"cardDescription":365,"style":367,"styleEn":368,"editor":87,"tags":369},"fc85c804-d232-4e3a-9d37-60d6313d6265","tre-pezzi-4","Tre Pezzi",8,"1963-01-01T00:00:00.000Z","pour hautbois","for oboe","Musique soliste (sauf voix) (Hautbois)","Solo (excluding voice) (Oboe)",[],{"id":371,"slug":372,"title":373,"duration":176,"publishingStartDate":147,"publishingEndDate":147,"descriptionFr":374,"descriptionEn":375,"cardDescription":374,"style":376,"styleEn":377,"editor":75,"tags":378},"c2daf02f-94a3-4967-8533-a95d3fbd1e54","drei-lieder-1","Drei Lieder","pour soprano et orchestre","for soprano and orchestra","Musique vocale et instrument(s) (1 voix de femme et orchestre)","Vocal music and instrument(s) (1 female voice and orchestra)",[],{"id":380,"slug":381,"title":382,"duration":47,"publishingStartDate":303,"publishingEndDate":303,"descriptionFr":383,"descriptionEn":384,"cardDescription":383,"style":385,"styleEn":386,"editor":75,"tags":387},"8bb83763-2a2b-4423-99a6-088d4f466a96","schachspiel","Schachspiel","pour deux groupes orchestraux","for two orchestral groups","Musique instrumentale d'ensemble (Ensemble instrumental mixte de plus de 25 instruments)","Instrumental ensemble music (Mixed instrumental ensemble of more than 25 instruments)",[],{"id":389,"slug":390,"title":391,"duration":59,"publishingStartDate":137,"publishingEndDate":137,"descriptionFr":392,"descriptionEn":393,"cardDescription":392,"style":394,"styleEn":395,"editor":75,"tags":396},"9e742e3e-74fd-42ce-acc1-b9743ddd9a23","muji-no-kyo","Muji no kyo","pour voix, instruments solistes et ensemble variable","for voice, solo instruments and variable ensemble","Musique vocale et instrument(s) (Voix soliste(s), instrument(s) soliste(s) et orchestre)","Vocal music and instrument(s) (Solo voice(s), solo instrument(s) and orchestra)",[],{"id":398,"slug":399,"title":400,"duration":401,"publishingStartDate":402,"publishingEndDate":403,"descriptionFr":404,"descriptionEn":405,"cardDescription":404,"style":73,"styleEn":74,"editor":65,"tags":406},"c610dac5-3ef0-4c7f-ae5c-aa8bdc2cee25","cabaret-voltaire","Cabaret Voltaire",21,"2001-01-01T00:00:00.000Z","2002-01-01T00:00:00.000Z","pour soprano et octuor","for soprano and octet",[],{"id":408,"slug":409,"title":410,"duration":11,"publishingStartDate":48,"publishingEndDate":48,"descriptionFr":411,"descriptionEn":412,"cardDescription":411,"style":85,"styleEn":86,"editor":53,"tags":413},"294b60f0-df0a-44a3-bb43-c43ef24ffd6c","angezogen-vom-ton-der-flote","Angezogen vom Ton der Flöte","\u003Ci>Drei Stücke nach japanischen Zen-Sprüchen\u003C/i>, pour flûte","\u003Ci>Drei Stücke nach japanischen Zen-Sprüchen\u003C/i>, for flute",[],{"id":415,"slug":416,"title":417,"duration":418,"publishingStartDate":94,"publishingEndDate":237,"descriptionFr":419,"descriptionEn":420,"cardDescription":419,"style":240,"styleEn":241,"editor":53,"tags":421},"28bccd9b-82d9-4852-a2bf-cb2147b46b0f","wuste:-tagzeiten-simeons","Wüste: Tagzeiten Simeons",30,"Suite n° 2 tirée de l'opéra \u003Ci>Stephen Climax\u003C/i>, pour 5 chanteurs, chœur d'hommes et orchestre","Suite n °2 from the opera \u003Ci>Stephen Climax\u003C/i>, for 5 singers, male choir and orchestra",[],{"id":423,"slug":424,"title":425,"duration":302,"publishingStartDate":177,"publishingEndDate":177,"descriptionFr":426,"descriptionEn":427,"cardDescription":426,"style":73,"styleEn":74,"editor":65,"tags":428},"38f8e846-fbc6-485b-b0d8-7e416f4c6fc7","denn-wiederkommen-1992-01-01","Denn wiederkommen","Höderlin lesen III, pour récitant et quatuor à cordes","Höderlin lesen III, for narrator and string quartet",[],{"id":430,"slug":431,"title":432,"duration":311,"publishingStartDate":433,"publishingEndDate":433,"descriptionFr":434,"descriptionEn":435,"cardDescription":434,"style":436,"styleEn":437,"editor":65,"tags":438},"b0ff5a81-0c5c-489a-884f-a8e8d73f4946","johannes-iii-1-15","Johannes III, 1-15","1997-01-01T00:00:00.000Z","pour chœur SATB","for SATB choir","Musique vocale a cappella (Chœur mixte à 4 voix)","A cappella vocal music (Mixed four-part 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and orchestra",[],{"id":514,"slug":515,"title":516,"duration":93,"publishingStartDate":206,"publishingEndDate":258,"descriptionFr":517,"descriptionEn":518,"cardDescription":517,"style":356,"styleEn":357,"editor":53,"tags":519},"f486e07f-9c20-4041-b1fb-efc863606dd1","jours-de-silence","Jours de silence","pour baryton et orchestre","for baritone and orchestra",[],{"id":521,"slug":522,"title":523,"duration":524,"publishingStartDate":460,"publishingEndDate":460,"descriptionFr":525,"descriptionEn":526,"cardDescription":525,"style":527,"styleEn":528,"editor":65,"tags":529},"f29d1e81-a33d-4a88-8fa8-90f38f6930f0","bardo","Bardo",26,"pour violoncelle et orchestre","for cello and orchestra","Musique concertante (Violoncelle et orchestre)","Concertant music (Cello and 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orchestra)",[],{"id":640,"slug":641,"title":642,"duration":176,"publishingStartDate":258,"publishingEndDate":258,"descriptionFr":643,"descriptionEn":644,"cardDescription":643,"style":645,"styleEn":646,"editor":65,"tags":647},"fe673234-61a1-47d5-8e76-dc0be91d5bb7","canto-vi","Canto VI","pour baryton-basse solo, chœur mixte et bande magnétique ad lib.","for solo bass-baritone, mixed choir and tape ad lib.","Musique vocale a cappella (1 voix soliste et chœur(s))","A cappella vocal music (Solo voice and choir(s))",[],{"id":649,"slug":650,"title":651,"duration":563,"publishingStartDate":564,"publishingEndDate":564,"descriptionFr":138,"descriptionEn":139,"cardDescription":138,"style":140,"styleEn":141,"editor":65,"tags":652},"949335e3-e77b-4cf1-9f2a-d9397f44f8f1","kalligraphie-i","Kalligraphie 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ensemble/orchestra)",[],{"id":683,"slug":684,"title":685,"duration":126,"publishingStartDate":188,"publishingEndDate":188,"descriptionFr":589,"descriptionEn":590,"cardDescription":589,"style":591,"styleEn":592,"editor":87,"tags":686},"c255251e-06ee-4a40-b0bd-ed8d635a18f3","chiffren","Chiffren",[],{"id":688,"slug":689,"title":690,"duration":363,"publishingStartDate":188,"publishingEndDate":188,"descriptionFr":691,"descriptionEn":692,"cardDescription":691,"style":693,"styleEn":694,"editor":75,"tags":695},"09815c1e-85e6-4795-9c7d-e1b7173ab206","happy-band","Happy Band","pour ensemble de cuivres","for brass ensemble","Musique instrumentale d'ensemble (Ensemble à vent)","Instrumental ensemble music (Wind 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orchestra)",[],{"id":737,"slug":738,"title":739,"duration":166,"publishingStartDate":710,"publishingEndDate":710,"descriptionFr":740,"descriptionEn":741,"cardDescription":740,"style":742,"styleEn":743,"editor":65,"tags":744},"9e8115b9-dca7-4385-90aa-ef848891a63f","ein-wandersmann-...-zornig-...-(holderlin-lesen-v)","Ein Wandersmann ... zornig ... (Hölderlin lesen V)","pour accordéon","for accordion","Musique soliste (sauf voix) (Accordéon ou autres aérophones)","Solo (excluding voice) (Accordion and other aerophone instruments)",[],{"id":746,"slug":747,"title":748,"duration":363,"publishingStartDate":710,"publishingEndDate":710,"descriptionFr":749,"descriptionEn":750,"cardDescription":749,"style":723,"styleEn":724,"editor":65,"tags":751},"eafa6099-29e6-46f3-be35-1d48e77ec59e","por-que-warum","¿Por que / Warum?","pour chœur (en deux groupes)","for choir (in two groups)",[],{"id":753,"slug":754,"title":755,"duration":166,"publishingStartDate":756,"publishingEndDate":756,"descriptionFr":757,"descriptionEn":758,"cardDescription":757,"style":759,"styleEn":760,"editor":65,"tags":761},"595a2c82-0afd-4271-b1ff-6d44d055421e","im-hohlengebirge","Im Höhlengebirge","2015-01-01T00:00:00.000Z","Zwei Polymeter von Jean Paul, pour ténor et piano","Zwei Polymeter von Jean Paul, for tenor and piano","Musique vocale et instrument(s) (Ténor et piano)","Vocal music and instrument(s) (Tenor and piano)",[],["Reactive",763],{"$si18n:cached-locale-configs":764,"$si18n:resolved-locale":33,"$snuxt-seo-utils:routeRules":769,"$ssite-config":770},{"fr":765,"en":767},{"fallbacks":766,"cacheable":41},[],{"fallbacks":768,"cacheable":41},[],{"head":-1,"seoMeta":-1},{"_priority":771,"currentLocale":775,"defaultLocale":775,"description":776,"env":777,"name":778,"url":779},{"name":772,"env":773,"url":774,"description":772,"defaultLocale":774,"currentLocale":774},-3,-15,-2,"fr-FR","Ressources IRCAM est une plateforme de ressources musicales et sonores, développée par l'IRCAM, pour les artistes, les chercheurs et les passionnés de musique.","production","Ressources IRCAM","https://ressources.ircam.fr",["Set"],["ShallowReactive",782],{"/composer/hans-zender/works":-1,"flat pages":-1},"/fr/composer/hans-zender/worksbydate"]