Panel moderated by Danielle Siembieda with: Tilly Boleyn, Melbourne Science Gallery Alexandra Christev & Vladimir De Vaumas, Artists in Residence Television Isabelle Desjeux, Institute of Unnecessary Research Lucas Evers, Waag - Techn

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Panel moderated by Claudia Schnugg, Curator With: Greg Beller - IRCAM Caterina Benincasa - Polyhedra Patricia Moñino Amorós - AITEX Rodrigo Perez Garcia – Polyhedra Gisa Schosswohl – Re-FREAM

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Panel moderated by Andrew Perkis, Norwegian University of Science and Technology Diana Ayton-Shenker, Leonardo / ISAST Camille Baker, University for Creative Art, WEARSustain, STARTS Ecosystem David Berman, Queen Mary University of Lon

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Art and science are intimately linked. The ability to proceed to the unknown, the experimental approaches, the relation to technology, or the modes of collaboration are sometimes similar to two worlds that, at first glance, seem disjointed

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Prof. Dr. Ariane Berthoin Antal is Senior Fellow at the WZB Berlin Social Science Center, Germany. In 2008 she launched an international research program on “artistic interventions in organizations”, building on her earlier work in organiza

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Leonardo/ISAST has two residency programs. LEONARDO RESIDENCY WITH NOKIA BELL LABS Two renowned institutions known for their contributions to arts research in engineering and science are partnering for experimentation in space and time.

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Seeding Innovation Panel moderated by Nicolas Henchoz - EPFL+ECAL LAB With: Keynote: Evan Ziporyn and Leila Kinney – MIT CAST Sandra Boer - Art Partner Jurij Krpan - Kersnikova Institute Nicola Ruffo - swissnex San Francisco Hélène S

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Supporting next generations Roundtable moderated by Ana Solange Leal - Inova+ With Keynote: Alexandra Murray-Leslie and Andrew Perkis - Norwegian University of Science and Technology Deborah Lawler-Dormer - Museum of Applied Arts and S

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The MIT Center for Art, Science & Technology (CAST) was founded in 2012 to support and deepen interaction and collaboration between disciplines. The center has supported approximately 95 artist residencies, 40 courses, 75 public performan

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