\r\nLa première génération qui entre de plein droit dans la base est donc celle constituée par John Cage, Olivier Messiaen ou encore Elliott Carter.\r\n\u003C/p>\r\n\r\n\u003Ch3>Contenus\u003C/h3>\r\n\r\n\u003Cp style=\"text-align: justify;\">\r\nLes données sont progressivement mises à jour depuis juillet 2007, en remplacement de celles de l’ancienne version de la base, développée entre 1996 et 2001 par Marc Texier. L’information peut donc être incomplète pour certains compositeurs non encore traités : dans ce cas l’indication « ! Informations antérieures à 2002 » apparaît en haut de page. Pour tous les autres documents, la date de dernière mise à jour est indiquée en haut de page.\r\n\u003C/p>\r\n\r\n\u003Ch3>Mises à jour et nouvelles entrées\u003C/h3>\r\n\r\n\r\n\u003Cp style=\"text-align: justify;\">Les mises à jour se font compositeur par compositeur. Pour un compositeur donné, sont systématiquement revus ou créés les documents suivants :\r\n\u003C/p>\r\n\u003Cul style=\"text-align: justify;\">\r\n \u003Cli>la biographie\u003C/li>\r\n \u003Cli>le catalogue exhaustif de ses œuvres (y compris, si possible, les œuvres disparues, retirées ou posthumes)\u003C/li>\r\n \u003Cli>une liste de ressources bibliographiques, discographiques et internet,\u003C/li>\r\n \u003Cli>des éventuels documents attachés (Parcours de l’œuvre, interviews, analyses, notes de programme etc.)\u003C/li>\r\n\u003C/ul>\r\n\u003Cp style=\"text-align: justify;\">\r\nLa définition des priorités de mises à jour et nouvelles entrées des compositeurs s’opèrent suivant une méthodologie basée sur l’observation de la vie culturelle européenne :\r\n\u003C/p>\r\n\u003Cul style=\"text-align: justify;\">\r\n \u003Cli>Avant chaque saison, nous relevons les programmations à venir des principaux festivals, institutions et ensembles musicaux européens investis dans le domaine de la création musicale. Cette observation s’opère par cercles concentriques en partant de l’activité propre de l’Ircam (année n-2), puis de celle des partenaires privilégiés (année n-1) jusqu’aux grandes institutions et festivals européens de création (année n) ;\u003C/li>\r\n \u003Cli>Chaque compositeur est crédité de points en fonction de l’importance et de l’intensité de l’activité musicale le concernant. Ce classement permet de définir les priorités pour chaque trimestre ;\u003C/li>\r\n \u003Cli>Si un compositeur n’a pas obtenu assez de points pour figurer dans les priorités, il cumule ceux-ci sur le trimestre suivant ; et ainsi remonte progressivement dans la liste des priorités.\u003C/li>\r\n \u003Cli>Une fois mis à jour, les documents attachés à un compositeur sont valables trois ans, après lesquels le processus décrit ci-dessus reprend.\u003C/li>\r\n\u003C/ul>\t\r\n\r\n\u003Ch3>Erreurs ou omissions\u003C/h3>\t\r\n\t\t\t\t\r\n\u003Cp style=\"text-align: justify;\">\r\nSi la mise à jour est déjà effectuée (date postérieure à juin 2007) : nous invitons les musicologues, les compositeurs (ou leur éditeur) à nous signaler toute erreur ou omission importante. Elle sera corrigée, dans la mesure du possible, au cours du trimestre suivant. De même, nous les invitons à nous faire connaître leurs œuvres nouvelles, en mentionnant tous les éléments nécessaires à la création d’une fiche œuvre nouvelle.\r\n\u003C/p>\r\n\u003Cp style=\"text-align: justify;\">\t\t\r\nSi la mise à jour n’est pas encore effectuée (indication : « mise à jour à venir ») : Les compositeurs peuvent nous signaler des erreurs ou omissions importantes. Ces indications seront prises en compte au moment de la mise à jour à venir. Un compositeur peut également demander le retrait de sa biographie dans l’attente de la mise à jour.\r\n\u003C/p>\r\n\u003Cp style=\"text-align: justify;\">\r\nPour cela : \u003Ca href=\"mailto:brahms-contenu[at]ircam[dot]fr\">écrire\u003C/a> à l’administrateur de publication\r\n\u003C/p>\r\n",{"id":14,"url":15,"titleFr":16,"titleEn":11,"contentFr":17,"contentEn":11},"a3cd05aa-3447-487a-b4fc-213ba0f77e6b","/copyrights/","Mention Légale","La reproduction de contenus de ce site Web, en tout ou partie, est formellement interdite sans la permission écrite de l'Ircam. Les textes, images, logos, codes sources sont la propriété de l'Ircam, ou de détenteurs avec lesquels l'Ircam a négocié les droits de reproduction à sa seule fin d'utilisation dans le cadre du site Brahms. Tout contrevenant s'expose à des poursuites judiciaires. ",{"id":19,"url":20,"titleFr":21,"titleEn":11,"contentFr":22,"contentEn":11},"9162642e-ea99-48c3-8d3b-2dc2a3f8ba45","/repertoire/about/","Projet Répertoire Ircam","\u003Cp>Le Projet Répertoire Ircam est une collection d’analyses musicales en ligne d’environ 70 œuvres crées à l’Ircam et considérées comme représentatives de la culture de l’institut tant sur le plan artistique que technologique.\u003C/p>\r\n\r\n\u003Cp>Ce projet a débuté en 2006-2008 avec la création d’outils auteurs mises en œuvre par le département Interfaces Recherche/Création en collaboration avec le secteur recherche de l’institut. Les premières analyses ont été mises en ligne fin 2010 et il est prévu que la collection s’élargisse à un rythme de deux ou trois nouvelles analyse par an.\u003C/p>\r\n\r\n\u003Cp>Plusieurs objectifs sont poursuivis par ce projet :\u003C/p>\r\n\r\n\u003Cul>\r\n\t\u003Cli>faire connaître les œuvres produites à l’Ircam à un public plus large,\u003C/li>\r\n\t\u003Cli>montrer la relation entre l’idée musicale et les technologies utilisés,\u003C/li>\r\n\t\u003Cli>identifier les nouveaux éléments du vocabulaire musical qui émergent à travers ces œuvres,\u003C/li>\r\n\t\u003Cli>offrir un support d’information aux interprètes.\u003C/li>\r\n\u003C/ul>\r\n\r\n\u003Cp>Chaque analyse est structurée en trois parties :\u003C/p>\r\n\r\n\u003Col>\r\n\t\u003Cli>description générale de l’œuvre,\u003C/li>\r\n\t\u003Cli>analyse des extraits de l’œuvre avec mise en relation de l’idée musicale et de l’écriture électronique,\u003C/li>\r\n\t\u003Cli>la liste de ressources spécifiques (type de problème musical abordé, technologies utilisées, œuvres abordant le même type de problématique) et générales (biographique, historique, technique).\u003C/li>\r\n\u003C/ol>\r\n\r\n\u003Cp>Les analyses seront également mises en relation avec :\u003C/p>\r\n\r\n\u003Cul>\r\n\t\u003Cli>Brahms : une base de données encyclopédique en ligne de compositeurs de musique contemporaine de toutes les nationalités dont les œuvres ont été créées après 1945. Cette base contient actuellement environ 600 références. Pour chaque compositeur, il y a une partie biographique accompagnée des sources d’information, et une autre partie qui situe l’orientation esthétique, les phases principales et le contexte historique de l’œuvre.\u003C/li>\r\n\t\u003Cli>Images d’une œuvre : une collection des interviews filmés des compositeurs.\u003C/li>\r\n\t\u003Cli>Sidney : une base de données qui contient les éléments techniques (programmes informatiques, sons etc. ) nécessaires pour l’exécution de l’œuvre.\u003C/li>\r\n\u003C/ul>\r\n\r\n\u003Cp>A plus long terme, les analyses des nouvelles œuvres créés à l’Ircam viendront se rajouter au corpus donné dans l’annexe citée ci-dessus.\u003C/p>",{"data":24},{"personBySlug":25},{"firstName":26,"lastName":27,"privateState":28,"biographyDate":29,"resume":30,"resumeEn":31,"resources":32,"catalogueSource":33,"manualUpdateDate":34,"documents":11,"photo":35,"copyrights":11,"slug":37,"hasArticles":38,"type":39,"hasWorks":40,"works":41,"hasBiography":40,"hasWorkcourse":40,"hasAnalyses":38,"hasBooks":38,"hasMonographs":38,"hasPartitions":38,"hasFloraAudios":38,"hasAudios":38,"hasVideos":38},"Alberto Evaristo","Ginastera","valid","2012-01-03T00:00:00.000Z","Compositeur argentin né le 11 avril 1916 à Buenos Aires, mort le 25 juin 1983 à Genève.","Argentinian composer born 11 April 1916 in Buenos Aires; died 25 June 1983 in Geneva, Switzerland.","\u003Ch4 id=\"bibliographie\">Bibliographie\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>\u003Cem>Alberto Ginastera,\u003C/em> catalogue [1986], introductions de Malena Kuss et Aurora Nátola-Ginastera, Boosey & Hawkes, 1999, \u003Ca href=\"http://www.boosey.com/composer/Alberto+Ginastera\">http://www.boosey.com\u003C/a> \u003Cem>(lien vérifié en janvier 2012).\u003C/em>\u003C/li>\u003Cli>Esteban BUCH, \u003Cem>The Bomarzo Affair. Opera, perversión y dictadura,\u003C/em> Buenos Aires, Adriana Hidalgo, 2003 ; en français : \u003Cem>L'affaire Bomarzo. Opéra, perversion et dictature\u003C/em>, Paris, EHESS, coll. « Cas de figure », 2011.\u003C/li>\u003Cli>Esteban BUCH, « L’avant-garde musicale à Buenos Aires : Paz contra Ginastera », \u003Cem>Circuit. Musiques contemporaines\u003C/em> 17/2, \u003Cem>Plein sud : avant-gardes musicales en Amérique latine au XXe siècle\u003C/em> (J. Goldman éd.), 2007, p. 11-32.\u003C/li>\u003Cli>Aaron COPLAND, « The Composers of South America », \u003Cem>Modern Music\u003C/em> 19/2 (1942), p. 75-82.\u003C/li>\u003Cli>Gilbert CHASE, « Ginastera, Alberto (Evaristo) », \u003Cem>The New Grove Dictionary of Music and Musiciens,\u003C/em> Londres, vol. 7, 1980, p. 387-390.\u003C/li>\u003Cli>Malena KUSS, « Ginastera, Alberto », \u003Cem>Die Musik in Geschichte und Gegenwart,\u003C/em> Kassel, 2002, p. 974-982.\u003C/li>\u003Cli>Malena KUSS, « Symbol und Phantasie in Ginasteras \u003Cem>Bomarzo\u003C/em> (1967) », Friedrich SPANGEMACHER (éd.), \u003Cem>Alberto Ginastera\u003C/em>, Bonn, Boosey & Hawkes, 1984, p. 88-102.\u003C/li>\u003Cli>Malena KUSS, « Type, Derivation, and Use of Folk Idioms in Ginastera’s Don Rodrigo (1964) », \u003Cem>Latin American Music Review\u003C/em> 1/2, automne – hiver 1980, p. 176-196.\u003C/li>\u003Cli>Malena KUSS, avec la collaboration de Lukas HANDSCHEIN (éd.), \u003Cem>Alberto Ginastera. Musikmanuscripte,\u003C/em> Inventare der Paul Sacher Stiftung, Bâle, Amadeus, 1990.\u003C/li>\u003Cli>Antonieta SOTTILE, \u003Cem>Alberto Ginastera. Le(s) style(s) d’un compositeur argentin,\u003C/em> préface de Jean-Jacques Nattiez, Paris, L’Harmattan, 2007.\u003C/li>\u003Cli>Friedrich SPANGEMACHER (éd.), \u003Cem>Alberto Ginastera,\u003C/em> Bonn, Boosey & Hawkes, 1984.\u003C/li>\u003Cli>Eduardo STORNI, \u003Cem>Ginastera,\u003C/em> Madrid, Espasa-Calpe, 1983.\u003C/li>\u003Cli>Deborah SCHWARTZ-KATES, « Ginastera, Alberto (Evaristo) », \u003Cem>The New Grove Dictionary of Music and Musicians,\u003C/em> Londres, vol. 9, 2001, p. 875-879.\u003C/li>\u003Cli>Deborah SCHWARTZ-KATES, « Alberto Ginastera, Argentine Cultural Construction, and the Gauchesco Tradition », \u003Cem>The Music Quarterly\u003C/em> 86/2, été 2002, p. 248-281.\u003C/li>\u003Cli>Deborah SCHWARTZ-KATES, « The Film Music of Alberto Ginastera: An Introduction to the Sources and Their Significance \u003Cem>», Latin American Music Review\u003C/em> 27/2, automne – hiver 2006, p. 171-195.\u003C/li>\u003Cli>Deborah SCHWARTZ-KATES, \u003Cem>Alberto Ginastera : A Research and Information Guide\u003C/em>, Routledge, 2010.\u003C/li>\u003Cli>Pola SUÁREZ URTUBEY, \u003Cem>Alberto Ginastera,\u003C/em> Buenos Aires, Ediciones Culturales Argentinas, 1967.\u003C/li>\u003Cli>Pola SUÁREZ URTUBEY,\u003Cem>Ginastera en cinco movimientos,\u003C/em> Buenos Aires, Victor Lerú, 1972.\u003C/li>\u003Cli>Michelle TABOR, « Alberto Ginastera’s Late Instrumental Style », \u003Cem>Latin American Music Review / Revista de Música Latinoamericana\u003C/em> 15/1, printemps – été 1994, p. 1-31.\u003C/li>\u003C/ul>\n\u003Ch4 id=\"discographie\">Discographie\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>Alberto GINASTERA, \u003Cem>Popol Vuh\u003C/em> op. 44 ; \u003Cem>Cantata para América Mágica\u003C/em> op. 27, Rayanne Dupius : soprano, Bugalo-Williams : duo de pianos, Ensemble S. Schlagzeugerensemble der Musikhochschule Köln, WDR SInfonieorchestrer Köln, direction : Stefan Asbury, 1 sacd Neos, 2010.\u003C/li>\u003Cli>Alberto GINASTERA, \u003Cem>Glosses on Themes of Pablo Casals\u003C/em> op. 48 ; \u003Cem>Variaciones Concertantes\u003C/em> ; \u003Cem>Glosses on Themes of Pablo Casals,\u003C/em> London Symphony Orchestra, Israel Chamber Orchestra, direction : Gisele Ben-Dor, 1 cd Naxos, 2010.\u003C/li>\u003Cli>Alberto GINASTERA, \u003Cem>Estancia\u003C/em>, suite de ballet pour orchestre op. 8a ; \u003Cem>Suite de danzas criollas\u003C/em> op. 15 (arr. S. Cohen pour orchestre) ; \u003Cem>Panambí\u003C/em>, suite de ballet pour orchestre op. 1a ; \u003Cem>Ollantay\u003C/em> op. 17 ; \u003Cem>Popol Vuh\u003C/em> op. 44, Gisèle Ben-Dor, London Symphony, Jerusalem Symphony, BBC National Orchestra of Wales, 1 cd Naxos, 2010.\u003C/li>\u003Cli>Alberto GINASTERA, « Cello Concertos » : \u003Cem>Concerto n° 1\u003C/em> op. 36 ; \u003Cem>Concerto n° 2\u003C/em> op. 50, Aurora Nátola-Ginastera : violoncelle, Orquesta Sinfónica de Castilla y León, direction : Max Bragado Darman, 1 cd Pierian, 2009.\u003C/li>\u003Cli>Alberto GINASTERA, « Complete String Quartets », \u003Cem>Quatuor à cordes n° 1\u003C/em> op. 20 ; \u003Cem>Quatuor à cordes n° 2\u003C/em> op. 26 ; \u003Cem>Quatuor à cordes n° 3\u003C/em> avec soprano op. 40, Cuarteto Latinoamericano, Claudia Montiel : soprano, 1 cd Brillant, 2009.\u003C/li>\u003Cli>Alberto GINASTERA, « Complete String Quartets », \u003Cem>Quatuor à cordes n° 1\u003C/em> op. 20 ; \u003Cem>Quatuor à cordes n° 2\u003C/em> op. 26 ; \u003Cem>Quatuor à cordes n° 3\u003C/em> avec soprano op. 40, Enso Quartet, Lucy Shelton : soprano, 1 cd Naxos, 2009.\u003C/li>\u003Cli>Alberto GINASTERA, « Complete Music for Cello and Piano » : \u003Cem>Pampeana n° 1\u003C/em> op. 21 ; \u003Cem>Cinco canciones populares argentinas\u003C/em>, op. 10 (arr. M. Kosower) ; \u003Cem>Puneña n° 2\u003C/em>, op. 45 \u003Cem>« Hommage a Paul Sacher »\u003C/em> ; \u003Cem>Cello Sonata\u003C/em> op. 49, Mark Kosower : violoncelle, Jee-Won Oh : piano, 1 cd Naxos, 2008.\u003C/li>\u003Cli>Alberto GINASTERA, \u003Cem>Concerto per corde\u003C/em> op. 33, Musici de Montréal, direction : Yuli Turovsky, 1 cd Chandos, 2006.\u003C/li>\u003Cli>Alberto GINASTERA, \u003Cem>Ollantay\u003C/em> op. 17 ; \u003Cem>Pampeana n° 3\u003C/em> op. 24 ; \u003Cem>Iubilum\u003C/em> op. 51, Orchestre de Louisville, directions : Jorge Mester, Robert S. Whitney et Akira Endo, 1 cd First edition, 2003.\u003C/li>\u003Cli>Alberto GINASTERA, « The Complete Music for Piano and Piano Chamber Ensemble » : \u003Cem>Sonate n° 1\u003C/em>, op. 22 ; \u003Cem>Sonate n° 2\u003C/em>, op. 53 ; \u003Cem>Sonate n° 3\u003C/em>, op. 55 ; \u003Cem>Danzas argentinas\u003C/em> op. 2 ; \u003Cem>Tres Piezas\u003C/em> op. 6 ; \u003Cem>Malambo\u003C/em> op. 7 ; \u003Cem>Doce Preludios Americanos\u003C/em> op. 12 ; \u003Cem>Suite de Danzas Criollas\u003C/em> op. 15 ; \u003Cem>Rondó sobre temas infantiles argentinos\u003C/em> op. 19 ; \u003Cem>Pampeana n° 1\u003C/em> op. 16 ; \u003Cem>Milonga de Dos canciones\u003C/em> op. 3 ; \u003Cem>Tres Danzas de « Estancia »\u003C/em> op. 8 ; \u003Cem>Toccata d’après Domenico Zipoli\u003C/em> ; \u003Cem>Quintette pour piano\u003C/em> op. 29 ; \u003Cem>Pampeana n° 2\u003C/em> op. 21 ; \u003Cem>Sonate pour violoncelle et piano\u003C/em> op. 49, Barbara Nissman : piano, Rubén González : violon, Aurora Nátola-Ginastera : violoncelle, 2 cds Pierian, 2001.\u003C/li>\u003Cli>Alberto GINASTERA, \u003Cem>Estancia\u003C/em> ; \u003Cem>Concerto pour harpe\u003C/em> ; \u003Cem>Glosses sobre temes de Pau Casals\u003C/em> ; \u003Cem>Panambí\u003C/em>, Isabelle Moretti : harpe, Orchestre national de Lyon, direction : David Robertson, 1 cd Naïve, 2000.\u003C/li>\u003Cli>Alberto GINASTERA, \u003Cem>Danzas argentinas\u003C/em> op. 2, dans « Récital Argerich - Live from the Concertgebouw 1978 & 1979 », Marta Argerich : piano, 1 cd EMI, 2000.\u003C/li>\u003Cli>Alberto GINASTERA, \u003Cem>Harp Concerto\u003C/em> op. 25 ; \u003Cem>Estancia,\u003C/em> suite de ballet op. 8a ; \u003Cem>Piano Concerto n° 1\u003C/em> op. 28, Nancy Allen : harpe, Oscar Tarrago : piano, Orchestre de la Ville de México, direction : Enrique Batiz, 1 cd Asv Living Era, 1998.\u003C/li>\u003Cli>Alberto GINASTERA, \u003Cem>Panambí\u003C/em> op. 1 ; \u003Cem>Estancia\u003C/em> op. 8, London Symphony Orchestra, Luis Gaeta : baryton, direction : Gisèle Ben-Dor, 1 cd Conifer Classics, 1998.\u003C/li>\u003Cli>Alberto GINASTERA, « The Complete Piano Music & Chamber Music vith piano, Vol. 3 » : \u003Cem>Dos Canciones\u003C/em> op. 3 ; \u003Cem>Cinco canciones populares argentinas\u003C/em> op. 10 ; \u003Cem>Las horas de una estancia\u003C/em>, op. 11 ; \u003Cem>Pampeana n° 1\u003C/em>, op. 16 ; \u003Cem>Quintette pour piano et cordes\u003C/em>, op. 29, Alberto Portugheis : piano, Bingham Quartet, Olivia Blackburn : soprano, 1 cd Asv Living Era, 1994.\u003C/li>\u003Cli>Alberto GINASTERA, « The Complete Piano Music & Chamber Music vith piano, Vol. 1 » : \u003Cem>Danzas Argentinas\u003C/em>, op. 2 ; \u003Cem>Pequeña danza\u003C/em> (de \u003Cem>Estancia\u003C/em>, arrangement pour piano) ; \u003Cem>Doce preludios americanos\u003C/em>, op. 12 ; \u003Cem>Sonate pour piano n° 1\u003C/em>, op. 22 ; \u003Cem>Pampeana n° 2\u003C/em>, op. 21 ; \u003Cem>Triste\u003C/em> (de \u003Cem>Cinco canciones populares argentinas\u003C/em>, op. 10 n° 2) ; \u003Cem>Sonate pour violoncelle et piano\u003C/em>, op. 49, Alberto Portugheis : piano, Aurora Nátola-Ginastera : violoncelle, 1 cd Asv Living Era, 1993.\u003C/li>\u003Cli>Alberto GINASTERA, « The Complete Piano Music & Chamber Music vith piano, Vol. 2 » : \u003Cem>Piezas infantiles\u003C/em> ; \u003Cem>Dos canciones\u003C/em>, op. 3 (arrangement pour piano) ; \u003Cem>Tres Piezas\u003C/em>, op. 6 ; \u003Cem>Malambo\u003C/em>, op. 7 ; \u003Cem>Suite de danzas criollas\u003C/em>, op. 15 ; \u003Cem>Rondo sobre temas infantiles argentinos\u003C/em>, op. 19 ; \u003Cem>Sonata para piano n° 2\u003C/em>, op. 53 ; \u003Cem>Toccata, d’après Domenico Zipoli\u003C/em> ; \u003Cem>Sonata pour piano n° 3\u003C/em>, op. 55, Alberto Portugheis : piano, 1 cd Asv Living Era, 1993.\u003C/li>\u003Cli>Alberto GINASTERA, « Ginastera’s Sonata », \u003Cem>Sonate pour guitare\u003C/em> op. 47, Carlos Barbosa-Lima : guitare, 1 cd Concord Records, 1993.\u003C/li>\u003Cli>Alberto GINASTERA, \u003Cem>Toccata\u003C/em> d’après le quatrième mouvement du \u003Cem>Concerto pour piano n° 1\u003C/em> op. 28 dans « Emerson, Lake & Palmer, Brain Salad Surgery », 1 cd Rhino.\u003C/li>\u003C/ul>\n","","2012-01-19T00:00:00.000Z",{"getUrl":36},"https://storage.ressources.ircam.fr/ressources/persons/photos/d1a9867f-4100-4590-9914-73a3cafb5784-thumbnail.jpg?response-cache-control=public%2C%20max-age%3D31536000%2C%20immutable&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=ressources%2F20250921%2Fus-east-1%2Fs3%2Faws4_request&X-Amz-Date=20250921T232230Z&X-Amz-Expires=604800&X-Amz-SignedHeaders=host&X-Amz-Signature=3e971890a023bc393da4d373a037d566dafa9ebf1c3282990fc04535074b5de8","alberto-ginastera",false,"COMPOSER",true,[42,54,66,78,89,97,108,119,125,130,139,150,164,172,184,193,204,210,218,225,230,236,246,252,258,265,276,282,287,292,298,305,315,323,328,337,348,358,367,377,384,389,395,404,414,421,426,434,440,445,451,457,464,472,478,485,493,499,504,509,514,523,531,537,545,552,559,568,579,584,592,597,606,614,622,629,637,643,648,654],{"id":43,"slug":44,"title":45,"duration":46,"publishingStartDate":47,"publishingEndDate":47,"descriptionFr":48,"descriptionEn":49,"cardDescription":48,"style":50,"styleEn":51,"editor":52,"tags":53},"af02fee4-6eae-4201-b009-2247862c374e","punena-n-2","Puneña n° 2",9,"1976-01-01T00:00:00.000Z","\u003Ci>Hommage à Paul Sacher\u003C/i>, pour violoncelle solo","\u003Ci>Hommage à Paul Sacher\u003C/i>, for solo cello","Musique soliste (sauf voix) (Violoncelle)","Solo (excluding voice) (Cello)","Boosey & Hawkes",[],{"id":55,"slug":56,"title":57,"duration":58,"publishingStartDate":59,"publishingEndDate":59,"descriptionFr":60,"descriptionEn":61,"cardDescription":60,"style":62,"styleEn":63,"editor":64,"tags":65},"160fffad-7a21-4a5e-a1f5-47d1d371694e","concierto-argentino","Concierto argentino",17,"1935-01-01T00:00:00.000Z","pour piano et petit orchestre","for piano and small orchestra","Musique concertante (Piano et orchestre de chambre)","Concertant music (Piano and chamber orchestra)","partition retirée du catalogue",[],{"id":67,"slug":68,"title":69,"duration":70,"publishingStartDate":71,"publishingEndDate":71,"descriptionFr":72,"descriptionEn":73,"cardDescription":72,"style":74,"styleEn":75,"editor":76,"tags":77},"34cc9d80-97af-4bb1-9828-b0c526ca0047","cantos-del-tucuman","Cantos del Tucumán",10,"1938-01-01T00:00:00.000Z","pour soprano, violon, harpe et deux tambours indiens","for soprano, violin, harp and two Indian drums","Musique vocale et instrument(s) (1 voix soliste et ensemble jusqu'à 9 instruments)","Vocal music and instrument(s) (Solo voice and ensemble of up to 9 instruments)","Ricordi",[],{"id":79,"slug":80,"title":81,"duration":82,"publishingStartDate":83,"publishingEndDate":83,"descriptionFr":84,"descriptionEn":85,"cardDescription":84,"style":86,"styleEn":87,"editor":76,"tags":88},"6f0e471a-b7c0-4de5-bb2c-a115db07a86a","malambo","Malambo",2,"1940-01-01T00:00:00.000Z","pour piano","for piano","Musique soliste (sauf voix) (Piano solo)","Solo (excluding voice) (Solo piano)",[],{"id":90,"slug":91,"title":92,"duration":11,"publishingStartDate":93,"publishingEndDate":93,"descriptionFr":33,"descriptionEn":33,"cardDescription":33,"style":94,"styleEn":95,"editor":11,"tags":96},"fabb120f-d8b1-4780-bd8a-e7f6ef36622c","musique-pour-le-film-malambo-de-alberto-de-zavalia","Musique pour le film Malambo, de Alberto de Zavalía","1942-01-01T00:00:00.000Z","Effectif non spécifié (Effectif non spécifié)","Unspecified instrumentation (Unspecified instrumentation)",[],{"id":98,"slug":99,"title":100,"duration":101,"publishingStartDate":102,"publishingEndDate":102,"descriptionFr":103,"descriptionEn":104,"cardDescription":103,"style":105,"styleEn":106,"editor":76,"tags":107},"f88982d2-a747-424b-b458-e63408e92a84","cinco-canciones-populares-argentinas","Cinco canciones populares argentinas",12,"1943-01-01T00:00:00.000Z","pour voix et piano","for voice and piano","Musique vocale et instrument(s) (1 voix non précisée et piano)","Vocal music and instrument(s) (Unspecified solo voice and piano)",[],{"id":109,"slug":110,"title":111,"duration":112,"publishingStartDate":113,"publishingEndDate":113,"descriptionFr":114,"descriptionEn":115,"cardDescription":114,"style":116,"styleEn":117,"editor":64,"tags":118},"c1b5c1fb-730f-4bb0-991c-3ac124c312f7","symphonie-n-2-'elegiaque'","Symphonie n° 2 ‘Elégiaque’ ",22,"1944-01-01T00:00:00.000Z","pour orchestre","for orchestra","Musique instrumentale d'ensemble (Musique orchestrale)","Instrumental ensemble music (Orchestral music)",[],{"id":120,"slug":121,"title":122,"duration":11,"publishingStartDate":123,"publishingEndDate":123,"descriptionFr":33,"descriptionEn":33,"cardDescription":33,"style":94,"styleEn":95,"editor":11,"tags":124},"6544ff18-8ee6-4281-a596-7d2942a952b6","musique-pour-le-film-'les-maridos-de-mama'-de-edgardo-togni","Musique pour le film 'Les maridos de mamá', de Edgardo Togni","1958-01-01T00:00:00.000Z",[],{"id":126,"slug":127,"title":128,"duration":11,"publishingStartDate":123,"publishingEndDate":123,"descriptionFr":33,"descriptionEn":33,"cardDescription":33,"style":94,"styleEn":95,"editor":11,"tags":129},"a06fab67-d28f-4006-95a5-9251091e73e3","musique-pour-le-film-'hay-que-banar-al-nene'-de-edgardo-togni","Musique pour le film 'Hay que bañar al nene', de Edgardo Togni ",[],{"id":131,"slug":132,"title":133,"duration":134,"publishingStartDate":135,"publishingEndDate":135,"descriptionFr":33,"descriptionEn":33,"cardDescription":33,"style":136,"styleEn":137,"editor":52,"tags":138},"e0ac7e7c-22b1-4c46-81d6-460594b04c55","concerto-pour-violon-2","Concerto pour violon",28,"1963-01-01T00:00:00.000Z","Musique concertante (Violon et orchestre)","Concertant music (Violin and orchestra)",[],{"id":140,"slug":141,"title":142,"duration":143,"publishingStartDate":144,"publishingEndDate":144,"descriptionFr":145,"descriptionEn":146,"cardDescription":145,"style":147,"styleEn":148,"editor":52,"tags":149},"94be2b62-8759-4b7b-8d21-8be6e09fc2e9","cantata-bomarzo","Cantata Bomarzo",26,"1964-01-01T00:00:00.000Z","pour récitant, ténor ou baryton, et orchestre de chambre","for narrator, tenor or baritone, and chamber orchestra","Musique vocale et instrument(s) (2 voix solistes ou plus et orchestre de chambre bois par 1)","Vocal music and instrument(s) (2 or more solo voices and single wind chamber orchestra)",[],{"id":151,"slug":152,"title":153,"duration":154,"publishingStartDate":155,"publishingEndDate":156,"descriptionFr":157,"descriptionEn":158,"cardDescription":157,"style":159,"styleEn":160,"editor":52,"tags":161},"48ad7db1-b96c-4c7e-9a40-37a7355aeb07","bomarzo","Bomarzo",160,"1966-01-01T00:00:00.000Z","1967-01-01T00:00:00.000Z","opéra en deux actes et quinze tableaux","opera in two acts and fifteen scenes","Musique vocale et instrument(s) (2 voix solistes ou plus et orchestre)","Vocal music and instrument(s) (2 solo voices or more and orchestra)",[162],{"label":163},"Scénique",{"id":165,"slug":166,"title":167,"duration":134,"publishingStartDate":168,"publishingEndDate":168,"descriptionFr":33,"descriptionEn":33,"cardDescription":33,"style":169,"styleEn":170,"editor":52,"tags":171},"9c9b3d9d-1dbc-4026-86f6-fa46ac68e9ce","concerto-pour-violoncelle-n-1-1","Concerto pour violoncelle n° 1","1968-01-01T00:00:00.000Z","Musique instrumentale d'ensemble (Grand orchestre type \"bois par 3\" (ou plus))","Instrumental ensemble music (Triple wind orchestra (or larger))",[],{"id":173,"slug":174,"title":175,"duration":176,"publishingStartDate":177,"publishingEndDate":177,"descriptionFr":178,"descriptionEn":179,"cardDescription":178,"style":180,"styleEn":181,"editor":52,"tags":182},"bf2693fc-d69c-491d-8a45-82eea792bf40","beatrix-cenci","Beatrix Cenci",90,"1971-01-01T00:00:00.000Z","opéra en deux actes et quatorze tableaux","opera in two acts and fourteen tableaux","Musique vocale et instrument(s) (3 voix solistes ou plus, chœur(s) et orchestre)","Vocal music and instrument(s) (3 solo voices or more, choir(s) and orchestra)",[183],{"label":163},{"id":185,"slug":186,"title":187,"duration":188,"publishingStartDate":189,"publishingEndDate":189,"descriptionFr":33,"descriptionEn":33,"cardDescription":33,"style":190,"styleEn":191,"editor":52,"tags":192},"6b9201c5-0041-457d-adb1-bfafecd0d16a","concerto-pour-piano-n-2-1","Concerto pour piano n° 2",35,"1972-01-01T00:00:00.000Z","Musique concertante (Piano et orchestre)","Concertant music (Piano and orchestra)",[],{"id":194,"slug":195,"title":196,"duration":197,"publishingStartDate":198,"publishingEndDate":198,"descriptionFr":199,"descriptionEn":200,"cardDescription":199,"style":201,"styleEn":202,"editor":52,"tags":203},"69a8f02a-3869-4351-a2d2-b1d9ca1b260a","turbae-ad-passionem-gregorianam","Turbae ad Passionem Gregorianam",60,"1974-01-01T00:00:00.000Z","pour trois chanteurs grégoriens, chœur d’enfants, chœur mixte et orchestre","for three Gregorian singers, children's choir, mixed choir and orchestra","Musique vocale et instrument(s) (2 voix solistes, chœur(s) et orchestre)","Vocal music and instrument(s) (2 solo voices, choir(s) and orchestra)",[],{"id":205,"slug":206,"title":207,"duration":11,"publishingStartDate":208,"publishingEndDate":208,"descriptionFr":84,"descriptionEn":85,"cardDescription":84,"style":86,"styleEn":87,"editor":64,"tags":209},"661e5fd8-3006-4415-aaba-8a9737661124","piezas-infantiles","Piezas infantiles","1934-01-01T00:00:00.000Z",[],{"id":211,"slug":212,"title":213,"duration":214,"publishingStartDate":215,"publishingEndDate":215,"descriptionFr":84,"descriptionEn":85,"cardDescription":84,"style":86,"styleEn":87,"editor":216,"tags":217},"dfcdce44-a295-4038-a295-b6ec7c4c630a","danzas-argentinas","Danzas Argentinas",8,"1937-01-01T00:00:00.000Z","Durand",[],{"id":219,"slug":220,"title":221,"duration":46,"publishingStartDate":102,"publishingEndDate":102,"descriptionFr":114,"descriptionEn":115,"cardDescription":114,"style":222,"styleEn":223,"editor":52,"tags":224},"c30fa54d-4e24-48e2-9584-5ab5ee417594","obertura-para-el-fausto-criollo","Obertura para el Fausto Criollo","Musique instrumentale d'ensemble (Orchestre type \"bois par 2\")","Instrumental ensemble music (Double wind orchestra)",[],{"id":226,"slug":227,"title":228,"duration":101,"publishingStartDate":113,"publishingEndDate":113,"descriptionFr":84,"descriptionEn":85,"cardDescription":84,"style":86,"styleEn":87,"editor":52,"tags":229},"22b74174-977d-4487-9d28-6a5f1b5e6799","doce-preludios-americanos","Doce Preludios Americanos",[],{"id":231,"slug":232,"title":233,"duration":11,"publishingStartDate":234,"publishingEndDate":234,"descriptionFr":33,"descriptionEn":33,"cardDescription":33,"style":94,"styleEn":95,"editor":11,"tags":235},"c78469f5-53ce-4a59-ac93-1ec8d2862b7d","musique-pour-le-film-'rosa-de-america'-de-alberto-de-zavalia","Musique pour le film 'Rosa de América', de Alberto de Zavalía ","1945-01-01T00:00:00.000Z",[],{"id":237,"slug":238,"title":239,"duration":214,"publishingStartDate":240,"publishingEndDate":240,"descriptionFr":241,"descriptionEn":242,"cardDescription":241,"style":243,"styleEn":244,"editor":52,"tags":245},"f158730b-ecb7-48f9-9bef-c4d9fb162fd5","pampeana-n-1","Pampeana n° 1","1947-01-01T00:00:00.000Z","rhapsodie pour violon et piano","rhapsody for violin and piano","Musique de chambre (Duo piano et violon)","Chamber music (Piano and violin duo)",[],{"id":247,"slug":248,"title":249,"duration":250,"publishingStartDate":240,"publishingEndDate":240,"descriptionFr":84,"descriptionEn":85,"cardDescription":84,"style":86,"styleEn":87,"editor":52,"tags":251},"d82c5e1a-4863-4a1f-96b5-6e4966e02a00","rondo-sobre-temas-infantiles-argentinos","Rondó sobre temas infantiles argentinos",3,[],{"id":253,"slug":254,"title":255,"duration":11,"publishingStartDate":256,"publishingEndDate":256,"descriptionFr":33,"descriptionEn":33,"cardDescription":33,"style":94,"styleEn":95,"editor":11,"tags":257},"f799c659-56d8-4fcd-b369-e6afb2fe7b54","musique-pour-le-film-de-julio-saraceni-'nace-la-libertad'","Musique pour le film de Julio Saraceni 'Nace la libertad'","1949-01-01T00:00:00.000Z",[],{"id":259,"slug":260,"title":261,"duration":262,"publishingStartDate":263,"publishingEndDate":263,"descriptionFr":33,"descriptionEn":33,"cardDescription":33,"style":86,"styleEn":87,"editor":52,"tags":264},"51599213-d332-4b8e-bf21-ba5150dd597c","sonate-pour-piano-n-1-1","Sonate pour piano n° 1",16,"1952-01-01T00:00:00.000Z",[],{"id":266,"slug":267,"title":268,"duration":269,"publishingStartDate":270,"publishingEndDate":270,"descriptionFr":271,"descriptionEn":272,"cardDescription":271,"style":273,"styleEn":274,"editor":52,"tags":275},"0f17164f-b5e9-4c2a-817a-749b9758cac4","variaciones-concertantes","Variaciones concertantes",23,"1953-01-01T00:00:00.000Z","pour orchestre de chambre","for chamber orchestra","Musique instrumentale d'ensemble (Orchestre de chambre type \"bois par 1\")","Instrumental ensemble music (Single wind orchestra)",[],{"id":277,"slug":278,"title":279,"duration":11,"publishingStartDate":280,"publishingEndDate":280,"descriptionFr":33,"descriptionEn":33,"cardDescription":33,"style":94,"styleEn":95,"editor":11,"tags":281},"6013c704-6dcf-40c0-9b69-a11782b61613","musique-pour-le-film-'su-seguro-servidor'-de-edgardo-togni","Musique pour le film 'Su seguro servidor', de Edgardo Togni","1954-01-01T00:00:00.000Z",[],{"id":283,"slug":284,"title":285,"duration":11,"publishingStartDate":123,"publishingEndDate":123,"descriptionFr":33,"descriptionEn":33,"cardDescription":33,"style":94,"styleEn":95,"editor":11,"tags":286},"dc055af3-86e5-4297-a423-a295274e333d","musique-pour-le-film-'enigma-de-mujer'-de-enrique-cahen-salaberry","Musique pour le film 'Enigma de mujer', de Enrique Cahen Salaberry ",[],{"id":288,"slug":289,"title":290,"duration":11,"publishingStartDate":123,"publishingEndDate":123,"descriptionFr":33,"descriptionEn":33,"cardDescription":33,"style":94,"styleEn":95,"editor":11,"tags":291},"6c5eecb7-5628-4128-bc75-016b25c4a023","musique-pour-le-film-'primavera-de-la-vida'-de-arne-mattson","Musique pour le film 'Primavera de la vida', de Arne Mattson ",[],{"id":293,"slug":294,"title":295,"duration":11,"publishingStartDate":296,"publishingEndDate":296,"descriptionFr":33,"descriptionEn":33,"cardDescription":33,"style":94,"styleEn":95,"editor":11,"tags":297},"0c324f97-7c8a-4288-91ee-ab43c6e742a6","musique-pour-le-film-a-maria-el-corazon-de-alberto-de-zavalia","Musique pour le film A María el corazón, de Alberto de Zavalía","1960-01-01T00:00:00.000Z",[],{"id":299,"slug":300,"title":301,"duration":58,"publishingStartDate":270,"publishingEndDate":280,"descriptionFr":302,"descriptionEn":303,"cardDescription":302,"style":222,"styleEn":223,"editor":52,"tags":304},"f7755fee-2217-479c-b1ec-e8e4b97c3f72","pampeana-n-3","Pampeana n° 3","pastorale symphonique en trois mouvements","symphonic pastoral in three movements",[],{"id":306,"slug":307,"title":308,"duration":309,"publishingStartDate":296,"publishingEndDate":296,"descriptionFr":310,"descriptionEn":311,"cardDescription":310,"style":312,"styleEn":313,"editor":52,"tags":314},"037349cd-3987-47fb-97c7-9b15b3ee8da6","cantata-para-america-magica","Cantata para América Mágica",25,"pour voix et orchestre de percussion","for voice and percussion orchestra","Musique vocale et instrument(s) (1 voix soliste et ensemble de 10 à 25 instruments)","Vocal music and instrument(s) (Solo voice and ensemble of 10 to 25 instruments)",[],{"id":316,"slug":317,"title":318,"duration":269,"publishingStartDate":319,"publishingEndDate":319,"descriptionFr":33,"descriptionEn":33,"cardDescription":33,"style":320,"styleEn":321,"editor":52,"tags":322},"986fe988-691e-4bf5-97a9-d71bbd0b8f0d","concerto-per-corde","Concerto per corde","1965-01-01T00:00:00.000Z","Musique instrumentale d'ensemble (Orchestre à cordes)","Instrumental ensemble music (String orchestra)",[],{"id":324,"slug":325,"title":326,"duration":112,"publishingStartDate":156,"publishingEndDate":156,"descriptionFr":114,"descriptionEn":115,"cardDescription":114,"style":169,"styleEn":170,"editor":52,"tags":327},"a661c0db-e662-4a33-9604-2327992ceba6","estudios-sinfonicos","Estudios Sinfónicos",[],{"id":329,"slug":330,"title":331,"duration":269,"publishingStartDate":177,"publishingEndDate":177,"descriptionFr":332,"descriptionEn":333,"cardDescription":332,"style":334,"styleEn":335,"editor":52,"tags":336},"f2d9fdd8-a687-4567-9f50-0e4c9d523d5d","milena","Milena","cantate pour soprano et orchestre","cantata for soprano and orchestra","Musique vocale et instrument(s) (1 voix de femme et orchestre)","Vocal music and instrument(s) (1 female voice and orchestra)",[],{"id":338,"slug":339,"title":340,"duration":341,"publishingStartDate":342,"publishingEndDate":342,"descriptionFr":343,"descriptionEn":344,"cardDescription":343,"style":345,"styleEn":346,"editor":52,"tags":347},"59a53877-9915-4205-a68c-73e20d97387d","serenata-7","Serenata",30,"1973-01-01T00:00:00.000Z","pour violoncelle, baryton et ensemble","for cello, baritone and ensemble","Musique vocale et instrument(s) (Voix soliste(s), instrument(s) soliste(s) et ensemble jusqu'à 9 instruments)","Vocal music and instrument(s) (Solo voice(s), solo instrument(s) and ensemble up to 9 instruments)",[],{"id":349,"slug":350,"title":351,"duration":352,"publishingStartDate":47,"publishingEndDate":47,"descriptionFr":353,"descriptionEn":354,"cardDescription":353,"style":355,"styleEn":356,"editor":52,"tags":357},"9af10548-9c75-46d4-983c-dfc540da0a82","glosses-sobre-temes-de-pau-casals","Glosses sobre temes de Pau Casals",15,"pour orchestre à cordes et quintette à cordes \u003Ci>in lontano\u003C/i>","for string orchestra and string quintet \u003Ci>in lontano\u003C/i>","Musique concertante (4 solistes ou plus et ensemble/orchestre)","Concertant music (4 or more soloists and ensemble/orchestra)",[],{"id":359,"slug":360,"title":361,"duration":362,"publishingStartDate":363,"publishingEndDate":363,"descriptionFr":33,"descriptionEn":33,"cardDescription":33,"style":364,"styleEn":365,"editor":52,"tags":366},"01879cb1-dc84-4ab0-85d5-48413c7b3562","sonate-pour-violoncelle-et-piano-3","Sonate pour violoncelle et piano",20,"1979-01-01T00:00:00.000Z","Musique de chambre (Duo piano et violoncelle)","Chamber music (Piano and cello duo)",[],{"id":368,"slug":369,"title":370,"duration":82,"publishingStartDate":371,"publishingEndDate":371,"descriptionFr":372,"descriptionEn":373,"cardDescription":372,"style":374,"styleEn":375,"editor":52,"tags":376},"b79e4eaa-8f21-42d5-807d-94559ffbabbc","fanfare-de-iubilum","Fanfare de Iubilum","1980-01-01T00:00:00.000Z","pour quatre trompettes","for four trumpets","Musique de chambre (Quatuor de cuivres)","Chamber music (Brass quartet)",[],{"id":378,"slug":379,"title":380,"duration":381,"publishingStartDate":382,"publishingEndDate":11,"descriptionFr":33,"descriptionEn":33,"cardDescription":33,"style":86,"styleEn":87,"editor":52,"tags":383},"98d25eb0-2124-49cd-a758-e1c718deb95d","sonate-pour-piano-n-3","Sonate pour piano n° 3",4,"1982-01-01T00:00:00.000Z",[],{"id":385,"slug":386,"title":387,"duration":11,"publishingStartDate":93,"publishingEndDate":93,"descriptionFr":114,"descriptionEn":115,"cardDescription":114,"style":116,"styleEn":117,"editor":64,"tags":388},"4e47a315-bbef-4a35-b883-0b19735b9281","sinfonia-portena","Sinfonía Porteña",[],{"id":390,"slug":391,"title":392,"duration":393,"publishingStartDate":102,"publishingEndDate":113,"descriptionFr":103,"descriptionEn":104,"cardDescription":103,"style":105,"styleEn":106,"editor":52,"tags":394},"95b61eb9-f6bb-4eef-9470-cf1028a96ef0","las-horas-de-una-estancia","Las horas de una estancia",18,[],{"id":396,"slug":397,"title":398,"duration":214,"publishingStartDate":234,"publishingEndDate":234,"descriptionFr":399,"descriptionEn":400,"cardDescription":399,"style":401,"styleEn":402,"editor":52,"tags":403},"bc8fd030-12a8-4abc-b4cd-e9e5f19c5367","duo-18","Duo","pour flûte et hautbois","for flute and oboe","Musique de chambre (Duo de bois)","Chamber music (Woodwind duo)",[],{"id":405,"slug":406,"title":407,"duration":70,"publishingStartDate":408,"publishingEndDate":408,"descriptionFr":409,"descriptionEn":410,"cardDescription":409,"style":411,"styleEn":412,"editor":52,"tags":413},"db81a7e0-fa27-4642-b009-4e7fb1d77a07","hieremiae-prophetae-lamentationes","Hieremiae Prophetae Lamentationes","1946-01-01T00:00:00.000Z","pour chœur mixte \u003Ci>a cappella\u003C/i>","for mixed choir a cappella","Musique vocale a cappella (Chœur mixte a cappella)","A cappella vocal music (Mixed choir a cappella)",[],{"id":415,"slug":416,"title":417,"duration":352,"publishingStartDate":240,"publishingEndDate":240,"descriptionFr":418,"descriptionEn":419,"cardDescription":418,"style":169,"styleEn":170,"editor":52,"tags":420},"6df68ff4-a694-4439-a5d7-3d86449984a7","ollantay","Ollantay","trois mouvements symphoniques d’après une légende quechua dans une version d’Antonio Valdéz","three symphonic movements after a Quechua legend in a version by Antonio Valdéz",[],{"id":422,"slug":423,"title":424,"duration":11,"publishingStartDate":240,"publishingEndDate":240,"descriptionFr":33,"descriptionEn":33,"cardDescription":33,"style":94,"styleEn":95,"editor":11,"tags":425},"e1197e7c-f17c-40c9-9a14-9f1573f36e75","musique-pour-la-piece-de-julio-vier-'las-antiguas-semillas'","Musique pour la pièce de Julio Vier 'Las antiguas semillas'",[],{"id":427,"slug":428,"title":429,"duration":362,"publishingStartDate":430,"publishingEndDate":430,"descriptionFr":33,"descriptionEn":33,"cardDescription":33,"style":431,"styleEn":432,"editor":52,"tags":433},"0bcdce86-ffb5-42f5-b86a-4ebf4791f53b","quatuor-a-cordes-n-1-13","Quatuor à cordes n° 1 ","1948-01-01T00:00:00.000Z","Musique de chambre (2 violons, alto, violoncelle)","Chamber music (2 violins, viola, 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